Poster showing a cross surrounded by extensive text requesting contributions to the Presbyterian Church's war efforts. Also four small scenes of a soldier saying goodbye, a church, a military camp, and a Navy ship offshore. The National Service Commission of The Presbyterian Church of the U.S.A., 156 Fifth Avenue, New York City.

Poster showing a soldier reaching out above the chaos of battle. United War Work Campaign - Week of November 11, 1918. Title from item. Gift; John Kluge; 2007; (DLC/PP-2007:024).

Four vignette cartoon shows Brother Jonathan kicking the confederacy, Napoleon III, and Emperor Maximillian, represented by animals, with his "iron-clad" boots. In the next vignette, Brother Jonathan fills the feed dish of the American eagle with yellow pills, from which the bird produces specie, "green backs." In the third vignette, men ride horses which have the heads of Abraham Lincoln, John Charles Fremont, Pomeroy and Gilbert. The journalist, Horace Greeley, is thrown from his mount. They head toward Richmond. In the fourth vignette, titled, "The Yankee rooster converting English blockade runners into iron-clads and monitors," the rooster consumes English blockade runners and turns them into iron-clads and monitors through the process of elimination.|Lithograph by G.W. Lascell.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)

Another Whig campaign satire, picturing incumbent Martin Van Buren and his Democratic advisers or "Kitchen Cabinet" routed by Whig candidate William Henry Harrison. In a domestic kitchen Harrison, dressed as a scullery maid, raises a "buttermilk dasher" against a party of fleeing Democrats. The fugitives are (left to right, standing): Secretary of War Joel Poinsett, Postmaster General Amos Kendall, Washington "Globe" editor Francis Preston Blair (arms outstretched, looking left), Secretary of State John Forsyth, John Calhoun, Levi Woodbury, and Van Buren. Thomas Hart Benton (left) and Alabama Representative Dixon H. Lewis, a States Rights Democrat, have fallen to the floor. Harrison: "Gentlemen as you don't like hard Cider I will give you a taste of the Buttermilk Dasher." Van Buren: "This is worse than the Rebellion in Vermount!" Poinsett: "If you had followed my advice we would have had by this time our Standing Army of 200,000 men." Blair: "I shall leave the Globe!" Forsyth: "I shall never be Vice President." Calhoun: "I am for the South direct." Woodbury: "I can issue no more Treasury Notes!" On the far left a bespectacled man with plaited hair (Pennsylvania Democratic congressman David Petrikin) holds up his hand and says, "I object." The man lamenting his lost hopes for the vice presidency has been previously identified as Alabama Senator William Smith. Yet comparison of the likeness here with Charles Fenderich's 1840 lithographed portrait of Secretary of State John Forsyth confirms identification of the man as that cabinet member. The print is most probably by Napoleon Sarony, showing the same distinctive, patterned cross-hatching and broad crayon-work as his "The New Era or the Effects of a Standing Army "(no. 1840-3). "Clar de Kitchen" was the title of a popular dance song of Negro minstrel comic T.D. Rice.|Entered . . . 1840 by H.R. Robinson.|Printed & published by H.R. Robinson, 52 Cortlandt St. N.Y. & Pennsa Avenue Washington D.C.|Signed: Boneyshanks (probably Napoleon Sarony).|Title appears as it is written on the item.|Blaisdell & Selz, no. 17.|Century, p. 54-55.|Weitenkampf, p. 64.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-44.

