A satire on the unlikely alliance of rival editors Horace Greeley and James Watson Webb in support of Zachary Taylor for the presidency in 1848. Unlike Webb, one of Taylor's earliest and most enthusiastic New York supporters, Greeley refused to endorse Taylor until late in September 1848. Here, he and the bewhiskered Webb lie side-by-side in a large, canopied "Bed of Availability." Greeley: "Webb dont you think we can get the Government Printing [contracts] after the 4th of next March?" March 4 was the constitutionally established inauguration day until modified by the Twentieth Amendment. Webb: "We might have got it if you had followed your Partner's advice sooner; as it is now, I'm afraid Taylor will be defeated; & there is that dam'd Letter of Willis Hall's." During his campaign, Taylor was a prolific letter writer. In the foreground stands a night table holding copies of Greeley's New York "Tribune" and Webb's "Courier and Enquirer." A spittoon is on the floor near the foot of the bed, and the two men's clothes rest on chairs nearby. On the far wall of the bedchamber hangs a framed portrait of Taylor.|Lith: & pub: by H.R. Robinson 31 Park Row N.Y. (Adjoining Lovejoy's Hotel.)|Probably drawn by W.J.C.|Title appears as it is written on the item.|Weitenkampf, p. 96.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-55.

The victorious James Buchanan sits under a trellis of grape vines, holding reports of election returns on his lap. He reflects, "What a happy morning for my country and myself. Here I find returns for myself & my Kentucky brother [running mate John C. Breckinridge]--beginning with Maine in the North & concluding with Texas in the South. What welcome news to know that the People have not removed a plank of the Democratic Platform. Who will dare breathe Disunion now?" Before him on the ground lie scythes, a shovel, and a pickax; a plough rests nearby. Behind him ripe wheat is visible. On the left, past a low fence, four New York newspaper editors run forward holding up bills for large sums of money. They are a bearded "German editor," Horace Greeley, James Gordon Bennett, and James Watson Webb--frustrated supporters of John C. Fremont, who rides off in the distance saying, "I'm off to Mariposa--Like a foolish fellow, you Editors made me believe papers could do all things--The people you see have used us up. When I get to my gold regions & "back again," I'll pay you "in a horn."" Mosquitoes swarm around him. At right Millard Fillmore emerges from the mouth of a cavern, holding a lantern (a nativist symbol). He confronts Know Nothing founder "Ned Buntline" (Edward Zane Carroll Judson), a bearded man with two pistols at his waist. Fillmore complains, "Oh! Ned! Ned! This is all of your doing. After being a popular Whig President--and walking in the footsteps of Clay, Webster & Cass. I am thrown back by the People into the dark & gloomy caverns of Know Nothingism."|Probably drawn by John L. Magee.|Published by I [i.e. John] Childs 84 Sth 3rd. St. Phila.|Title appears as it is written on the item.|Weitenkampf, p. 118.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1856-27.

A satire, puzzling in its precise meaning, on the ascendance of the radical wing of the Whig party in New York's gubernatorial election of 1846. Influential radical journalist Horace Greeley dances a jig to the music of an ensemble of raccoon musicians. He is called "One of the "Young" Bo-hoys" because of his support of successful liberal Whig candidate John Young, who defeated Democratic incumbent governor Silas Wright. Greeley exults, "Where's Webbs 30,000 men in Buckram now?" a defiant reference to conservative Whig editor James Watson Webb. (Shakespeare's Falstaff brags about men in buckram in "Henry IV," Part One.) The raccoons, symbolizing Henry Clay's supporters in the 1844 election, are optimistic about the outlook for the next presidential race. Violinist: "Play up Clays Grand March for 1848!" Horn player: "Don't commit yourself Brother Coon!" Drummer: "We are always committed to Harry of the West!" Cellist: "I go that-he is the only man for our side of the House!" Flutist: "10,000 for Young! what a change in a year!" Trumpeter: "Wait until spring & you will see another great Victory brother!" On the far right a coon holds up sheet music entitled "For [ex-governor Silas] Wright is a used up man."|Entered . . . 1846 by H.R. Robinson.|Robinson's Lith. 142 Nassau St. N.Y.|T.B. Peterson Agent 98 Chesnut St. Phila.|Title appears as it is written on the item.|Weitenkampf, p. 87.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1846-14.

