The artist predicts a decisive Whig victory in the presidential election of …
The artist predicts a decisive Whig victory in the presidential election of 1848, with Whig candidate Zachary Taylor "bagging" all of the states in an electoral sweep. (Taylor actually carried only fifteen of the thirty states.) A kneeling Taylor (left) gathers fallen pigeons, each bearing a state's name, into a bag. Holding up the New York bird he muses, "My purpose would be suited without this fellow, however I'll take him: the more the merrier for the 4th of March next." Taylor's strength in New York was considered questionable before the election. Standing to the right is Lewis Cass with a musket at his side. Looking over at Taylor, he marvels, "What an all devouring appetite the fellow has: I expect he'll bag me in the bargain!" In the background Martin Van Buren is caught by the seat of his trousers on the nails of a fence. Holding a rooster labeled "Proviso" he cries, "Cass, come and help an old crony won't you!" Peering over from behind the fence is Pennsylvania congressman David Wilmot, author of the Wilmot Proviso, who threatens Van Buren with a switch, "I'll teach you to come ta robbing my barn!" Van Buren and the Barnburner Democrats adopted the proviso, which barred slavery in American territory gained in the Mexican War, as the main plank in their 1848 campaign platform.|Probably drawn by E.F. Durang.|Pubd. by Able [i.e., Peter E. Abel] & Durang. Philada.|Title appears as it is written on the item.|Weitenkampf, p. 97.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-46.
An optimistic view of the presidential prospects of Martin Van Buren, nominated …
An optimistic view of the presidential prospects of Martin Van Buren, nominated at the Free Soil Party's August 1848 convention in Buffalo, New York. Here Van Buren rides a buffalo and thumbs his nose as he sends Democratic candidate Lewis Cass (left) and Whig Zachary Taylor flying. Both are about to land in Salt River. Van Buren says defiantly, "Clear the track! or I'll Ram you both!" Cass, whose "Wilmot Proviso" hat has already landed in the river, exclaims, "Confound this Wilmot Proviso, I'm afraid it will lead to something bad." (On the Wilmot Proviso see "Whig Harmony," no. 1848-21.) Cass's opposition to the proviso put him at odds with a large number of Democrats. Taylor speculates, "If I had stood on the Whig platform firmly, this would not have happened." He cites his reluctance to decisively embrace the regular Whig party doctrines. His cap flies in the air, spilling a packet of "Dead Letters." (On the "dead letter" matter see "The Candidate of Many Parties," no. 1848-24.) |Entered . . . 1848 by H.R. Robinson.|Probably drawn by "W.J.C."|Published by H.R. Robinson 31 Park Row N.Y.|Title appears as it is written on the item.|Weitenkampf, p. 92.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-38.
By the end of this section, you will be able to:Describe the …
By the end of this section, you will be able to:Describe the terms of the Wilmot ProvisoDiscuss why the Free-Soil Party objected to the westward expansion of slaveryExplain why sectional and political divisions in the United States grewDescribe the terms of the Compromise of 1850
A parody of Democratic politics in the months preceding the party's 1848 …
A parody of Democratic politics in the months preceding the party's 1848 national convention. Specifically, the artist ridicules the rivalry within the party between Free Soil or anti-slavery interests, which upheld the Wilmot Proviso, and regular, conservative Democrats or "Hunkers." The "Gilpins" (named after the hero of William Cowper's 1785 "Diverting History of John Gilpin," who also loses control of his mount, to comic effect) are regular Democrats Lewis Cass, Thomas Hart Benton, and Levi Woodbury, who ride a giant sow down "Salt River Lane" away from the "Head Quarters of the Northern Democracy," which displays a Liberty cap and a flag "Wilmot Proviso." Cass, a former general and avid expansionist, wears a military uniform and brandishes a sword "Annexation." John Van Buren (right), a Free Soil Democrat, tries to restrain the pig by holding its tail. He remarks, "This is our last hope. If the tail draws out, they are gone for good." A man at left tries to block the pig's passage shouting "Stop, stop, Old Hunkers! here's the house!" Cass orders, "Clear the road. Don't you see that we are fulfilling our manifest destiny!" Benton asserts, "We are not a whit inclined to tarry there." On the far right a stout gentleman chases after them calling, "Hey! hey, there! where upon airth are you going? Come back here to your quarters!" Meanwhile former President and Free Soil contender Martin Van Buren is neck-deep in a pool at the lower right. He laments, "Had I served my country with half the zeal with which I served my illustrious predecessor, I should not thus have slumped in the mud." He refers to his service under Andrew Jackson, whom he succeeded as President. Attribution of "The Modern Gilpins" to John L. Magee is based on its similarities in draftsmanship and facial characterizations to Magee's 1850 satire "The Clay Statue," (no. 1850-9) and to several Mexican War prints he executed for the publisher Baillie.|Entered . . . 1848 by J. Baillie. |Published by James Baillie, 87th St. near 3d Avenue, N.Y.|Signed: Mack del (John L. Magee).|Title appears as it is written on the item.|Weitenkampf, p. 91-92.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-3.
