A satire on the failure of the combined efforts of Henry Clay, Daniel Webster, John Calhoun, and Nicholas Biddle to thwart Andrew Jackson's treasury policy. In 1833 Jackson ordered that federal deposits be removed from the Bank of the United States, a controversial action that utlimately led to the Bank's destruction. To the right, beneath columns marked "Pensylvania," "Virginia," "New York," and "Georgia," sits Andrew Jackson smoking a clay pipe and conversing with Jack Downing. Behind him are strong boxes of "Deposites" the topmost of which is marked "Foundation for a National Bank." Leaning on them is the figure of Liberty with a staff, liberty cap and flag reading "Public confidence in Public funds." At her feet is an eagle with shield, arrows and lightning bolts. Downing: " . . . Gineral, this is a real shiver de freeze! You've sent Clay to "pot" eny how "nullified Calhoun," made "Webster" a "shuttle cock and busted Biddle's Bank biler!" Jackson: "Aye, Aye, Major Downing they thought they'd give us a dose of Congress Water, but they find what we're "Bent on" and we've given 'em a hard Poke into the bargain!" He refers to support for his program spearheaded in Congress by Missouri Senator Thomas Hart Benton. On the left a marble-based water fountain explodes, hurling aside (clockwise from upper left) Nicholas Biddle, Daniel Webster, Henry Clay, and John Calhoun. Biddle: "The fountain from the which my current springs or else dries up to be discarded thence,--" Webster: "Thus vaulting ambition doth o'er leap itself and falls on t'other side." Clay: "Sic transit gloria mundi. "Le jeu est fait, The game is up." Calhoun (losing his cockaded hat and bayonet): "United "we" stand, divided I fall. Fonte nulla fides." Also thrown from the fountain are a "National Gazette," "Ginger bread," a bottle of "Boston Pop," and a plank "American System." ":Explosion. . ." is one of the few satires favorable to Jackson on the Bank issue. It is very similar in terms of composition and draughtsmanship to another pro-Jackson satire "The Downfall of Mother Bank" (no. 1833-9), and could easily be by the same artist. Both are signed with the commonly-used pseudonym "Zek Downing." "Explosion" was recorded as deposited for copyright on February 1, 1834.|Drawd off after natur by the real Zek Dowining Neffu . . . .|Entered Southern District of New York 1834 by Anthony Imbert. |Title appears as it is written on the item.|Weitenkampf, p. 36.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1834-6.

Poster showing a disabled man with a crutch standing in a doorway looking at landscape beyond, with Red Cross nurse and others in foreground. Exhibited: American Treasures of the Library of Congress, 2005.

Poster explains details of enlistees' service and compensation. Title from item. No. 12.

Poster showing a treasure chest, with soldiers in the background. No. W.P. 3. Title from item.

A riot scene: German parade musicians (possibly accompanying touring ballerina Fanny Elssler) are attacked and beaten with their own instruments by a gang of toughs (or "Soap-Locks" for the long, soaped hair locks fashionable among them) on a New York street. Onlookers watch from the windows of a nearby building. The cries of the assailants and their victims appear in the lower margin. They range from "Dam you I'll make you remember new years night," "Dam the Dutch!" and "This must be the fellow who shot Armstrong" (from the assailants) to "I am Murder'd" and "Fuerst, help! help!" (from the Germans). A man in the middle of the mob shouts, "I command the Peace." The less-than-sympathetic portrayal of the victims, and the scene's unmistakable comic undertones betray a definite anti-foreigner sentiment on the artist's part. The artist is Napoleon Sarony, judging from the print's pronounced stylistic and technical similarity to his "The New Era or the Effects of a Standing Army" (no. 1840-3). "Fanny Elssler's Last Serenade" was registered for copyright on August 17, 1840.|Entered . . . 1840 by H.R. Robinson.|Printed & published by H.R. Robinson, no. 52 Cortlandt St. New York.|Probably drawn by Napoleon Sarony.|Title appears as it is written on the item.|Weitenkampf, p. 69.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-2.

A scornful look at the reception of German ballerina Fanny Elssler in Baltimore. The New York artist ridicules the adulation given the touring performer by the Baltimore public. During her July 1840 visit there, an enthusiastic group of young men removed the horses from Elssler's carriage and pulled it through the streets themselves. Here Elssler dances in an open carriage driven by a black coachman in livery and drawn by well-dressed men with asses' heads, who wave their hats in the air and shout "Eehow!" A bespectacled, pipe-smoking man with a violin prostrates himself before the dancer. Coachman: "By golly dis goes ahead of Jim Crow! I tink the New Yorkers cant beat dis unless dey gib Miss Fanny de freedom ob de City in gold snuff box!" Elssler: "My friends I tank you very! I understand you! I shall remember you for long "years!"" The print is very much in the style of Edward Williams Clay's "The Almighty Lever" (no. 1840-58). |Entered . . . 1840 by J. Childs.|Probably drawn by Edward Williams Clay.|Published by J. Childs 90 Nassau St. N.Y.|The Library's impression of the print was deposited for copyright on August 31, 1840.|Title appears as it is written on the item.|McCauley, no. E24.|Weitenkampf, p. 69.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-51.

