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Herkimer Community College

Short Description:
History of Art Survey course covering from prehistoric art to the Italian Renaissance. Cover image Lascaux Cave_France

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Nineteenth-Century Visual Culture

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Kelly Tunstall and Ferris Plock are artists who focus on character design and development, creating a rotating cast of surreal cartoon figures inspired by visual culture, including fashion, skateboarding, Japanese regalia and folklore. They emphasize organization while maintaining freeform, both of which lead to the consistency in how their art turns out.

Audio is an extremely important part of creating good video, especially when doing interviews. Learn how to avoid making common audio mistakes by following these tips.

Kentucky reading teacher Ashley Judd uses augmented reality to get her students excited about learning. The PBS Digital Innovator says she has seen student engagement soar since she started using more technology in her classroom because students are already excited about using iPads and other devices. In this video, students use an augmented reality app to create an interactive memory book.

In this video from August Wilson: The Ground on Which I Stand the playwright discusses the influence that the blues has had on his writing. The clip also features a performance from Ma Rainey’s Black Bottom and commentary from several theater scholars.

The City of Cincinnati, Ohio converted twenty blocks into a festival of art and light, showcasing projection mapping along with a number of other emerging media art forms. The goal was to create a public event celebrating the arts, culture, and creativity of the city in an atmosphere that promoted audience interaction with dynamic art. After watching this video, select one or more videos in the BLINK series for your class to watch to learn more about specific installations and the artists who created them.

In order to practice conducting, you need an orchestra! Learn about what it takes to become an orchestra conductor in this video from Treasures of New York: Juilliard. At Juilliard, the world-famous performing arts school located in New York City, students have the opportunity to work with musicians to hone their conducting skills.

“No Hablo Español” explores the conflicted cultural identity of a Latina high school student who can’t speak Spanish. Playwright Rosa Estevez explains why parents born in a Spanish-speaking country might prefer English for their children. People behind the scenes describe the play’s fresh pathways for discussing cultural identity, the importance of authenticity and language, and the role of the dramaturg in advocating for the playwright. The play was part of the New Voices Young Playwrights Festival at Actors Theatre of Louisville.

With a behind the scenes look at the production of Mary Poppins, Jeromy Smith and Lyndy Franklin Smith, founders of the Lexington Theatre Company, describe their partnership, goals, and how they put a show together. Jeromy explains the factors that affect their choice of plays to perform. Lyndy details how a production comes together over the course of three weeks. The collegiate ensemble rehearses music and choreography in a four-day boot camp, then the professional actors join the cast. After almost two weeks of rehearsals, costume fittings, set design, and technical adjustments, the production is ready for opening night.

Learn how the National Theater conceived a new version of the iconic Balcony Scene in this behind-the-scenes mini-documentary about the making of Great Performances: Romeo and Juliet. During the ongoing shutdown of London due to the COVID-19 pandemic, the National Theater created a compelling hybrid of theater and film that brings an exciting contemporary perspective to the play.

“Shakespeare’s potential for reinvention is endless,” said director Simon Godwin. “Over 17 days of filming, the company was united by a sense of shared exploration. As well as being given intimate access to the thoughts and feelings of characters, we were able to bring to life remarkable, forgotten spaces at the National Theatre. Desire, dreams and destiny came together to make Romeo & Juliet sing in an entirely new way.”

San Francisco's Ben Venom creates punk quilts for everyday rockers who want to be cozy, as well as quilts that are a little less functional and sit more comfortably in a framed-art context. Venom takes his inspiration from the historical and social aspect of quilting, and particularly the Gees Bend community of quilters in Alabama, who are highly regarded as some of the most significant contributors to African American art history.

In Los Angeles, jam skaters draw from a community and culture built over generations at Venice Beach and at rinks across the city. Over the past year, roller skating hit the mainstream as a safe and relatively accessible pandemic-era pastime, its international popularity bolstered by people recording their shaky progress on social media. Skates were sold out for months, and skaters have become major influencers on Instagram and TikTok. But longtime skaters are quick to remind everyone: This isn’t a fad.

Andrew Branca, a high school student from Central Academy of Technology and Arts, in North Carolina talks about how he was inspired to write Boal after attending a summer theater workshop on Brazilian theater activist Augusto Boal. Cast members discuss what it was like to collaborate on the playwriting process and why they felt it was important to start a serious discussion on racism and Islamophobia.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

Boal is a play written and performed by high school students from the Central Academy of Technology and Arts in Monroe, North Carolina. Boal brings a variety of social issues to the stage, focusing on racism and Islamophobia.

The play was inspired by Augusto Boal, a Brazilian theater director, writer, and politician. Boal was the founder of the Theatre of the Oppressed, a theatrical group dedicated to creating political change.

The performance was taped as part of the High School Theatre Festival during the Southeastern Theatre Conference.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

Dancer Amit Patel is reinventing Bollywood dance and making space for queer expression in the South Asian community. At 10, he began Bollywood dance training with Mona Khan Company and later started contemporary dance. He realized he could express himself outside of Bollywood’s traditional male roles. Today, he teaches "Bollywood Heels," a mix of Kathak gestures and jazz performed in 5-inch heels.

Inspired by James Brown and the Black Panthers, the Black Resurgents are one of the dance crews who pioneered Oakland's boogaloo dance, the foundation of many other funk styles. However, their cultural contributions are little-known outside of the Bay. Meet these veteran dancers passing on their tradition to a new a generation, bridging the gap between boogaloo, pop-locking and turf dancing.

Oakland, California, home to the Black Panthers, also birthed the pioneering funk-driven freestyle dance Oakland Boogaloo, characterized by strong hits and poses. In the late 1960s and 1970s, before the emergence of hip hop, the city’s African American youth took inspiration from James Brown, the Temptations, Charlie Chaplin, cartoon characters, and sci-fi robots, and created a repertoire of original moves like the “Dime Stop,” the “Hit, the “Mack Pose” and “the Ditallion.” Youth in nearby San Francisco and Richmond soon developed variants of boogaloo, respectively known as strutting and robotting. Today, these techniques are collectively known as “the funk styles,” owing to their development during the funk era. Despite its pioneering status, Oakland boogaloo’s cultural contributions are little-known outside of Bay Area dance circles.

Meet San Francisco artist Sirron Norris, who discusses his public and commercial art projects. Although he works on projects like "Bob's Burgers," he still makes time to teach a cartoon-drawing class for kids every Saturday. He says that the best part about drawing cartoons is that there's no expectations. He teaches the children this, and that as long as they are proud of what they've created, then what they've created is perfect.