While Democratic and Whig candidates debate strategies to win the presidency, or …
While Democratic and Whig candidates debate strategies to win the presidency, or "shoot the Christmas turkey," Free Soil candidate Martin Van Buren makes off with the bird. At left Democrat Lewis Cass (facing front) and Whig Zachary Taylor (facing left), both in military uniform and holding rifles, quarrel about the turkey which is chained to a stake in the center. Taylor: "I tell you, Cass, that I prefer coming to close quarters. It will be as fair for you as for me." Cass: "But I prefer long shots. It will give more chance for the exercise of skill & ingenuity." Taylor running mate Millard Fillmore enters from the left and sighting Van Buren exclaims, "Blood and thunder! I thought that infernal fox was dead: but he has come out of his hole and carried off the prize, while we have been disputing about the preliminaries!" On the far right, Van Buren, as a fox, grasps the turkey by the neck as David Wilmot cheers, "Huzza! Huzza! Victory! Victory!" Wilmot holds up the famous and controversial Wilmot Proviso of 1846, which forbade slavery in territories acquired by the United States in the Mexican War. The measure, embraced by Van Buren but sidestepped by Cass and Taylor, was a burning issue in the 1848 campaign. On the ground in the center of the scene sits New York editor Horace Greeley with a tally sheet marked "Taylor" and "Cass" nearby. Greeley thumbs his nose at Taylor and Cass and says, "Well, Gentlemen, my place has become a sinecure. I need not keep tally for you now." An ardent and powerful Whig spokesman in the 1844 election, Greeley withheld his support for Taylor until late in the 1848 campaign. By that time his New York "Tribune" had become an established and successful newspaper.|Entered . . . 1848 by J. Baillie.|Pubd. by James Baillie, 87th St. near 3d. Avenue, N.Y.|Title appears as it is written on the item.|Weitenkampf, p. 94.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-53.
A humorous commentary on Barnburner Democrat Martin Van Buren's opposition to regular …
A humorous commentary on Barnburner Democrat Martin Van Buren's opposition to regular Democratic party nominee Lewis Cass. Van Buren and his son John were active in the Free Soil effort to prevent the extension of slavery into new American territories. In this he opposed the conservative Cass, who advocated deferring to popular sovereignty on the question. In "Smoking Him Out," Van Buren and his son (wearing smock, far right) feed an already raging fire in a dilapidated barn. (radical New York Democrats supporting Van Buren were referred to as "Barnburners" because in their zeal for social reforms and anticurrency fiscal policy they were likened to farmers burning their barns to drive out the rats). On the left, Lewis Cass prepares to leap from the roof of the flaming structure while several rats likewise escape below him. The artist seems to favor Van Buren, and his attempt to force the slavery issue in the campaign. The Free Soilers, unlike the Democrats, supported enforcement of the Wilmot Proviso, an act introduced by David Wilmot which prohibited slavery in territories acquired in the Mexican War. John Van Buren, adding another pitchfork of hay to the flames, exclaims, "That's you Dad! more 'Free Soil.' We'll rat'em out yet. Long life to Davy Wilmot." |Entered . . . 1848 by Peter Smith.|Pub. by Peter Smith [i.e., Nathaniel Currier] 2 Spruce St. N.Y.|The Library's impression of "Smoking Him Out" was deposited for copyright on August 12, 1848, just two days after Van Buren was nominated by the Free Soil party.|Title appears as it is written on the item.|Gale, no. 5963.|Weitenkampf, p. 92.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-49.
A crudely drawn but complex satire mocking Zachary Taylor's military background and …
A crudely drawn but complex satire mocking Zachary Taylor's military background and lack of political experience. Student Zachary Taylor, wearing a paper cap made out of the journal "The True Whig" is seated on a low stool at the feet of his more politically seasoned running mate Millard Fillmore. Taylor reads from a book "Congressional Debates 1848. Slavery . . .", and spells out "W-I-L-M-O-T: Wilmot, P-R-O-V-I-S-O: Proviso. What do I know about such political stuff. Ah! Wait until I get loose, Then you will see what fighting is!" A torn sheet marked "National Bank" lies at his feet. Fillmore, who reads from "The Glorious Whig Principles [by] Henry Clay," admonishes Taylor, "This will never do, you must forsake this course,--for our party is a peaceful and rightous sect--free from wickedness." Behind Fillmore are an open book cabinet, the Constitution, and a globe. This are in obvious contrast to the maps of "The Late War" and a broadsheet "The Life of Johnny Tyler" on the wall behind Taylor. At Taylor's knee sits a bloodhound with a collar marked "Florida," a reminder of Taylor's controversial use of bloodhounds in the Second Seminole War. To the right two black youths polish Taylor's weapons. The first, kneeling and wiping a pistol, says, "By golly! Massa Taylor like fighting better then him dinner." The other, cleaning a sword, claims, "Dis am de knife wot massa use to cut up de Mexijins wid." In the center of the floor are a group of toy soldiers and a cannon.|Probably drawn by E.F. Durang.|Published by Peter E. Abel & Durang, Philada.|Sold by Turner & Fisher, N. York & Philada.|Title appears as it is written on the item.|Weitenkampf, p. 95.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-44.
