Election ticket with image of anchor, bales, and barrels on a shore, and sailing vessels beyond. Trunk in foreground is labeled "Edes Print" (printer's imprint)?|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-8.

Election ticket with image of a three-masted sailing vessel.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-6.

Election ticket with image of an anvil and hammer.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-9.

Election ticket with image of a hickory tree.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-10.

Prints number 1828-5 through 1828-10 make up a series of election tickets for John Van Laer Mcm.ahon and George H. Steuart, Democratic candidates for Baltimore delegates to the Maryland General Assembly in 1828. Each ticket bears a woodcut emblem and a motto. 1828-5 has a bust portrait of Jackson within an oval surmounted by an eagle, and flanked by American flags and cannon. The tickets were probably produced in Baltimore.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-5.

Election ticket with image of a primitive locomotive pulling two freight cars.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-7.

This collection uses primary sources to explore Jacksonian democracy. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

One of James Gordon Bennett's perennial editorial campaigns against the Catholic bishop of New York John Hughes is the subject of "Jamie & the Bishop." On the left Scottish-born "Jamie" Bennett, a quill pen behind his ear, shoots a clyster at the archbishop, saying, "Hoot awa mon, this is the best weapon in the College of Pharmacy, & mickle dirty water can I fling with it mon!" "Dirty water" is probably a reference to the notoriously squalid form of journalism practiced by Bennett in his newspaper, the New York "Herald." Hughes retaliates with a swing of his crozier, saying, "With all the power of Holy Church will I assail thee, most reprobate & contemptible viper." Behind Hughes stands an Irishman, a gin bottle in his pocket and club in his hand. He growls, "Be Jasus shtand back! your honor's worship, & let me have a shlap at him wid the shillaly!" Bennett is offered support by another Scotsman, who scratches his back against a nearby lamp-post, "Wait a bit, Jamie, till I've scratched my bock & I'll lend yees a hand, mon."|Entered . . . 1844 by James Baillie.|Lithography & print coloring on reasonable terms by James Baillie No. 33 Spruce St. New York.|Signed: H. Bucholzer.|Title appears as it is written on the item.|The Library's impression of the print was deposited for copyright on July 5, 1844.|Weitenkampf, p. 83-84.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-30.

After the bombing of Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066, which established 10 internment camps for "national security" purposes. Although most internment camps were along the West Coast, others could be found in Wyoming and Colorado, and as far east as Arkansas. One photo shows Japanese American boys in San Francisco shortly before the evacuation order; another shows a woman waiting for the evacuation bus in Hayward; approximately 660 people being evacuated by bus from San Francisco on the first day of the program; and an aerial image of people sitting on their belongings, waiting to be taken to Manzanar. The government-sponsored War Relocation Authority (WRA) hired Dorothea Lange and other photographers to take pictures of the relocation and internment of Japanese Americans. Lange?s photographs, some of which were suppressed by the WRA and only released later, often capture the irony inherent in the situation. Although internees were allowed to take only what they could carry with them to the camps, one Lange photo juxtaposes a bus poster "Such a load off my mind ? Bekins stored my things" next to a pile of internees' belongings. Another striking Lange image shows a Japanese American-owned corner store with a large "I am an American" banner hanging beneath a "Sold" sign. Another photograph of an engine's distributor, removed from a car owned by an internee, showed that people were truly prisoners at the camp, unable to drive their own cars away. Several paintings by interned Japanese American artists Henry Sugimoto and Hisako Hibi reflect their emotional experiences and give viewers a sense of what life was like for them. The paintings express the pain, suffering, and anger of those subjected to internment. Over 100,000 Japanese American men, women, and children were relocated and detained at these camps. Photographs here show people of all ages, including a grandfather and grandchild, and young children. This internment is now recognized as a violation of their human and civil rights. In 1980, the US government officially apologized and reparations were paid to survivors.

This collection uses primary sources to explore Japanese American internment during World War II. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

This activity was produced in conjunction with The Library of Congress and the TPS at Metropolitan State University of Denver. This activity will allow learners to:Draw conclusions about relocation centers used during WW2 in the western US.Analyze primary resources using a question method to discover details.Discuss the concept of fear and why others may be treated differently due to fear and prejudice. Short lesson plan introducing Japanese American relocation centers (or internment camps) using primary resources from Library of Congress. The lesson focuses on a newspaper article about the center in Hunt, Idaho and a photo of a toddler from the Manzanar camp. Can be used before teaching the book Farewell to Manzanar.

Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerks Office of the District Court of the United States for the Southern District of Ohio.|Inscribed in ink below title: Filed June 19 1865.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)

Another state of no. 1861-23, with the addition of a skull and crossbones drawn on Davis's chest.|Probably published by Currier & Ives, New York.|Title appears as it is written on the item.|Weitenkampf, p. 129.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1861-24.

A caricature of Jefferson Davis, probably issued not long after the bombardment of Fort Sumter, but certainly postdating his February 1861 election as president of the Confederacy. Davis is shown standing on a gallows, draped in the Confederate flag and wearing on his head a misshapen Phrygian cap. Under him is a "Secession Trap" door. He anticipates his drop saying, "O dear! O dear! I don't really want to secede this way--I want to be let alone.'" To the gallows crossbar is nailed a "Letter of Marque." (See "The Southern Confederacy a Fact!!!," no. 1861-22.) Below stand several observers, including many prominent secessionists who await their own execution with nooses around their necks. They are (left to right) Secretary of State Robert Toombs, Gen. P.G.T. Beauregard, Vice President Alexander Stephens, and South Carolina governor Francis W. Pickens. Each of them speaks. Toombs: "I begin to feel weak in the knees!" Beauregard: "Oh Jeff! Jeff! is that the elevated position that you promised me?" Stephens: "Alas! Alas! I prophesied in November that secession would be the death of us." Pickens is still defiant, saying: "Can it be possible that they will dare to hang a gĚ_Ąentleman from South Carolina?'" Another state of the print, with skull and crossbones drawn on Davis's chest, was also issued (evidently by Currier & Ives) under the title, "Jeff Davis, on His Own Platform" (no. 1861-24). |Probably published by Currier & Ives, New York, in 1861 or 1862.|Title appears as it is written on the item.|Weitenkampf, p. 129.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1861-23.

An illustrated sheet music cover for an anti-Confederate comic song. Confederate president Jefferson Davis stands on a bale of cotton and asks John C. Breckinridge, former U.S. Vice President and fellow secessionist, to "Black Me." Breckinridge, in military uniform, complies and begins to paint Davis's face with blacking. Around Breckinridge's feet coils a "Copperhead," symbol of the Peace Democrats. Another snake winds around the broken, inverted staff of a Union flag. At right a grinning black man sits on boxes of "Butler's Blacking" and holds a tin of blacking in his hand. The name "Butler" probably refers to Gen. Benjamin F. Butler, a figure despised in the South. Among other things, Butler had forced the Confederacy to recognize the military status of U.S. Negro troops. At left under the heading "Memminger's Funeral Pile," bare-chested Confederate secretary of the treasury Christopher G. Memminger is partially submerged in a pile of C.S.A. bonds. Under his management, the Confederate Congress issued so many bonds that the people doubted its ability to redeem them, and prices skyrocketed. "Repudiation" appears in large letters on one of the bonds.|Alexander McLean lith.|Entered . . . 1864 by Mrs. Eunice Bussett . . . Missouri.|Published for the Author by Endres & Compton, no. 52, 4th St., St. Louis.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1864-43.

Entered according to Act of Congress, in the year 1865, by J. Hoey, in the Clerk's Office of the District Court of the United States for the Southern District of New York. J. Hoey, designer and engraver on wood, Room 11, 160 Fulton St., New York.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)

Another comic version of Confederate President Jefferson Davis's ignominious capture by Union troops in May 1865. (See also "The Chas-ed "Old Lady" of the C.S.A.," no. 1865-11.) Here Davis, clad as a woman and holding a wooden pail, is discovered by a lone trooper, Benjamin Dudley Pritchard of the Fourth Michigan Cavalry. The soldier lifts the skirts of the fugitive to reveal a pair of black boots. Davis's wife (at right) protests, saying, "Only my mother."|Entered . . . 1865 by Lee & Walker . . . Pa.|Philadelphia, Lee & Walker, 722 Chestnut St.|Published for the benefit of the Western Sanitary Fairs of Chicago, Ill. and Milwaukee, Wis.|The Library's impression of the sheet music cover was filed for copyright on June 28, 1865.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1865-19.

Signed in stone: F. Welcker.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)

Another version of Jefferson Davis's capture by Union cavalry. (See "The Chas-ed "Old Lady" of the Confederacy," no. 1865-11.) The image appears on the cover of a musical piece dedicated to Davis's captor, "Lieut. Col. D. B. [sic] Pritchard, 5th Mich. Cavalry," Davis, in a dress and bonnet and clutching a Bowie knife, flees through the woods with Union troops in close pursuit. One federal soldier has fallen down in his attempt to catch Davis.|Entered . . . 1865 by G.D. Russell & Company. |Franklin N. Carter Lith. Boston.|Published by G.D. Russell & Company 126 Tremont, opp Park St.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1865-14.

An illustrated election ticket for the presidential campaign of 1836. Oddly, the ticket lists Ohio's Democratic electors for Van Buren while making a vicious and obscene slur on the wife of his running-mate Richard M. Johnson. It seems to reflect the widespread internal dissatisfaction with the party's choice of Johnson as vice-presidential candidate. The image is of a black woman, supposedly Johnson's mulatto mistress Julia Chinn. She sits on a small knoll holding a bag, and says, "Let ebery good dimicrat vote for my husband, and den he shall hab his sheer ub de surplum rebbenu wat is in my bag." Evidently "surplum rebbenu" refers (at least on one level) to the Distribution Act, popularly known as the Surplus Bill, providing for the distribution of surplus federal revenue among the states. The bill was signed by Andrew Jackson in June 1836, to aid Van Buren's campaign. (See "Caucus on the Surplus Bill," no. 1836-9 ). Beneath her are the words "She plucks Dick [i.e. Johnson]--and Dick plucks you--and Van [Buren] plucks Dick." Below the title are two quotes, possibly campaign cries, "Go it, ye Cripples!" and "The people will it!!!" Three other Democratic tickets, apparently from the same press, are also included here (see nos. 1836-16, -17, and -19).|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1836-18.