New York "Tribune" editor Horace Greeley is ridiculed for vacillating between support of candidates Martin Van Buren and Zachary Taylor in the presidential election of 1848. Greeley balances precariously on a tightrope labeled "Mason & Dickson's Line," which is stretched across Salt River. He holds a balancing pole with a bust of Van Buren on one end and Zachary Taylor on the other. His foot rests upon a stool which in turn rests upon a loaf of "Bran Bread" (a well-known Greeley preference) poised on edge on the wire. He comments, "O crackee! it is as hard work for me to define my position as it was for Taylor to define his," referring to Taylor's stubborn refusal to take a public stand on major issues. Below, immersed in the proverbial river of political disaster, is Henry Clay, defeated candidate for the Whig presidential nomination. Clay complains, "Alas! my Whig brethren! to this complexion must we all come at last!" To the right, on shore, a bespectacled man (possibly an abolitionist) reads aloud from a book: "On slipp'ry heights, I see them stand / While briny billows roll below." Further upstream a man dressed in tattered clothes rides a donkey which trails a placard advertising, "Ground & lofty tumbling Mr. Greely's first appearance in that Character." Greeley wears his characteristic pale frock coat and carries a copy of the "Tribune" in his pocket.|Entered . . . 1848 by J. Baillie. |Lith & published by James Baillie, 87th St. near 3d Avenue N.Y.|Title appears as it is written on the item.|Weitenkampf, p. 94.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-54.

Whig presidential candidate Winfield Scott and his party pursue an abolitionist course leading toward Salt River and political doom. New York senator and antislavery advocate William Seward appears as a poodle which leads the blindfolded Scott and his entourage of three asses with the heads of prominent abolitionists David Wilmot, Joshua Reed Giddings, and Horace Greeley. They pass a signpost pointing toward Salt River (ahead) and Washington (in the opposite direction). Seward: "Place the utmost confidence in me gentlemen asses . . . for when was I ever known to betray those with whom I was associated!" Scott: "It seems to me that I scent a strange saltness in the air!" Wilmot carries a "Free Soil" burden and is ridden by a black man. The slave exclaims, "Whew Massa Scott! up here you can see de riber shining in de sun!" Ass Giddings bears a sack marked "Abolition," while behind him Greeley carries a load marked "Higher Law." Greeley complains, "Here I am again upon my winding way. I would be glad to get off on my own hook, but this is my only chance for office, and I should like to get hold of another short term." A man on a hill in the background points toward Washington, exclaiming, "Ho there! Ho there! yonder lies your course! you're going astray! They are deaf as a post, or a set of obstinate jack asses!" (Under the man's feet the name "Seward" was inscribed but later obliterated.)|Published by John Childs, 64 Nassau St. N. York.|Title appears as it is written on the item.|Weitenkampf, p. 108.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1852-32.

