Nothing changed movies like the arrival of synchronous sound. NOTHING! Acting, directing, cinematography, and presentation all had to be rethought. Some studios were more quick to take on the challenge while others waited until the last moment. Some actors made graceful transitions while others struggled with the new format. But this was the big turning point and a major completion point to what movies would ultimately become.

After serial photography became a thing, it wasn't long before motion pictures started to develop. And, at the front of that development was Thomas Edison, who you may know as an inventor and business person. In this episode of Crash Course Film History, Craig talks to us about Edison, his assistant W.K.L. Dickson, and their inventions that pioneered motion pictures.

After the Lumiere brothers and Thomas Edison got the ball rolling with Vaudeville acts and Actualites, the time was coming for movie magic and fiction to make an appearance. The time was coming of filmmakers like Georges Melies and Alice Guy-Blache.

We've spent a lot of time focusing on France and the U.S. as that's where a significant amount of both infrastructure and business models were initially set up for film. But there were other countries adding their own stories to the annals of film history. In this episode of Crash Course Film History, we're going to focus on Germany and how they got a bit expressive with film.

As the New Hollywood gained steam in the late 70s and early 80s, another revenue stream opened its doors: home video. From Betamax to Laserdisc to Bluray to streaming services, home video revolutionized how we ingest movies. In this episode of Crash Course Film History, Craig gives us an overview of it all.

In this episode of Crash Course Film History, we talk about the development of the language of films by filmmakers like Edwin S. Porter and his films; Life of an American Fireman and The Great Train Robbery.

As cinema started to take off, things like "single viewer" devices weren't going to cut it as the medium advanced. In this episode of Crash Course Film History, Craig talks to us about the Lumiere brothers, their invention of the Cinematographe, and the idea of projecting a movie to an audience.

Russia went and had a revolution in 1917 and cinema was a big part of its aftermath. Even though film stock was hard to come by, we saw the first film school started, and the study of film became hugely important. Russian filmmakers started trying to understand the power of the cut itself, thus developing a theory of filmmaking based solely around the juxtaposition of images: Soviet Montage. In this episode of Crash Course Film History, Craig talks us through some of the filmic things going on in post-revolution era Russia.