The artist lionizes Kentucky senator Henry Clay, author of the Compromise of 1850, and slams his political foes and critics of the compromise, particularly those in the Taylor administration. A text in the lower margin reads: "A Fable--In the Reign of Zackery 1st the Goddess of Liberty Designed a Statue. a Model of a Man which she exhibited before the King, his Ministers, & the People. the Beauty of the Statue Elicited such shouts of Approbation from the People that the King's Ministers fired with Jealousy determined to Destroy it, but after many Ineffectual attempts were obliged to Desist amidst the Laughter of the Court & the People." The King is clearly President Taylor, who sits on a throne at the far left, in uniform and holding a sword instead of a scepter. A spittoon is on the floor before him, and a black court jester crouches beside the throne holding a copy of the newspaper the "Republic." A larger-than-life statue of Henry Clay, in armor and holding a shield inscribed "Compromise" and a sword, stands in the center of the scene. Clay's sword bears the words, "I fight for my Country! Traitors Beware." The statue towers over the figures that surround it, which include Taylor cabinet members Reverdy Johnson, George W. Crawford, and Thomas Ewing (on the right) and Secretary of State John M. Clayton (on the left). Crawford and Ewing regard the broken ax and saw which they hold in their hands. Crawford (to Johnson): "Look here Just see what a great Big Piece Ive Broke of my Gulpin Ax. I'll send in a Gulpin Claim for this. Valuable Ax this." The allusion is to Crawford's lucrative and questionable role as counsel for the Galphin family's successful suit against the federal government, an arrangement which provoked heated criticism in the press. The controversy over this Taylor administration scandal reached its peak in April, May and June of 1850. Johnson: "The Ax, was Broke before you used it, however, you Lie & I'll Swear to it, & we'll Pockett the Plunder between us." Ewing: "Why Ive Broke nearly all the teeth of my Chickensaw against this Infernall Statue. I'le send in a Big Claim for this." Clayton gestures entreatingly to Taylor: "Why the Devil dont your Imperial Majesty assist us, I can assure your Majesty, it's much Easier discharging a Bullitt, from a Republic, than it is injuring this Statue." Journalist Alexander C. Bullitt was a Taylor advisor and, beginning in 1849, editor of the administration organ the Washington "Republic." Bullitt appears here as the black court fool. Taylor hugs to his chest the tiny figure of New York senator William H. Seward, who sits on his lap. Seward was an insider in the short-lived Taylor administration, and a vigorous opponent of the Compromise of 1850. Taylor says, "Consider the weight of my Crown, Dear Clayton. besides my sick Baby, little Billey, requires, all my Care. moreove as the People like the Statue, I'de rather not Compromise myself, in the matter. assume the Responsibility Yourself, you'r used to it." Just to the right of the throne stand (left to right) senators Thomas Hart Benton, Daniel Webster, and Henry S. Foote. Benton: "Why its a Miserable Statue. a wretched abortion, the inscriptions on the Sword & Shield are in very Bad Taste, very Bad Taste indeed." Benton was an adamant critic of the Compromise. Foote (to Webster): "I think its a Splendid Statue. Which Party do you go for." Webster: "The Party thats likely to win. Of Course, I shall Keep one eye on the Statue, & the other on the Chair, & act according to circumstances." Senator Lewis Cass stands to the right of Foote, in the background, saying, "I rather like the Inscription on the Shield." Clay does, however, have some friends here. On the far right is a crowd of people led by the figure of Liberty, a young maiden in a classical gown holding a staff and liberty cap. She addresses Johnson and the others, "Gentlemen! I made this Statue as a Model of a Man. now though it is only of Clay & I wafted it here in a Breath, still with all your efforts, you can neither move it from its Base, or inflict the slightest Injury upon it. its innate strenght [sic] will defy all your Puny attempts." Liberty's followers enjoin, "Why I think it's a Beautifull Statue," and "So do I! Hurrah! for the Clay Statue." "The Clay Statue," though tentatively dated 1849 by Weitenkampf, must have appeared in 1850, certainly after Henry Clay's presentation of the compromise in January and probably as late as the spring, at the height of the Galphin controversy.|Drawn by John L. Magee.|Pubd. by John L. Magee 34 Mott St. N.Y.|Title appears as it is written on the item.|Weitenkampf, p. 98.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1850-9.

A pro-Whig satire, envisioning the cleansing of the "Augean Stable" of government corruption by presidential candidate Henry Clay and other Whigs. The title derives from one of the twelve mythical labors of Hercules. The hero was to clean King Augeas's stables, which had been inhabited for thirty years by three thousand oxen. The artist draws a parallel with the White House, held almost continuously since 1829 by the Democrats. The artist applauds Whig opposition to the annexation of Texas, illustrated by Virginia congressman Henry A. Wise's expulsion of "Madam Texas" at left. Wise says, "You will go about your business & lurk around these premises no longer. Your former master has forbidden all persons to harbor or trust you, & we shall not pay your debts for you." The "former master" was Mexico, who, though granting Texas its independence in 1836, still considered the Lone Star Republic a wayward province. With a pitchfork, Henry Clay tosses his Democratic counterpart James Polk out the window while incumbent President John Tyler throws George Dallas out the same window. Clay says, "It's all very well, Mr. Polk, but you can't come here." Andrew Jackson, poking his head in a nearby window exclaims, "By the eternal! We shan't know the old place, these fellows have gutted it so completely." To their left, Daniel Webster shovels out Thomas Hart Benton's gold coins, or "mint drops." Senator John C. Calhoun carries "fox" Van Buren toward the door, holding him unceremoniously upside-down by the tail. "Cleansing the Augean Stable" evidently appeared in the summer of 1844. (The Library's impression was deposited for copyright on July 10.) The appearance of Calhoun and Tyler, ostensibly on the side of the Whigs here, is puzzling. Calhoun and Tyler, both strong annexationists, had by this time lined up fairly decisively behind the Democratic candidates.|Drawn by H. Bucholzer.|Entered . . . 1844 by James Baillie.|Lithography & print coloring on reasonable terms by James Baillie No. 33 Spruce St. New York.|Title appears as it is written on the item.|Weitenkampf, p. 79.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-35.

The title refers to Whig candidate Zachary Taylor as the probable victor in the 1848 presidential contest. Taylor is portrayed as a victorious fighting cock, standing over his dead opponent, another cock with the head of Democratic candidate Lewis Cass. Taylor crows, "Cru-e-ruk-ruk-ru have you any more of the kind on hand?" Feathers are strewn about in the foreground; a lake or river and large mountains appear in the distance. Nearby lies a second defeated cock, Free Soil party candidate Martin Van Buren. At the far right a fourth rooster, Liberty party candidate John Hale, flees, exclaiming, "I'm off in time!" Hale's flight may symbolize the candidate's exit from the campaign, which was prompted by Van Buren's nomination by a coalition of Liberty party abolitionists, Barnburner Democrats, and antislavery Whigs in August 1848.|Probably drawn by E.F. Durang.|Published by Able [i.e., Peter E. Abel] & Durang Philadelphia.|Title appears as it is written on the item.|Weitenkampf, p. 94.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-45.