The second in a series of anti-Lincoln satires by Bromley & Co. This number was deposited for copyright on July 1, 1864. The artist conjures up a ludicrous vision of the supposed consequences of racial equality in America in this attack on the Republican espousal of equal rights. The scene takes place in a park-like setting with a fountain in the shape of a boy on a dolphin and a large bridge in the background. A black woman (left), "Miss Dinah, Arabella, Aramintha Squash," is presented by abolitionist senator Charles Sumner to President Lincoln. Lincoln bows and says, "I shall be proud to number among my intimate friends any member of the Squash family, especially the little Squashes." The woman responds, "Ise 'quainted wid Missus Linkum I is, washed for her 'fore de hebenly Miscegenation times was cum. Dont do nuffin now but gallevant 'round wid de white gemmen! . . . " A second mixed couple sit at a small table (center) eating ice cream. The black woman says, "Ah! Horace its-its-its bully 'specially de cream." Her companion, Republican editor Horace Greeley, answers, "Ah! my dear Miss Snowball we have at last reached our political and social Paradise. Isn't it extatic?" To the right a white woman embraces a black dandy, saying, "Oh! You dear creature. I am so agitated! Go and ask Pa." He replies, "Lubly Julia Anna, name de day, when Brodder Beecher [abolitionist clergyman Henry Ward Beecher] shall make us one!" At the far right a second white woman sits on the lap of a plump black man reminding him, "Adolphus, now you'll be sure to come to my lecture tomorrow night, wont you?" He assures her, "Ill be there Honey, on de front seat, sure!" A German onlooker (far right) remarks, "Mine Got. vat a guntry, vat a beebles!" A well-dressed man with a monocle exclaims, "Most hextwadinary! Aw neva witnessed the like in all me life, if I did dem me!" An Irishwoman pulls a carriage holding a black baby and complains, "And is it to drag naggur babies that I left old Ireland? Bad luck to me." In the center a Negro family rides in a carriage driven by a white man with two white footmen. The father lifts his hat and says, "Phillis de-ah dars Sumner. We must not cut him if he is walking." Their driver comments, "Gla-a-ang there 240s! White driver, white footmen, niggers inside, my heys! I wanted a sitiwation when I took this one." The term "miscegenation" was coined during the 1864 presidential campaign to discredit the Republicans, who were charged with fostering the intermingling of the races. In the lower margin are prices and instructions for ordering various numbers of copies of the print. A single copy cost twenty-five cents "post paid."|Entered . . . 1864 by Bromly & Co. . . . New York.|Title appears as it is written on the item.|Weitenkampf, p. 141-142.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1864-38.

Lincoln's support of abolition is portrayed here as a liability in his race to the White House against Democratic candidate George B. McClellan. At top a smoothly run train "Union" heads straight for the White House. The engine is labeled "Democracy" and the first car, in which McClellan stands in the role of engineer, flies a flag "Constitution." The other cars are labeled "Union" and are occupied by happy, cheering Democrats. McClellan taunts, "Wouldn't you like to swap horses now? Lincoln?" (probably a reference to Lincoln's replacement of him as commander of the Army of the Potomac). Several of his passengers comment on the wreck of the Republican train below: "H-ll, H ll, I'm used to Railroad accidents but that beats Vibbards all to smash." New York governor Horatio Seymour: "I thought little Mac could take the train through better than I could." "It's no use talking Ben [Union general Benjamin F. Butler]! I told you I was on the right train . . . thunder there's John McKeon [prominent Democrat and New York lawyer ] with us." "Little Mac is the boy to smash up all the Misceganationists." "Politics does make strange bed fellows . . . the d . . . l if there aint Fernandy!" "Fernandy" is Fernando Wood, prominent Peace Democrat and mayor of New York. "Good-bye Horace [Horace Greeley]! Nigger on the brain flummoxed you." "Thus ends the Abolition Party!" "Be the powers the gintleman with his pantaloons in his bootleg is having a high time of it." "Good-bye old Greenbacks!" to Salmon P. Chase, who leaves with a satchel at right. Chase, who resigned his post as secretary of the treasury on June 29, says, "Thank God, I got off that train in the nick of time." In contrast, Lincoln's train, below, is far behind after having crashed on rocks "Confiscation," "Emancipation," "$400,000,000,000 Public Debt," "To Whom It May Concern," and "Abolitionism." Lincoln himself is hurled into the air, and says, "Dont mention it Mac, this reminds me of a . . ." This reference is to Lincoln's rumored penchant for telling humorous stories at inappropriate moments. (See "The Commander-in-Chief Conciliating the Soldier's Votes," no. 1864-30.) "Tribune" publisher and abolitionist Horace Greeley, also in the air, says, "I told you Abe that 'To whom it may concern' would be the death of us." (See "The Sportsman Upset by the Recoil of His Own Gun," no. 1864-31.) A black man crushed in the wreck accuses Lincoln, "Wars de rest ob dis ole darkey? Dis wot yer call 'mancipation'?" Another black man hurtles through the air, retorting, "Lor Amighty Massa Linkum, is dis wot yer call 'Elewating de Nigger'?" Secretary of War Edwin Stanton, hanging out of the train, moans, "Oh! dear! If I could telegraph this to Dix I'd make it out a Victory." Preacher and abolitionist Henry Ward Beecher holds a black child to his breast and prays, "Oh! my brethering! Plymouth Church will try to save the Platform." The notorious Union general Ben Butler exclaims, "H--ll! I've Preyed $2,000,000 already!" The four clean-shaven men in the train are identifiable as Massachusetts senator Charles Sumner, New York journalist and state political leader Thurlow Weed, Secretary of State William Seward, and John McKeon. Sumner: "Say Seward will praying save us?" Seward: "Oh! I'm a goner! Ask Thurlow, he's my spiritual Adviser." Weed: "Pray! yes, pray Brother, Butler will lead." At left Maximilian, puppet emperor of Mexico, confers with John Bull and Napoleon III of France, saying, "Oh Main Got'vi I vas send over to dis land of Greasers to pe chawed up py de Yankees." John Bull's opinion is ". . . This will never do. The Monroe doctrine must be put down." Napoleon III says, ". . . by Gar, if dat train gets to de White House, its all up with my Mexico." During the Civil War, Napoleon III tried to establish a puppet state in Mexico under Emperor Maximilian. At bottom left are prices and ordering instructions for obtaining copies of the print.|Entered . . . 1864 by Bromley & Co. New York.|Title appears as it is written on the item.|Weitenkampf, p. 146.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1864-39.

