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Sawaram and Pathuru Dance
Overview
Sawaram and Pathuru Dance Descriptive Note
Sawaram Dance
Savaram dance is one of the most beautiful folk dances in the country. This dance is performed by two hand-held wooden poles with hanging saffron waves on either side. Some say that the origins of savaram dance are a combination of wood dance and Chamara dance. However, the theatrical design of the Sasaram dance is the same It bears no resemblance to the theatrical features of the dances. Terms such as "swarm", "swarm goes" as well as "don't dance too swarm" have been used in many societies. Going on a rampage meant "siege" or "going on a rampage." The main feature of the theatrical design of the Sasaram dance is that the Sasaram moves around the theater in different directions, creating a colorful scene around the body of the dancer and in the space. The vibrant color scheme of the sauerkraut also makes a powerful contribution to creating that vibrancy. Sound poles do not make a sound, as in a wooden dance. Also, as in the case of the Chamara dance, the rhythmic movement of the movement and the manipulation of the lake force are not present in the savaram dance. The beauty of the whole dance is based on the manipulation of the space's charming patterns. The movement of the savaram dance seems to take place according to the medium and rhythmic velocities. Collective performances in groups take precedence over performances in pairs or singles. The vocals used for the savaram dance combine different rhythmic images as well as a variety of tones. To every village dance to that dance There are unique types of singing. The vocals related to the savaram dance are based on praising the beauty of the dancers. Although savaram dances originated from mere entertainment, as in other folk dances, the worship of nature, which seeks permission from natural objects such as the earth, the sun and the moon, is evident in every one of their creations. It can be considered as an ancient common feature associated with the village beliefs that existed among the villagers. 7]
Pathuru Dance
Paturu dance is a popular dance form. Although it is difficult to draw a definite conclusion about the origin of dance, there are various opinions. Some say that the lowland sands 'karan gesi', or barren sport, was the origin of the pop dance. In the Vanni, a road-like device is used to chase away all the birds, and it is said that the device, which was made by cutting a piece of wood, resembled the shape of a piece of wood, which led to the origin of the flake dance. It is said that the aborigines of Sri Lanka also used a device similar to a bullet. Whatever the source, there is no doubt that it is purely for entertainment. A sheet is prepared by making several incisions in a piece of wood about 12 to 15 inches long and 3 to 4 inches wide to a depth of about 6 inches. Its uncut side is shaped like a handle so that it can be held tightly by hand. When the handle is gripped and the cut part of the blade is struck on the hand, arm, arm, or leg, the torn blade strikes together, making a sharp noise. The sound produced by the collision of wood in a wooden dance is similar to the urge to maintain the rhythm in a dance. It is a special feature to carry the leaf with one hand only. The cracks collide, as in the wooden game, which is not seen in the craft dance. Since it is a traditional feature of the body to make a sound by hitting different parts of the body, although playing the flute is a group dance, in most cases the flute is played by beating the drums at the limbs, tilts, shoulders, soles, thighs, and arms. The flute dance also features fast and rhythmic movements that combine the middle and middle rhythms. In pairs, the squats are played with each other's body squats or squats and squats. Some decorate it by hanging a ribbon or a flower ball made of thread on the handle of the leaf. In building the patterns of a group dance, it manages to create a wonderful visual aesthetic that is created between the patterns. Theatrical style of the dance suggests that the dance may have originated from ancient drill drills. This does not mean that the body needs to be flexible enough to fight, nor does it need to be able to use its arms to carry weapons. In the infantry battles of the Sinhala kings, a large number of hand-held weapons such as swords, clubs and clubs were used in the war. Local like Angam wrestling