Welcome to our Introduction to Theater – Learning Resources Spring 2018 book. The purpose of this book is to provide open educational resources for those who study Theater. It’s being authored by many helpful Cleveland State University Theater students, as well as Lisa Bernd, PhD, and Heather Caprette, MFA. In the spirit of open, it’s our desire that any alterations of the assignments be shared openly with others, at no charge, but realize we can’t control for this and there’s not always an easy way for someone to share publicly. Many authors of OER generate resources to freely help students and teachers because they realize the challenges students are facing with affording an education and educational materials. We realize this challenge and it’s our desire that these resources be provided for free.

Short Description:
This was a collaborative project of stories written by English language learners which were interpreted and illustrated by art students in drawing classes.

Word Count: 5962

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
This was a collaborative project of stories written by English language learners which were interpreted and illustrated by art students in drawing classes.

Word Count: 12599

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
This was a collaborative project of stories written by English language learners which were interpreted and illustrated by art students in drawing and painting classes.

Word Count: 7599

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
This was a collaborative project of stories written by English language learners which were interpreted and illustrated by art students in drawing and painting classes.

Word Count: 7443

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Playback Theatre is a form of community-centered storytelling theater where the audience tells stories, which are then reflected by a company of actors and musicians. Storytelling on Screen: An Online Playback Theatre Archive and Guidebook is an open education resource consisting of a collection of full-length recordings of online Playback Theatre performances, and a 55-page explanatory guidebook. The guidebook, featuring a foreword by Playback Theatre co-founder, Jo Salas, explains the adaptation to online performances and some of the key concepts, roles, and forms involved in online Playback Theatre. The resource as a whole is suitable for a wide range of theatre students in courses such as applied theatre, theatre for social justice, improvisation, theatre appreciation, or acting. The guidebook contains hyperlinks to specific sections of the archive where students can see a given form or concept in action, allowing for a comparison of how different companies approach a given form.

A Survey of Form in Music for the College Classroom is a concise and practical text for use in undergraduate music form and analysis classes. It is an extension of A Survey of Form in Music for the College Classroom, a text for freshman and sophomore music theory courses, and shares two chapters – Cadences and Small-Scale Form and Binary and Ternary Form – with that text.

A Survey of Music Theory for the College Classroom is a concise, practical, and readable text and workbook for use in the freshman and sophomore music theory curriculum.

A Survey of Music Theory for the College Classroom is a concise, practical, and readable text and workbook for use in the freshman and sophomore music theory curriculum.

A Survey of Music Theory for the College Classroom is a concise, practical, and readable text and workbook for use in the freshman and sophomore music theory curriculum.

A Survey of Music Theory for the College Classroom is a concise, practical, and readable text and workbook for use in the freshman and sophomore music theory curriculum.

Short Description:
Open lab manual workbook for students in Survey of Western Art History I at University of Nebraska Omaha. This project was funded by the Affordable Content Grants program at UNO Libraries.

Word Count: 26623

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Stained Glass Windows in St. John the Evangelist

Short Description:
This catalogue developed out of the exhibition, Symphony of Lights: An Exploration of Stained Glass Windows in St. John the Evangelist Anglican Church, London, ON, hosted at the Artlab Gallery on the campus of The University of Western Ontario from February 8-19, 2021. The exhibition focused on the visual and aural effects of the art of St. John’s.

Long Description:
This catalogue developed out of the exhibition, Symphony of Lights: An Exploration of Stained Glass Windows in St. John the Evangelist Anglican Church, London, ON, hosted at the Artlab Gallery on the campus of The University of Western Ontario from February 8-19, 2021. The exhibition focused on the visual and aural effects of the art of St. John’s. In the exhibition, we attempted to reimagine the grandeur of St. John’s artistic features by acknowledging their religious and historical settings, but more importantly, highlighting their artistic merit through a multisensorial experience that furthers those Londoners have enjoyed for over 130 years.

Word Count: 13177

ISBN: 978-0-7714-3164-7

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Word Count: 1722

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
Translated by Curtis Hidden Page

Word Count: 18304

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Word Count: 35140

Included H5P activities: 7

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

This teaching packet discusses artistic movements of the late 20th century, including abstract expressionism, pop art, minimalism, conceptualism, process art, neo-expressionism, and postmodernism, with attention to their critical reception and theoretical bases. The packet considers works by 27 painters and sculptors including Jackson Pollock, Jasper Johns, Mark Rothko, David Smith, Martin Puryear, Anselm Kiefer, Susan Rothenberg, and Roy Lichtenstein (see full list below).

The purpose of this textbook is to provide resources about teaching low brass instruments to music educators and future music educators. The book was developed by the author as part of the open/alternative textbook initiative at Kansas State University. It Is the textbook used for the Kansas State University course Music 239-Low Brass Techniques and Materials.

Technical Theatre II (Intermediate)
CHAPTER 1: JOBS IN TECHNICAL THEATRE
CHAPTER 2: WORKING IN A NEW VENUE
CHAPTER 3: PERFORMANCE ETIQUETTE
CHAPTER 4: THE ACTOR SCENE BREAKDOWN
CHAPTER 5: SCENERY
CHAPTER 6: STAGE PROPERTIES
CHAPTER 7: STAGE LIGHTING
CHAPTER 8: COSTUMES
CHAPTER 9: SOUND
CHAPTER 10: BLOCKING NOTATION
CHAPTER 11: PRODUCTION REPORTS
CHAPTER 12: CUEING SCRIPTS

Access also available here: https://drive.google.com/drive/folders/1ibRKS2v_qeQwXuZHKAvb2I0jAn7GwCSM

Welcome to the exciting world of technical theatre. Studying this topic can lead to many different careers in several different sectors of the economy. The general skills needed for any of the careers or sectors have many things in common. Workers need to be dead-line oriented, as most productions have firm timelines that cannot be altered. Critical thinking and analysis are much needed skills. Almost every project in the field is unique and technicians and designers alike must discover the best way of reaching a project’s goal. Creative problem solving is trait successful practitioners have in common. With every project being unique, there are no guaranteed solutions to the problems that are presented. Technicians draw on their vast experience of what worked in the past that can be adapted to be a solution to the current problems. Clear communication and collaboration round out the necessary skills. No technical theatre project is ever handled by one person on their own. Collaboration with many people is the norm, and successful collaboration requires clear written and verbal communication skills.