A conversation with Dr. Beth Harris and Dr. Steven Zucker in front of Christ as the Good Shepherd, 300–350 C.E., marble, 39 inches high (Museo Pio Cristiano, Vatican Museums, Rome). Created by Beth Harris, Steven Zucker, and Smarthistory.

Gordon Bunshaft for Skidmore Owings and Merrill, Lever House, 1951-52 (390 Park Avenue, NYC) Speakers: Dr. Matthew A. Postal and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Francisco de Goya y Lucientes, Saturn Devouring One Of His Sons, 1821-1823, 143.5 x 81.4 cm (Prado, Madrid) Speakers: Dr. Beth Harris and Dr. Steven Zucker. One of the"Black Paintings" that Goya painted on the walls of his house outside Madrid, this image was originally located on the lower floor of the house known as "la Quinta del Sordo." Goya painted on the walls using several materials including oil paint. The "Black Paintings" had suffered significant damage and loss in their original location and when they were removed from the walls and transferred to canvas by Baron Émile d'Erlanger shortly after he aquired the house in 1873. Please note that Saturn is also known as Cronus or Kronus.

Francisco Goya, The Family of Charles IV, c. 1800, Prado Museum, 280 cm x 336 cm (Museo Nacional del Prado, Madrid) Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Grant Wood, American Gothic, 1930, oil on beaver board, 78 x 65.3 cm / 30-3/4 x 25-3/4 inches (The Art Institute of Chicago) Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Grave stele of Hegeso, c. 410 B.C.E., marble and paint, from the Dipylon Cemetary, Athens, 5' 2" (National Archaeological Museum, Athens). Speakers: Dr. Steven Zucker and Dr. Beth Harris

The Pergamon Altar, c. 200-150 B.C.E., 35.64 x 33.4 meters, Hellenistic Period (Pergamon Museum, Berlin). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Baron Antoine-Jean Gros, Napoleon Bonaparte Visiting the Pest House in Jaffa, 1804, oil on canvas, 209 x 280 inches (Musée du Louvre, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker. Note: Gros was a student of the Neo-Classical painter David, however, this painting, sometimes also titled, Napoleon Visiting the Pest House in Jaffa, is a proto-Romantic painting that points to the later style of Gericault and Delacroix. Gros was trained in David's studio between 1785-1792, and is most well known for recording Napoleon's military campaigns, which proved to be ideal subjects for exploring the exotic, violent, and heroic. In this painting, which measures more than 17 feet high and 23 feet wide, Gros depicted a legendary episode from Napoleon's campaigns in Egypt (1798-1801). Created by Beth Harris and Steven Zucker.

Gustav Klimt, Beethoven Frieze, Vienna Secession, 1902 A conversation with Khan Academy's Dr. Steven Zucker and Dr. Beth Harris

Gustav Klimt, The Kiss, 1907-8, oil and gold leaf on canvas, 180 x 180 cm (Österreichische Galerie Belvedere, Vienna). Created by Beth Harris and Steven Zucker.

Gustave Caillebotte, Paris Street; Rainy Day, 1877, oil on canvas 83-1/2 x 108-3/4 inches / 212.2 x 276.2 cm (The Art Institute of Chicago). View this work up close on the Google Art Project. Created by Beth Harris and Steven Zucker.

Théodore Géricault, Raft of the Medusa, oil on canvas, 193 x 282 inches, 1818-19 (Musée du Louvre, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Hadrian built himself a vast palace in the countryside, the villa Adriana in Tivoli about 30 kilometres east of Rome. It was a huge complex, designed to accommodate thousands of people. It was his administrative capital and represents his empire in miniature. British Museum Director Neil MacGregor visits. © Trustees of the British Museum. Created by British Museum

A virtual tour of Hadrian's Villa using a 3D digital model of the villa created under the direction of Dr. Bernard Frischer. The ruins of Hadrian's Villa, in the town of Tivoli, near Rome, is spread over an area of approximately 250 acres. Many of the structures were designed by the Emperor Hadrian who ruled from 117 until his death in 138 C.E. This virtual rendering is based on current archeological research and has been created in consultation with art historians, archaeologists, and museum curators with expertise in this area. Please note, a few features are necessarily assumptions based on the best available evidence. Speakers: Dr. Bernard Frischer and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Hagia Sophia, Istanbul, 532-37 (architects: Isidore of Miletus and Anthemius of Tralles)
A conversation with Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

This video focuses on Hagia Sophia after the conquest of Constantinople by the Ottomans in 1453. Speakers: Dr. Elizabeth Macaulay-Lewis and Dr. Steven Zucker. Created by Steven Zucker and Beth Harris.

Beth Harris, Sal Khan and Steven Zucker discuss art and institutional critique in relation to Hans Haacke's Seurat's 'Les Poseuses' (small version), 1884-1975 from 1975. Created by Beth Harris and Steven Zucker.

Beth Harris, Sal Khan and Steven Zucker discuss art and institutional critique in relation to Hans Haacke's Seurat's 'Les Poseuses' (small version), 1884-1975 from 1975. Created by Beth Harris and Steven Zucker.

Gordon Parks and the writer Ralph Ellison collaborated to show that Harlem is everywhere. Gordon Parks, Off on My Own (Harlem, New York), 1948. Gelatin silver print. The Art Institute of Chicago, Amanda Taub Veazie Acquisition Fund, 2016.125. © The Gordon Parks Foundation. From "Harlem is Nowhere," a collaborative project between Gordon Parks and Ralph Ellison. A Seeing America video. Speakers: Michal Raz-Russo, David and Sarajean Ruttenberg Associate Curator of Photography, Art Institute of Chicago and Dr. Steven Zucker Special thanks to Michal Raz-Russo, Sarah E. Alvarez, The Gordon Parks Foundation, the Ralph and Fanny Ellison Charitable Trust, and the Art Institute of Chicago. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

African Americans and the price of discrimination. Jacob Lawrence, Ambulance Call, 1948, tempera on board, 61 x 50.8 cm (Crystal Bridges Museum of American Art) Speakers: Jennifer Padgett, assistant curator, Crystal Bridges Museum of American Art and Beth Harris A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/