Poster showing a boy plowing, with a battle in the background. Apply [blank]. Title from item.

Poster showing a Revolutionary era broadside soliciting volunteers to "join the troops, now raising under General Washington." The broadside is illustrated with instructional figures demonstrating the handling of a rifle. Forms part of: Willard and Dorothy Straight Collection.

Poster showing soldiers in a trench. United States Food Administration. No. 105. Forms part of: Willard and Dorothy Straight Collection.

Poster showing a soldier in a trench, holding a cup. United States Food Administration. No. 15.

Another mock shinplaster (see also nos. 1837-9 and -10 above). Again the artist attributes the shortage of hard money to the successive monetary programs of presidents Jackson and Van Buren, particularly to the former's pursuit of a limited-currency policy and his dismantling of the Bank of the United States. In the drawing Jackson rides a pig headlong toward a precipice, followed by congressional ally Missouri senator Thomas Hart Benton, on an ass. Both pursue the "Gold Humbug" butterfly, symbolizing their efforts to restrict the ratio of paper money in circulation to gold and silver supplies. Van Buren, riding a fox, cunningly deviates from this disastrous course and follows a downward path leading toward the Bank. Jackson (reaching for the butterfly): "By the Eternal!! I'll have it, Benton!" Benton (whipping his mount with a quill pen): "Go it thou Roman!! a greater man ne'er lived in the tide of times.!!" His quill is labeled "Expunger," an allusion to Benton's extended campaign to "expunge" or remove the 1834 Senate censure of Jackson from the Congressional Record. Van Buren (losing his crown): "Although I follow in the footsteps of Jackson it is &2expedient, &1at &2this time &1to & 2 deviate & 1a little!!" Below the precipice Nicho;as Biddle, Bank of the United States president, sights Van Buren from atop his bank. The note is endorsed by the publisher, who promises "to pay Thomas H. Benton, or bearer, Fifty Cents, in Counterfeit Caricatures at my store . . . " It is dated May 10, 1837, the date of the New York banks' emergency suspension of specie payments.|Entered . . . 1837 by H.R. Robinson.|Published by H.R. Robinson, 52 Cortlandt St. N.Y.|The print was actually registered for copyright on June 10 of that year.|Title appears as it is written on the item.|Weitenkampf, p. 50.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1837-11.

A woodland fantasy satirizing the prominent figures of the 1844 election campaign. The artist again favors Whig candidate Henry Clay, the "Kentucky Coon," who is shown overwhelming Democrat James K. Polk, the "Tennesse Alligator," in a wrestling contest. Clay exults, "It is no use to try to poke this nondescript "animal" (i.e., Polk) against the Peoples Coon." (Oddly, the head on the alligator here bears little resemblance to the dark horse candidate.) About the forest lurk several other animals with the heads of Democrat and Whig notables. On the right stands John C. Calhoun, as a camel, and Andrew Jackson, as a giraffe. Calhoun carries on his back a cornucopia filled with turnips and declares, "We bring peace and plenty!" Jackson: "Altho I am one of those exalted characters who can "overlook" almost everything, yet I cannot overlook this disaster to our cause!" Several rats scurry past the two Democrats, one of them being Martin Van Buren, who says "I'm off for Lindenwald, basely deserted by my friends." Lindenwald was the name of Van Buren's estate, whence he retired after losing the Democratic nomination to Polk. To the left incumbent John Tyler, as a rattlesnake, coils around a tree. Tyler, who acceded to the presidency on William Henry Harrison's death, was considered a traitor to the Whig cause. On the ground nearby is a bear, Daniel Webster, who says (referring to Polk), "I'll put my foot on him when you are done, and that will sink him out of sight." Running ahead of Webster is hard-money advocate Thomas Hart Benton, as a boar with a sack of "Mint Drops" on his back. He exclaims, "That Coon does not, evidently belong to our family, but he is a ROARER!" Perched on a branch above is an American eagle with his wings outspread, a common patriotic emblem.|Entered . . . 1844 by James Baillie.|Lith & pub by James Baillie 33 Spruce St. N.Y.|Signed: H. Bucholzer.|The Library's impression of the print was deposited for copyright on June 26, 1844.|Title appears as it is written on the item.|Weitenkampf, p. 76.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-24.

Poster is text only. Poster no. 48. Wt. W 9754/224. Title from item.

Poster showing a woman seated, in profile, taken from Whistler's "Arrangement in Grey and Black," commonly called "Whistler's Mother." Title from item. Lt. Col. H. J. Trihey, O.C.

Poster is text only, with small armorial device of King George V. Poster no. 10. No. 4823-14. Title from item.

Poster showing a woman in white waving the American flag, as soldiers march behind her. No. 3A.

Title from item. Text begins: Are you one of those ... neither fighting nor paying ... still enjoying the protection of the Union Jack? Poster is text only.