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Introduction to Drama
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This course is a study of the history of theater art and practice from its origins to the modern period, including its roles in non-western cultures. Special attention is given to the relationship between the literary and performative dimensions of drama, and the relationship between drama and its cultural context.

Subject:
Arts and Humanities
Literature
Material Type:
Full Course
Provider Set:
MIT OpenCourseWare
Author:
Fleche, Anne
Date Added:
09/01/2016
Modern Drama
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This course analyzes major modern plays featuring works by Shaw, Pirandello, Beckett, Brecht, Williams, Soyinka, Hwang, Churchill, Wilson, Frayn, Stoppard, Deveare Smith, and Kushner. The class particularly considers performance, sociopolitical and aesthetic contexts, and the role of theater in the world of modern multimedia.

Subject:
Arts and Humanities
Graphic Arts
Literature
Material Type:
Full Course
Provider Set:
MIT OpenCourseWare
Author:
Henderson, Diana
Date Added:
02/01/2006
Quiz RI.2 Blood, Toil, Tears and Sweat
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A short quiz on CCSS.RI.9-10.2. This quiz uses Winston Churchill's famous speech, "Blood, Toil, Tears and Sweat." The text has a Dale-Chall complexity of grades 5-6, and a Flesch-Kincaid level of 6.5.

Subject:
Arts and Humanities
Material Type:
Assessment
Date Added:
12/13/2013
Studies in Drama: Stoppard and Company
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Taking as its starting point the works of one of Britain’s most respected, prolific—and funny—living dramatists, this seminar will explore a wide range of knowledge in fields such as math, philosophy, politics, history and art. The careful reading and discussion of plays by (Sir) Tom Stoppard and some of his most compelling contemporaries (including Caryl Churchill, Anna Deveare Smith and Howard Barker) will allow us to time-travel and explore other cultures, and to think about the medium of drama as well as one writer’s work in depth. Some seminar participants will report on earlier plays that influenced these writers, others will research everything from Lord Byron’s poetry to the bridges of Konigsberg, from Dadaism to Charter 77. Employing a variety of critical approaches (both theoretical and theatrical), we will consider what postmodernity means, as applied to these plays. In the process, we will analyze how drama connects with both the culture it represents and that which it addresses in performance. We will also explore the wit and verbal energy of these contemporary dramatists…not to mention, how Fermat’s theorem, classical translation, and chaos theory become the stuff of stage comedy.

Subject:
Arts and Humanities
Literature
Material Type:
Full Course
Provider Set:
MIT OpenCourseWare
Author:
Henderson, Diana
Date Added:
02/01/2014