Winfield Scott's controversial performance as commander in the War of 1812 battle at Lundy's Lane turned to account by the artist in this parody of the general's candidacy in 1852. The battle of Lundy's Lane against the British in Canada in 1814, considered by Scott a personal triumph, was in fact a questionable victory in which the wisdom of Scott's strategy and tactics had been disputed. Here, Scott's abolitionist supporters for the Whig presidential nomination, William Seward (holding Scott by the tails) and Horace Greeley (kneeling at far right), hesitate to let Scott join the "Whig Chorus" on the left, knowing the general's well-known propensity for "faux pas" and imprudent remarks. The general's managers did in fact try to preserve his silence on the major issues before the June 1852 Whig Convention. Seward and Greeley's reluctance here also stems from the party's endorsement of the Compromise of 1850, including the controversial Fugitive Slave Act, as part of its platform. Both avowed antislavery men, Seward and Greeley opposed the measure and wanted to prevent Scott's endorsement of it. With raised sword, Scott tries to rush forward toward the Whig Chorus. The dialogue is set to the tune of "Will you come to bower." The chorus sings: "Will you come to the meeting we've got up for you? / Your feast shall be hasty soup with your favorite Irish stew. / Will you, . . . come to Lundy's lane! / Will you &c. /There on our Platform you can either stand or lie, / With a smile on your cheek and a drop in your eye /Wont you, . . . come to Lundy's lane! / Wont you &c." The reference to a "hasty soup" goes back to Scott's Mexican War days. (See "Distinguished Military Operations," no. 1846-15.) The "Irish stew" allusion may be a sarcasm on Scott's reputed nativist leanings before the Mexican War. Behind the chorus is a camp with a large cauldron (probably soup) on a fire and soldiers in ranks. A nearby flag staff flies American and British flags. Scott responds to the call: "I will come to the meeting if Bill Seward lets me go, / But what I say when I get there I'm sure I do not know. / I will come . . . to Lundy's lane. / I will come &c. / I will take a hasty plate of soup and a smell of Irish stew, / And all sorts of contradictions I will make clear as mud to you. / Wont I come, . . . to Lundy's lane? / Wont I come &c." / Seward sings: / "You cant go to the meeting for you know you are not well, / And you'll make a Judy of yourself I surely do foretell / You cant go, . . .to Lundy's lane. / You cant go &c. / Greeley, weeping, implores Seward: /"Dont let him go to the meeting! With his feathers and his fuss, / He'll certainly expose himself and play the deuce with us. / Dont let him go, . . . to Lundy's lane! / Dont let him go &c. / Scott's concern with image and decorum earned him the nickname "Old Fuss and Feathers."|Published by John Childs, 84 Nassau St. N. York.|Signed with monogram: EWC (Edward Williams Clay).|Title appears as it is written on the item.|Davison, no. 212.|Weitenkampf, p. 107.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1852-16.

