With the aim of increasing digital cultural data as a trusted primary source, the Europeana ‘Digital Education with Cultural Heritage’ MOOC will empower teachers and educators to use digital technologies, essential to develop learners' 21st-century skills. This online course will explore the educational potential of digital cultural heritage, improving teachers’ and educators’ understanding so you can efficiently integrate it into your lessons and practices, regardless of the subject. The final goal is to design engaging and deep-learning content for students, museumgoers, or lifelong learners to prepare them as active and responsible citizens. The MOOC is organized around the principle of peer learning, with course content designed to stimulate reflection and discussion so that participants can learn from each other’s experiences and ideas. The course is offered in English, and participants will receive a digital course certificate and badge upon completion of the full course. The course is relevant to teachers of all subjects and levels (primary and secondary), museum educators, and anyone who wants to design educational activities using Europeana, like librarians, archivists, curators, and other non-formal educators. Other educational professionals and stakeholders with an interest in the topic, such as heads of schools, school support staff, and policy makers in education and culture, are also welcome to join.

This lesson plan aims to make students pay more attention to what they eat: to think about the ingredients, how to understand them, and how they are processed to create industrial food products.
Chocolate is the focus of this lesson plan; similar learning goals could also be achieved by using different foods, adapting the educational resources available here in an appropriate way.

These resources have been developed in the Europeana Food and Drink project ( www.foodanddrinkeurope.eu ) .

Peer-reviewed articles in this special issue:

- “Responsible AI Practice in Libraries and Archives: A Review of the Literature” by Sara Mannheimer, Natalie Bond, Scott W. H. Young, Hannah Scates Kettler, Addison Marcus, Sally K. Slipher, Jason A. Clark, Yasmeen Shorish, Doralyn Rossmann, and Bonnie Sheehey. The authors explore the existing literature to identify and summarize trends in how libraries have (or have not) considered AI’s ethical implications.
- “It Takes a Village: A Distributed Training Model for AI-based Chatbots” by Beth Twomey, Annie Johnson, and Colleen Estes, discusses the steps taken at their institution to develop and implement a library chatbot powered by a large language model, as well as lessons learned.
- “‘Gimme Some Truth’ AI Music and Implications for Copyright and Cataloging” by Adam Eric Berkowitz, details modern developments in AI-assisted music creation, and the resultant challenges that these surface regarding copyright and cataloging work.
- “Adapting Machine Translation Engines to the Needs of Cultural Heritage Metadata” by Konstantinos Chatzitheodorou, Eirini Kaldeli, Antoine Isaac, Paolo Scalia, Carmen Grau Lacal, and Mª Ángeles García Escrivá provides an overview of the process used to hone general-use machine translation engines to improve their outputs when translating cultural heritage metadata in the Europeana repository from one language to another.
- “Exploring the Impact of Generative Artificial Intelligence on Higher Education Students' Utilization of Library Resources: A Critical Examination” by Lynsey Meakin applies the Technological Acceptance Model to higher education students’ perceptions and adoption of tools using generative AI models.

Recurring content:
- Public Libraries Leading the Way: “Activating Our Intelligence: A Common-Sense Approach to Artificial Intelligence” by Dorothy Stoltz

- ITAL &: “The Jack in the Black Box: Teaching College Students to Use ChatGPT Critically” by Shu Wan