A mild reproof of Zachary Taylor's evasion of the slavery question in …
A mild reproof of Zachary Taylor's evasion of the slavery question in the campaign of 1848. Although Taylor's views were widely broadcast in the form of published letters, his stand on the main issue--the Wilmot Proviso--remained unexpressed. (The Wilmot Proviso would have banned slavery in U.S. territories acquired during the Mexican War.) Here, in a clearing with the Capitol in the distance, Taylor is confronted by a country dweller and an urban dandy. The clearing stands between a forest on the left and a grove of cane on the right at which a black man, a stereotype like the others, cuts with a long knife. The rustic (far left) holds a shotgun or rifle and has a clay pipe between his teeth. In contrast, the city gentleman is finely dressed and holds a small cane. Taylor (center) wears a uniform and holds a walking stick or baton, and is flanked by two dogs (probably bloodhounds, reminders of his controversial use\ of dogs against the Indians in Florida during the Second Seminole War). The Wilmot Proviso lies on the ground before him. Country: "Now then General, in one word, What er yer Principles? for d'ye see, if yer devoid o priciple, yer aint fit to govern this great Nation, not by a darn'd long chalk." Town: "Why-aw! yes Genl? demme! we must know your princi- ples before we vote. we must indeed, aw!--demme!" Taylor: "Confound you both, Read my last Letter!" Country: "It's darn easy to read Genl. but rather difficult to to understand--I guess." To the right of Taylor a black man cutting cane remarks of Taylor, "He! He! He dam cunning, he wants to get in fust. he keep dark on de Wilmot Provis till de beery last. de dam ole Fox."|Drawn by Edward Williams Clay.|Entered . . . 1848 by H.R. Robinson.|Lith: & pub.: by H.R. Robinson 51 Park Row (adjoining Lovejoy's Hotel, N.Y.).|Title appears as it is written on the item.|Weitenkampf, p. 95.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-32.
U.S. History is designed to meet the scope and sequence requirements of …
U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.Senior Contributing AuthorsP. Scott Corbett, Ventura CollegeVolker Janssen, California State University, FullertonJohn M. Lund, Keene State CollegeTodd Pfannestiel, Clarion UniversityPaul Vickery, Oral Roberts UniversitySylvie Waskiewicz
By the end of this section, you will be able to:Describe the …
By the end of this section, you will be able to:Describe the terms of the Wilmot ProvisoDiscuss why the Free-Soil Party objected to the westward expansion of slaveryExplain why sectional and political divisions in the United States grewDescribe the terms of the Compromise of 1850
A severe split within the Whig ranks, between partisans of Henry Clay …
A severe split within the Whig ranks, between partisans of Henry Clay and those of Zachary Taylor, preceded the party's convention in June 1848. Here Horace Greeley, one of Clay's most influential northern supporters, tries to drive the party wagon downhill toward "Salt River" (a contemporary idiom for political doom). At the same time, a Brother Jonathan or Uncle Sam figure steers in the opposite direction, toward the White House. Greeley whips his horse, a scrawny nag with the head of Henry Clay, with a switch or small branch; the uphill-bound horse has Taylor's head, and its driver wields a carriage whip. The cart is laden with papers marked "Tariff," "Bank," and "Internal Improvements," traditional catchwords of Whig politics. Greeley: "It's of no use to talk to me, for Mr. Clay says he would rather be right than to be President, and that is the policy I am adopting now." Brother Jonathan: "Do slack up a little there, Horace, till we get over a chock that some one has put before the wheel." The "chock" that the cart has run into is a rock marked "Wilmot Proviso," placed in the road by Congressman David Wilmot. The question of the validity of the proviso, an 1846 proposal to prohibit slavery in territories acquired during the Mexican War, became an important issue in the 1848 campaign, and a stumbling block to candidates like Taylor who courted Southern support. The proviso was never passed by the Senate.|Entered . . . 1848 by J. Baillie.|Published by James Baillie, 87th St. near 3rd Avenue, New York.|Signed in reverse: H.B. (H. Bucholzer).|Title appears as it is written on the item.|Lorant, p. 189.|Weitenkampf, p. 95.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-21.
In a ring a large bull, wearing a ribbon marked "The Rough …
In a ring a large bull, wearing a ribbon marked "The Rough & Ready" between its horns, faces five matadors. The bull represents Zachary Taylor, nicknamed "Old Rough and Ready." The matadors are prominent Whigs, who hold capes expressing their varied expectations of the candidate. The matadors are (from left to right): Senator John J. Crittenden holding a "Wilmot [Proviso]" cape; New York editor James Watson Webb, who states, "We desire you to have--" [written on cape] "No Veto Power." An unidentified man (possibly Congressman John M. Botts) says, "We will have--" [on cape] "A National Bank." Daniel Webster insists, "We must have--" [on cape] "A High Tariff!" An unidentified man standing behind Webster exclaims, "I hope that we won't be Bulled!" In the background are stands crowded with spectators, above which flies a flag "U. S."|Probably drawn by E.F. Durang.|Title appears as it is written on the item.|Weitenkampf, p. 95.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-47.
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.