Students will analyze shapes and patterns in a photograph, hear stories about people who were forced to move to internment camps because of their ethnicity, and create drawings that tell a story about a young girl's life in an internment camp.

Students will read primary source documents about the U.S. internment of Japanese Americans following the bombing of Pearl Harbor and will examine various versions of a photograph by Dorothea Lange and explore how cropping can evoke different effects.

Students will view artwork in manuscripts pages depicting insects, animals, plants, flowers, and ornate writing, such as those found in the "Mira calligraphiae monumenta" in the Getty Museum. They will create a work of art that illustrates a figurative saying with a drawing of flora and/or fauna, and text written in ornate script.

This is a one-hour guided drawing lesson in which students will gain knowledge about composition and line. Students will build a personal drawing vocabulary by experimenting with various tools to create their own unique lines and marks using traditional art media. Students will create two original drawings in a one-hour "en plein air", or outdoor, session.

Students will examine the bust, "Portrait of Nadine Dumas", and create a portrait bust of a friend to give to the friend as a gift. Students will then discuss the modeling techniques used to communicate likeness and expression in a three-dimensional bust portrait.

Students will study the composition of landscape paintings, emphasizing space, depth, and the concepts of foreground, middle ground, and background. Students then create their own landscapes using principles of landscape composition.

Students create a nameplate and an original fairy tale book using an illuminated manuscript format.

Students will learn how French artists used lacquer panels in their furniture. They will then explore Asian lacquer panels and create their own Asian-inspired lacquer panel design. Students will then trade their designs and incorporate their classmates' designs into a new furniture design.

After reading "The Mysterious Giant of Barletta" by Tomie DePaola, about an ancient Roman statue that comes to life, students create a paper sculpture based on ancient Greek and Roman statues in the Getty Museum. They then write a narrative story told from the viewpoint of their sculpture.

Students will understand the use of personification as a way of expressing ideals. Students will transfer this understanding to the present by creating an allegorical depiction of a contemporary ideal or value inspired by precedents in classical Greece and the Neoclassical period.

Students examine primary resources, photographs by Dorothea Lange, and a U.S. map to understand the migrant experience during the Great Depression.

Students will work in groups to visually analyze a work of art and then research what was happening in the time period when the work was made. Students will then discuss what impact their research had on their original perceptions. Students will finally be given background information about the work of art and will discuss how their ideas are different or similar to what they read.

Students will focus on the life and times of the artist Joseph Mallord William Turner. They will also discuss the historical narrative that Turner depicted in his painting "Van Tromp, Going About to Please His Masters." Students then explore how the Romantic Movement influenced both literature and painting in the 18th and 19th centuries.

Students will observe a watercolor painting that depicts a view of a landmark in a dramatic setting -- "Longships Lighthouse, Lands End" by artist Joseph Mallord William Turner. Then they will experiment with a variety of techniques to create a dramatic setting, such as the scene depicted in Turner's historical narrative watercolor painting. Students will then create their own watercolor of an accident at a landmark using various watercolor techniques.

Students will form two groups, and each group will analyze a still life. Then each student will write a three-paragraph essay describing how to draw the work of art they are studying. Each student will exchange his or her essay with someone in the other group who will draw the still life based on the essay's description. Depending on the accuracy of their peers' drawings, students will add more details to their essays.

SALT Beyoğlu’nda düzenlenen “Ben bir stüdyo sanatçısı değilim” sergisindeki temaları açıklayan bu Yorumlama Rehberi, eğitimciler ve lise öğrencileri için bir kaynakça olarak hazırlanmıştır. Eğitimcilerin, rehberin içeriğindeki aktiviteler, multimedya kaynakları, terminoloji ve tartışma olanaklarını öğrencilerinin ihtiyaçlarına en iyi cevap verecek şekilde düzenleyerek müfredatlarına uyarlamalarını öneririz.

2007 yılının sonunda kaybettiğimiz Hüseyin Bahri Alptekin, sanatçı kimliğinin yanı sıra düşünür, öğretim üyesi, yazar ve küratör olarak kültürel üretime katkıda bulundu. 1990’ların başından itibaren sanat üretimine yoğunlaşan Alptekin, eserlerinde küreselleşmenin etkileri, göç ve sürgün, kültürlerarası imge dolaşımı gibi temaları inceledi. İşbirliği ve müellifsiz üretim ile ilgilenen Alptekin, kariyeri boyunca Grup Grip-in, Sea Elephant Travel Agency [Deniz Fili Seyahat Acentası] ve Bunker Research Group [Korugan Araştırma Grubu] gibi birçok grup kurdu. İşlerinde fotoğraf enstalasyonları, kolajlar, videolar, nesneler -kasası plastik futbol toplarıyla dolu bir kamyon gibi- birçok farklı malzeme ve yöntemler kullanarak, birbirine referans veren çok katmanlı bir görsel dil yarattı.

“Ben bir stüdyo sanatçısı değilim”, sanatçının Türkiye’de ve uluslararası platformda düzenlenen en kapsamlı sergisi olma niteliğini taşıyor.

This SALT Interpretation Pack has been designed as a resource for educators and students as they explore the themes of the Hüseyin Bahri Alptekin “I am not a studio artist” exhibition at SALT Beyoğlu in Istanbul, Turkey. Designed for use in high school classrooms, its contents include activities, multimedia resources, terminology and opportunities for discussion. Educators are encouraged to adapt, shape and build upon these materials to best meet the needs of their students and teaching curricula.

Hüseyin Bahri Alptekin was an artist, thinker, teacher, writer and curator who passed away in 2007. In the early 1990s, Alptekin began to form an artistic production that explored the effects of globalization, immigration and exile, as well as cross-cultural image circulation. Alptekin was a determined collaborator interested in authorless production, and throughout his career formed many artist-run collaboratives, including Grup Grip-in, the Sea Elephant Travel Agency and the Bunker Research Group. His multi-referential work consists of photo-installations, collages, videos, objects, and large-scale production such as a life-size truck overloaded with colorful plastic soccer balls, which together express a multi-layered and complex visual language.

“I am not a studio artist” is the most comprehensive exhibition of Alptekin’s works to date, both in Turkey and internationally.

Students will analyze "Man with a Hoe" by Jean-Francois Millet, and learn how the artist's use of shape and space creates emphasis. Students will discuss their interpretations of the painting and provide visual evidence to back up their ideas. They will create a persona poem that demonstrates their interpretation of how the man in the painting feels. Students will then illustrate their understanding of how shape and space creates emphasis by drawing a person in their family who works hard.

Students discuss how the environment influences animal characteristics by looking at Hans Hoffmann's painting "A Hare In the Forest". After the discussion, students research an animal that uses camouflage, paint that animal within its environment, and write a sentence describing its habitat. Students use this as a basis on which to write a sequential narrative about their animal and its relationship to its environment. This lesson is an extension to the "Open Court Reader" second grade unit on animal camouflage called "Look Again."

Note: This lesson was designed for students with autism. The students will review a few elements of art, specifically colors, shapes, and different types of lines. They will identify these elements in Vincent van Gogh's painting Irises. The students will then practice drawing different types of lines and shapes in different colors, and will use these elements of art to produce an original crayon-resist piece inspired by Irises.