Created by Getty Museum and the Colección Patricia Phelps de Cisneros. Discover how Argentine and Brazilian artists in the 1940s broke from linear perspective to create art in unique shapes, starting the Concrete Art movement. This video is one of three that accompanied the “Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros” (September 16, 2017 – February 11, 2018) at the Getty Museum. For more information visit http://www.getty.edu/art/exhibitions/cisneros. Created by Getty Museum.

Marcel Breuer, The Whitney Museum of American Art (now The Met Breuer), 1963-66, Madison Avenue at East 75th Street, NYC Speakers: Dr. Naraelle Hohensee and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Bronze doors, 1015, commissioned by Bishop Bernward for Saint Michael's, Hildesheim (Germany). A conversation with Dr. Nancy Ross and Jennifer Freeman. Created by Beth Harris and Steven Zucker.

Met curator Seán Hemingway on the purity of love in Bronze statue of Eros sleeping from Greece’s Hellenistic Period, 3rd–2nd century B.C.E. The Hellenistic period introduced the accurate characterization of age. Young children enjoyed great favor, whether in mythological form, as baby Herakles or Eros, or in genre scenes, playing with each other or with pets. This Eros, god of love, has been brought down to earth and disarmed, a conception considerably different from that of the powerful, often cruel, and capricious being so often addressed in Archaic poetry. One of the few bronze statues to have survived from antiquity, this figure of a plump baby in relaxed pose conveys a sense of the immediacy and naturalistic detail that the medium of bronze made possible. He is clearly based on firsthand observation. The support on which the god rests is a modern addition, but the work originally would have had a separate base, most likely of stone. This statue is the finest example of its kind. Judging from the large number of extant replicas, the type was popular in Hellenistic and, especially, Roman times. In the Roman period, Sleeping Eros statues decorated villa gardens and fountains. Their function in the Hellenistic period is less clear. They may have been used as dedications within a sanctuary of Aphrodite or possibly may have been erected in a public park or private, even royal, garden.

Agnolo di Cosimo Bronzino, An Allegory with Venus and Cupid, c. 1545, oil on panel, 146.1 x 116.2 cm (National Gallery, London) Speakers: Dr. Beth Harris and Dr. Steven Zucker.

Bronzino, Portrait of Eleonora di Toledo with her son Giovanni, 1544-1545, oil on panel, 115 x 96 cm (Galleria degli Uffizi). Created by Beth Harris and Steven Zucker.

Bronzino Portrait of a Young Man, oil on panel, 1530s (Metropolitan Museum of Art) and Bronzino, Lodovico Capponi, Oil on panel, 1550-55 (Frick Collection) Speakers: David Drogin and Beth Harris. Created by Beth Harris and Steven Zucker.

This art history video discussion examines Pieter Bruegel the Elder's "The Dutch Proverbs," 1559, oil on oak, 117 x 163 cm (Gemaldegalerie, Staatliche Museen zu Berlin).

This art history video discussion examines Pieter Bruegel the Elder's "The Tower of Babel," 1563, oil on panel, 114 x 155 cm (Kunsthistorisches Museum, Vienna).

Brunelleschi, Dome of the Cathedral of Florence, 1420-36. Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Brunelleschi & Ghiberti, Sacrifice of Isaac, competition panels for the second set of bronze doors for the Florence Baptistery, 1401-2. Created by Beth Harris, Steven Zucker, and Smarthistory.

Brunelleschi, Old Sacristy, San Lorenzo, Florence, begun c. 1421 Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Filippo Brunelleschi, Pazzi Chapel, Santa Croce, Florence, begun 1420s, completed 1460s Speakers: Dr. Beth Harris and Dt. Steven Zucker. Created by Beth Harris and Steven Zucker.

Filippo Brunelleschi's Santo Spirito, Florence, 1428-81 Speakers: Dr. Beth Harris & Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

This art history video discussion examines the Buddha of Medicine Bhaishajyaguru (Yaoshi fo), c. 1319, Yuan dynasty, water-based pigments on clay mixed with straw, 24 feet, 8 inches x 49 feet 7 inches / 751.8 cm x 1511.3 cm (Metropolitan Museum of Art, New York).

Why did Buddhism emerge when and where it did? Are there other historical parallels to the emergence of Buddhism?

Sir Edward Coley Burne-Jones, Hope, 1896, 179 x 63.5 cm, oil on canvas (Museum of Fine Arts, Boston). Created by Beth Harris and Steven Zucker.

Edward Burne-Jones, King Cophetua and the Beggar Maid, oil on canvas, 1884 (Tate Britain, London) Speakers: Dr. Beth Harris, Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Sir Edward Coley Burne-Jones, The Golden Stairs, 1880, oil on canvas 2692 x 1168 mm (Tate Britain, London). Created by Beth Harris and Steven Zucker.

Bushel with ibex motifs, 4200--3500 B.C.E., Susa I period, necropolis, acropolis mound, Susa, Iran, painted terra-cotta, 28.90 x 16.40 cm, excavations led by Jacques de Morgan, 1906-08 (Musée du Louvre, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker.