Sir Lawrence Alma-Tadema, A Reading from Homer, 1885, oil on canvas, 36-1/8 x 72-1/4 inches / 91.8 x 183.5 cm (Philadelphia Museum of Art). Created by Beth Harris and Steven Zucker.
Infrared cameras now reveal concealed drawings under the surface of many of the Renaissance's most revered paintings. Learn how this radical drawing technique was done.
In this art history video discussion Beth Harris and Steven Zucker examine Albrecht Altdorfer's "The Battle of Issus," 1529, oil on panel. Alte Pinokothek, Munich.
Ambrogio Lorenzetti, Allegory of Good Government, Effects of Good Government in the City and the Country, and Allegory and Effects of Bad Government in the City and the Country, Siena c. 1337-40, fresco, Sala della Pace (Hall of Peace) also know as the Sala dei Nove (the Hall of the Nine), 7.7 x 14.4 meters (room), Palazzo Pubblico, Siena Speakers: Dr. Beth Harris and Dr. Steven Zucker For more information visit: http://smarthistory.khanacademy.org/the-allegories-and-effects-of-good-and-bad-government.html. Created by Beth Harris and Steven Zucker.
Found marking the grave of an important individual, this gorget was worn as a neck ornament during life. Gorget, c. 1250-1350, probably Middle Mississippian Tradition, whelk shell, 10 x 2 cm (National Museum of the American Indian, Smithsonian Institution, 18/853) Speakers: Dr. David Penney, Associate Director for Museum Scholarship, Exhibitions, and Public Engagement, National Museum of the American Indian and Dr. Steven Zucker A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/
In 1944, the Americans (and Allies) make even more progress in the Pacific. By the end of the year, they have taken positions that put them within bombing range of Japan.
In 1944, the Americans (and Allies) make even more progress in the Pacific. By the end of the year, they have taken positions that put them within bombing range of Japan.
Millard Sheets, Tenement Flats, oil on canvas, 102.1 x 127.6 cm (Smithsonian American Art Museum). A conversation with Dr. Virginia Mecklenburg, Chief Curator, Smithsonian American Art Museum and Dr. Steven Zucker This Seeing America video was made possible thanks to major grants from the Terra Foundation and the Alice L. Walton Foundation. Find learning related resources here: https://smarthistory.org/seeing-america-2/
Amiens Cathedral, Robert de Luzarches, Thomas de Cormont and Renaud de Cormont, Amiens, France, begun 1220. Created by Beth Harris and Steven Zucker.
Anavysos Kouros, c. 530 B.C.E., marble, 6' 4" (National Archaeological Museum, Athens). Speakers: Dr. Steven Zucker & Dr. Beth Harris. Created by Beth Harris and Steven Zucker.
A conversation with Lisa Ackerman, World Monuments Fund, and Beth Harris, Smarthistory. Created by Beth Harris and Steven Zucker.
A conversation with Lisa Ackerman, World Monuments Fund, and Beth Harris, Smarthistory. Created by Beth Harris and Steven Zucker.
Ancient Egypt was an early example of a massive civilization spanning thousands of years. Sal explains this history in an overview.
Conservators at the British Museum preparing an ancient Egyptian coffin for display in the exhibition Journey through the afterlife: ancient Egyptian Book of the Dead. © Trustees of the British Museum. Created by British Museum.
Preparing pieces of papyrus ready for display in the exhibition Journey through the afterlife: ancient Egyptian Book of the Dead. © Trustees of the British Museum. Created by British Museum.
From the Utah System of Higher Education (with special thanks to Dr. Nancy Ross). Video by Ydraw. Created by Nancy Ross.
Sal provides an overview of the Greco-Persian Wars and the Peloponnesian War.
Ancient Greek Temples at Paestum: Hera I, c. 560-530 B.C.E., Archaic Period; Hera II, c. 460 B.C.E., Classical Period; Temple of Minerva, c. 500 B.C.E. Archaic Period. A conversation with Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.
Used for the storage and shipment of grains, wine, and other goods, as well as in the all-male Greek drinking party, known as the symposium, ancient Greek vases were decorated with a variety of subjects ranging from scenes of everyday life to the tales of heroes and gods. The two most popular techniques of vase decoration were the black-figure technique, so-named because the figures were painted black, and the red-figure technique, in which the figures were left the red color of the clay. The black-figure technique developed around 700 B.C. and remained the most popular Greek pottery style until about 530 B.C., when the red-figure technique was developed, eventually surpassing it in popularity. This video illustrates the techniques used in the making and decorating of a black-figure amphora (storage jar) in the Art Institute of Chicago's collection. This video was produced with the generous support of a Long Range Fund grant provided by the Community Associates of the Art Institute of Chicago. It was created for LaunchPad, a program of digital interpretive materials that supplement the viewing of works of art on display in the Art Institute of Chicago's galleries. Created by Getty Museum.
Used for the storage and shipment of grains, wine, and other goods, as well as in the all-male Greek drinking party, known as the symposium, ancient Greek vases were decorated with a variety of subjects ranging from scenes of everyday life to the tales of heroes and gods. The two most popular techniques of vase decoration were the black-figure technique, so-named because the figures were painted black, and the red-figure technique, in which the figures were left the red color of the clay. The black-figure technique developed around 700 B.C. and remained the most popular Greek pottery style until about 530 B.C., when the red-figure technique was developed, eventually surpassing it in popularity. This video illustrates the techniques used in the making and decorating of a black-figure amphora (storage jar) in the Art Institute of Chicago's collection. This video was produced with the generous support of a Long Range Fund grant provided by the Community Associates of the Art Institute of Chicago. It was created for LaunchPad, a program of digital interpretive materials that supplement the viewing of works of art on display in the Art Institute of Chicago's galleries. Created by Getty Museum.