Zachary Taylor's stubborn resistance to declaring his views on the major political issues during his candidacy in the 1848 presidential campaign was a favorite theme of the opposition. Here Taylor, in uniform, fields questions from a group of "Office Seekers." The first asks, "What is your opinion of Free-Trade Sir?" A bespectacled man behind him inquires, "What do you think of the Tariff Sir?" Two other men standing in background debate: "We can't find out anything by him." "That's because he's got it in him--A still tongue makes a wise head. Didn't he lick Santa Anna at Buena Vista?" Taylor, sitting with feet propped on a chair back, declares, "Ax my ------! Do you think I sit here to answer your bothering questions? You'll find out what I think when I'm President, & then it will be my part to command & yours to obey." At left, editor Horace Greeley (in long white coat) confides to an unidentified man, "We must take up with Matty [i.e., Martin Van Buren, Free Soil candidate]." The other man states, "We must elect Hale." He refers to John P. Hale, Liberty party nominee for president in the fall of 1847. His nomination was superseded in the coalition of Liberty party and Barnburner Democrats forming the Free Soil party in August 1848 to nominate Van Buren.|Drawn by H. Bucholzer.|Published by J. Baillie 87th St. near 3d. Avenue N.Y.|The Library's impression was deposited for copyright on September 14, 1848.|Title appears as it is written on the item.|Lorant, p. 192.|Weitenkampf, p. 94.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-25.

A satire on the competition between rival editors Horace Greeley and James Gordon Bennett for New York post office printing contracts. The artist also comments on the circulation wars between Bennett's "New York Herald" and Greeley's relatively new paper the "Tribune, "and on latter's editorial support of abolition. Clay shows Greeley (at left) outdistanced by James Gordon Bennett, who rides a black steed with a pouch marked "Black Mail." The pouch may be a reference to some aspect of Bennett's scandal-mongering journalism or to accusations of extortion made against Bennett by British lecturer Silk Buckingham in 1843. Greeley wears his characteristic frock coat, stove-pipe hat, knee-breeches, and boots. The Scottish-born Bennett wears a tam o'shanter, tartan sash, and kilt. The artist exaggerates his cross-eyed squint. Greeley laments, "I'm afraid my two hundred dollars is lost, as well as the Post Office printing!" In December 1842, Greeley was sued for libel by novelist James Fenimore Cooper. In the trial, reported in detail in the "Tribune," the plaintiff was awarded a judgment of $200 against Greeley. Bennett exclaims, "I shall distance the Squash [i.e., Greeley] if he don't pull foot!" Both men race toward the New York Post Office, in front of which stands a man in a hat and long coat--probably the postmaster. The man says, "The largest circulation gets it!" At the left stand two black men, one with a paper marked "Emancipation" in his pocket, the other holding a copy of the "Tribune." The first says, "Brother Greely rideth like one possessed! He reminds me of Death on a pale Horse!" The second, "My presumption is dat de debil himself helps dat dam Bennett!" The essentially racist portrayal of the two blacks is reminiscent of Clay's much earlier "Life in Philadelphia" series. (See Munsing, pp. 28-29.) Davison dates the print about 1841. The first issue of Greeley's newspaper appeared in April of that year. The editor's reference to his $200 loss, however, suggests that Clay's drawing did not appear until after the Cooper lawsuit of December 1842.|Signed with monogram: C (Edward Williams Clay).|Title appears as it is written on the item.|Davison, no. 162.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1843-4.