Caricature of John or Jonathan Pluck, an illiterate hostler elected Colonel of the 84th Pennsylvania militia in a controversial 1824 election. He is shown here marching toward the left, raising a sword inscribed "Ducit amor patria." According to Nancy Halli of the Historical Society of Pennsylvania, several articles appeared in the "Democratic Press" and "United States Gazette" following his outrageous militia parade in May 1825, and could have inspired the print. In the background is a crowd of militia troops armed with tree branches and brooms. One man holds aloft a flag emblazoned with a man milking a cow; another flag shows two men sawing a log. A black youth rides by on a pig, saying "Hurra for de Pennsylwamy light infamy." He is followed by a barefoot militiaman riding a cow. Below the title are the verses: "I could not stir, / But like a comet, I was wonder'd at; / Others would tell their children "This is he" /Others would say - Where? which is the "Colonel?" / And then I stole all courtesy from heaven, / And dress'd myself in such humility, /That I did PLUCK allegience from mens hearts. Shakspr. The lines come from Shakespeare's "Henry IV," part one.|Signed: D.C. Johnston del. (David Claypool Johnston).|Title appears as it is written on the item.|Johnson, "D. C. Johnston, the American Cruikshank," Antiques, (July 1972), p. 102.|Murrell, p. 106.|Purchase; Caroline and Erwin Swann Memorial Fund.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1825-2.

Title from item. Poster is text only, listing Germany's "crimes against God and man." Poster no. 97. W. 2464/446.

A fond yet sardonic tribute to the aging Massachusetts statesman Daniel Webster, whose final bid for the Whig presidential nomination was defeated by Winfield Scott in 1852. The artist is wryly critical of the apparent Whig predilection for military candidates. The print seems to have appeared in the fall of 1852 (the Library's copyright deposit impression was registered on September 18), at around the time Webster, running as an independent candidate, withdrew, mortally ill, to his estate at Marshfield. He died on October 24, 1852. Webster is shown as a schoolboy, standing before the U. S. Capitol building, holding the hand of Columbia, a young girl with an American flag as a sash. In her free hand, she holds a pole topped with a Phrygian cap. Nodding coyly, Columbia says, "Though my Guardians at Baltimore won't let me have you--believe me, Daniel, I love and honor you for all your past devotion and services, and can never forget you. If you had neglected your "Books" and "Slate," and attended more to "Fencing" and "Gymnastics," you might have succeeded better." Webster stoically responds, "Notwithstanding the past, I am still your friend, and when you are in difficulty you may command my services." In the foreground lie his books, slate, and cap. In the background, two unidentified men are engaged in a fencing match.|Carter & Conant, Publishers, 4 Cornhill Court, Boston.|Entered . . . 1852 by Carter & Conant. |Signed with monogram: WC or "HC".|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1852-37.

Poster showing a worker and a soldier. Text continues: Every piece of work done in this plant has a direct bearing on the outcome of the war. Our finished product goes to France. The men who face for us weariness, hardships, death, depend upon us. Our work here, fits their work over there, like a cog in a giant machine. Without our product they are helpless. With it they are invincible. They fight with what we make. We are their resource and reliance, the American workman and the American soldier, the combination that will win the war. Committee on Public Information, Division of Pictorial Publicity. Title from item.

Poster showing a cheerful soldier shouldering a rifle and smoking a pipe. Caption: "The moment the order came to go forward, there were smiling faces everywhere." Extract from letter written in the trenches of the Aisne by General Sir Horace Smith-Dorrien. Poster no. 22. W. 422/405 10m. 4/15. Title from item.

Poster showing two sailors as tourists in South America, riding and feeding bananas to a llama. Caption: South America. Poster stamped at bottom: U.S. Navy Recruiting Station, Law Building, 9th & Market Sts., Wilmington, Dela[ware].

Poster showing men, some wearing the Union Jack on their lapels, watching as soldiers march by. Title from item. Poster no. 74. W. 13481/369.

Poster showing a soldier standing on a map, reaching from France over the English Channel to take the hand of a civilian man standing on England. Poster no. 131. Paste-on: 21. W.9116. 25M - 9/15. Title from item.

Poster showing new supplies as would be issued to a recruit, including uniform, boots, hat, overcoat, kit, and rifle. "Your arms, uniform and accoutrements are ready waiting for you." Lord Kitchener at Guildhall, July 1915. Poster no. 130. W. 9116 25M. 9/15. Title from item.

National Guard recruiting poster showing men in military uniform marching. Poster caption continues: All branches of the Army service are open to you. Issued(?) by: Committee of Public Safety, Department of Military Service, South Penn Square, Philadelphia.