Male harp player from Keros, c. 2600--2300 B.C.E., Early Cycladic period, marble, 22.5 cm high (National Archaeological Museum, Athens). Speakers: Dr. Beth Harris and Dr. Steven Zucker

Raoul Hausmann, Spirit of the Age: Mechanical Head, 1919, wooden mannequin head with attached objects, 32.5 x 21 x 20 cm (Centre Pompidou, Musée National d’Art Moderne, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Helen Frankenthaler, Mountains and Sea, 1952, oil and charcoal on unsized, unprimed canvas, 219.4 x 297.8 cm (National Gallery of Art, Washington). Created by Beth Harris and Steven Zucker.

Henry VII Chapel, Westminster Abbey, London, begun 1503. Speakers: Dr. Steven Zucker and Dr. Beth Harris.

Drs. Gross and Agnew, and the advance of 19th century medicine. Thomas Eakins, Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875, oil on canvas, 243.8 x 198.1 cm (Philadelphia Museum of Art) and Thomas Eakins, The Agnew Clinic, 1889, oil on canvas, 214 cm × 300 cm (Philadelphia Museum of Art) A conversation with Dr. Kathleen A. Foster, The Robert L. McNeil, Jr., Senior Curator of American Art, and Director, Center for American Art at the Philadelphia Museum of Art A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Eva Hesse, Untitled, enamel paint, string, papier-mâché, elastic cord, 1966 (MoMA) Speakers: Dr. Beth Harris, Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Eva Hesse, Untitled (Rope Piece), 1970, rope, latex, string, wire, variable dimensions (Whitney Museum of American Art). Created by Beth Harris and Steven Zucker.

This grand Californian landscape would soon disappear under water. Albert Bierstadt, Hetch Hetchy Valley, California, c. 1874-80, oil on canvas, 94.8 x 148.2 cm (Bequest of Laura M. Lyman, in memory of her husband Theodore Lyman, Wadsworth Atheneum Museum of Art) A conversation with Erin Monroe, Robert H. Schutz, Jr., Associate Curator of American Paintings and Sculpture, and Beth Harris. Find learning related resources here: https://smarthistory.org/seeing-america-2/

What does William Penn have to do with a little boy and a lion? Edward Hicks, The Peaceable Kingdom, 1826, oil on canvas, 83.5 x 106 cm (Philadelphia Museum of Art) Speakers: Barbara Bassett, Curator of Education, School and Teacher Programs at the Philadelphia Museum of Art and Beth Harris A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

A nude in Victorian America. Hiram S. Powers, The Greek Slave, 1866, marble, 166.4 x 48.9 x 47.6 cm (Brooklyn Museum). Speakers: Margarita Karasoulas, Assistant Curator of American Art, Brooklyn Museum and Beth HarrisA Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Historiated capitals from the crossing of the Church of Sant Miquel of the castle of Camarasa (Noguera), early 13th century, stone, 77 x 1.65 x 77.5 cm (Museu Nacional d'Art de Catalunya, Palau Nacional, Barcelona). Created by Beth Harris and Steven Zucker.

Correcting the lies of history. Kenseth Armstead, Surrender Yorktown 1781, 2013, graphite on paper, 86 x 68 inches (Newark Museum, © 2012 Kenseth Armstead) Speakers: Kenseth Armstead and Steven Zucker A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Signs that guide historical understanding. Hock E Aye VI Edgar Heap of Birds, Native Hosts (Arkansas), 2018, aluminum sign, series of seven, 46.7 x 92.5 cm (Crystal Bridges Museum of American Art, ©Hock E Aye VI Edgar Heap of Birds), a Seeing America video. Speakers: Dr. Mindy Besaw, Curator of American Art, Crystal Bridges Museum of American Art, and Dr. Beth Harris. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

The Symmachi Panel, c. 400 C.E., ivory, 32 x 13 cm (Victoria and Albert Museum, London). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

A portrait of a president transformed by tragedy. Robert Rauschenberg, Retroactive I, 1963, oil and silkscreen-ink print on canvas, 213.4 x 152.4 cm (Wadsworth Atheneum Museum of Art) All works © Robert Rauschenberg A Seeing America video. A conversation with Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Winslow Homer, The Fog Warning (Halibut Fishing), 1885, oil on canvas, 30-1/4 x 48-1/2 inches / 76.83 x 123.19 cm (Museum of Fine Arts, Boston). Created by Beth Harris and Steven Zucker.

Winslow Homer, The Life Line, 1884, oil on canvas, 28-5/8 x 44-3/4 inches / 72.7 x 113.7 cm (Philadelphia Museum of Art). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Edward Hopper, Nighthawks, 1942, oil on canvas, 84.1 x 152.4 cm / 33-1/8 x 60 inches (The Art Institut of Chicago) Speakers: Dr. Beth Harris & Dr. Steven Zucker. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Discrimination undermined the sense of victory for African-American vets. Horace Pippin, Mr. Prejudice, 1943, oil on canvas, 46 x 35.9 cm (Philadelphia Museum of Art). A conversation with Dr. Jessica T. Smith, Susan Gray Detweiler Curator of American Art and Manager, Center for American Art at the Philadelphia Museum of Art and Dr. Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/