While Democratic and Whig candidates debate strategies to win the presidency, or "shoot the Christmas turkey," Free Soil candidate Martin Van Buren makes off with the bird. At left Democrat Lewis Cass (facing front) and Whig Zachary Taylor (facing left), both in military uniform and holding rifles, quarrel about the turkey which is chained to a stake in the center. Taylor: "I tell you, Cass, that I prefer coming to close quarters. It will be as fair for you as for me." Cass: "But I prefer long shots. It will give more chance for the exercise of skill & ingenuity." Taylor running mate Millard Fillmore enters from the left and sighting Van Buren exclaims, "Blood and thunder! I thought that infernal fox was dead: but he has come out of his hole and carried off the prize, while we have been disputing about the preliminaries!" On the far right, Van Buren, as a fox, grasps the turkey by the neck as David Wilmot cheers, "Huzza! Huzza! Victory! Victory!" Wilmot holds up the famous and controversial Wilmot Proviso of 1846, which forbade slavery in territories acquired by the United States in the Mexican War. The measure, embraced by Van Buren but sidestepped by Cass and Taylor, was a burning issue in the 1848 campaign. On the ground in the center of the scene sits New York editor Horace Greeley with a tally sheet marked "Taylor" and "Cass" nearby. Greeley thumbs his nose at Taylor and Cass and says, "Well, Gentlemen, my place has become a sinecure. I need not keep tally for you now." An ardent and powerful Whig spokesman in the 1844 election, Greeley withheld his support for Taylor until late in the 1848 campaign. By that time his New York "Tribune" had become an established and successful newspaper.|Entered . . . 1848 by J. Baillie.|Pubd. by James Baillie, 87th St. near 3d. Avenue, N.Y.|Title appears as it is written on the item.|Weitenkampf, p. 94.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-53.

The 1852 Democratic victory under the standard of Franklin Pierce is foreseen as a debacle for the Whig party, led by Winfield Scott. Pierce (center) sits on his horse, holding aloft a banner bearing his and running mate William R. King's names. His troops rally around him--the party rank and file. Scott's forces are in chaos, routed into Salt River, the figurative stream of political disaster. Holding aloft a shredded banner, Scott (center) rides into the water with supporter William Seward holding tight to his horse's neck. Scott says, "Just as I expected, we relied too much on fuss and smoke, and have lost the battle, yet bravely hand in hand together, Seaward (Seward) we go, my Friend, my Brother." To the left, a uniformed man, either William R. King or Illinois Democrat Stephen A. Douglas, boots Whig incumbent president Millard Fillmore into the river, saying, "I like consistency & have ever been in favor of the improvement of Rivers and Harbours. Slide in!" Fillmore laments, "I dont know why they kick me. I'm sure I'm nobody!" In the lower left corner, the feet of abolitionist editor Horace Greeley protrude from the water. In the center, Lewis Cass fires a pistol at Daniel Webster, whose rump, labeled "Chowder" for his New England background, is just disappearing into the water. "Ah what glorious sport," cries Cass, taunting Webster about his diplomatic record, "how now Webster! backing down on guano. fishing for Cod! eh! feel dry! take mine warm. want any powder, give you some ball!" A man to the right of Cass prods at a floating body with a bayonet. Another man, further right, has just forced an unidentified Whig into the water, saying, "There's nothing like water to wash out Stains!" The comic characterizations and style of draftsmanship are unquestionably John L. Magee's, comparing closely with signed works such as "The Game Cock and the Goose" and "A Magnificent Offer to a Magnificent Officer" (nos. 1852-18 and 1852-27).|Drawn by John L. Magee.|For sale at 124 Nassau St., New York.|Title appears as it is written on the item.|Weitenkampf, p. 109-110.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1852-26.

An illustrated cover for a collection of Democratic campaign songs. Liberal Republican presidential candidate Horace Greeley and running mate Benjamin Gratz Brown appear in oval bust portraits framed by ivy. Above them an American eagle rests on two crossed American flags. The songs are "Greeley & Brown's Galop to the White House," "Greeley's Grand March," "Greeley's Favorite Polka," "Good Bye Ulysses, or We're Falling into Line," "The Farmer Goes Chopping on His Way," and "He Always Wears an Old White Hat."|Entered . . . 1872 by J.L. Peters . . . Washington.|Published by J.L. Peters. New York.|Snyder, Black & Sturn, 92 William St. N.Y.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1872-2.

Horace Greeley's famous and widely ridiculed 1871 pamphlet "What I Know of Farming" provided the pretext for the title here. With the tail and cloven hoof of a devil Greeley (center) leads a small band of Liberal Republicans in pursuit of incumbent President Ulysses S. Grant and his supporters. Greeley heralds "General Amnesty," echoing his campaign pledge of amnesty for former Confederates. He is followed by his running mate Benjamin Gratz Brown (with a long beard) who calls for "Reduction of Taxes." Next follows bespectacled Missouri Republican leader Carl Schurz, who carries a flag "Reconciliation," and Massachusetts senator and civil rights advocate Charles Sumner who demands "Equal Rights to All." Grant, holding a liquor bottle, and his three companions flee to the left. One of them is Benjamin F. Butler, who grasps three silver spoons. (For the significance of Butler's spoons, see "The Radical Party on a Heavy Grade," no. 1868-14.) The man at far left is probably former New York senator Roscoe Conkling, a zealous supporter of Grant's administration and programs. Grant cries, "Let us have Peace," an 1868 campaign slogan.|Entered . . . 1872 by Morton Toulmin.|Signed: "M.T." and "Fizzle Gig."|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1872-9.

A severe split within the Whig ranks, between partisans of Henry Clay and those of Zachary Taylor, preceded the party's convention in June 1848. Here Horace Greeley, one of Clay's most influential northern supporters, tries to drive the party wagon downhill toward "Salt River" (a contemporary idiom for political doom). At the same time, a Brother Jonathan or Uncle Sam figure steers in the opposite direction, toward the White House. Greeley whips his horse, a scrawny nag with the head of Henry Clay, with a switch or small branch; the uphill-bound horse has Taylor's head, and its driver wields a carriage whip. The cart is laden with papers marked "Tariff," "Bank," and "Internal Improvements," traditional catchwords of Whig politics. Greeley: "It's of no use to talk to me, for Mr. Clay says he would rather be right than to be President, and that is the policy I am adopting now." Brother Jonathan: "Do slack up a little there, Horace, till we get over a chock that some one has put before the wheel." The "chock" that the cart has run into is a rock marked "Wilmot Proviso," placed in the road by Congressman David Wilmot. The question of the validity of the proviso, an 1846 proposal to prohibit slavery in territories acquired during the Mexican War, became an important issue in the 1848 campaign, and a stumbling block to candidates like Taylor who courted Southern support. The proviso was never passed by the Senate.|Entered . . . 1848 by J. Baillie.|Published by James Baillie, 87th St. near 3rd Avenue, New York.|Signed in reverse: H.B. (H. Bucholzer).|Title appears as it is written on the item.|Lorant, p. 189.|Weitenkampf, p. 95.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-21.

The abolitionist Republican presidential ticket and its supporters in the press are the targets of the cartoon. Candidate Fremont, wearing an emigrant's smock and carrying a cross (an allusion to his rumored Catholicism), is in the driver's seat of a wagon drawn by the "wooly nag" of abolitionism. On the nag's back sit (left to right): New York "Tribune" editor Horace Greeley, James Gordon Bennett of the "Herald," and Henry J. Raymond of the "New York Times." Holding onto the back of the wagon is "Courier & Enquirer" editor James Watson Webb. The wagon also carries Fremont's wife Jessie, who holds a parasol and leans on a sack marked "Bleeding Kansas Fund," a reference to hostilities in Kansas between antislavery and proslavery advocates. The wagon has reached the "Union Tollgate" (left), which is tended by Brother Jonathan and an unidentified man. Jonathan warns, "No Sir-ee! you cant come any such load over us." Greeley: "Come my good People open the Gate its all right! We are the true 'Union' Party because we all ride on the wooly Horse." Bennett: "Ever since I mounted behind the old white Coated Philosopher [i.e., Greeley] I find that everything he says can be re-lied on." Raymond: "Except when he calls me "'little Villain'" and then he can't be re-lied on." Fremont laments: "There seems to be something in the road, but those fellows on the Horse, will swear me through anything; so I'll keep mum." Webb: "Hurry up there Horace! or [Southern Democratic Preston S.?] Brooks will be running his Express Train into us; I've had one ride on his Cowcatcher lately, and I don't want another." A ragged boy shouts to the driver, "Cut behind!"|For sale by Nathaniel Currier at No. 2 Spruce St. N.Y.|Probably drawn by Louis Maurer.|Title appears as it is written on the item.|Gale, no. 4643.|Murrell, p. 185.|Weitenkampf, p. 117.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1856-21.