A patriotic, Unionist sheet music illustration. Liberty stands on a pedestal, wearing …
A patriotic, Unionist sheet music illustration. Liberty stands on a pedestal, wearing a Phrygian cap, a white tunic over a long gown emblazoned with stars, and a red sash. She holds a sword in her right hand and a staff with American flag in her left.|Entered according to Act of Congress by Charles S. Stoddard.|Gilmour & Dean, Litho.|The Library's copy of the music sheet was deposited for copyright by Charles S. Stoddard on April 18, 1862.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1862-4.
A French soldier picking up medical supplies from the Red Cross. Two …
A French soldier picking up medical supplies from the Red Cross. Two nurses in background. The Red Cross was one of three official charitable organizations of the war and the Red Cross was the only one allowed at the front. Picture caption: Paris-D_Ęp't. Promotional goal: Fr. G2. 1917. Item is no. 195 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room.
This site consists of 59 sound recordings of speeches by American leaders …
This site consists of 59 sound recordings of speeches by American leaders at the turn of the century. Speakers include Warren G. Harding, James Cox, Calvin Coolidge, Franklin D. Roosevelt, Samuel Gompers, Henry Cabot Lodge, and John J. Pershing.
An illustrated sheet music cover for a patriotic song by Freeman Scott. …
An illustrated sheet music cover for a patriotic song by Freeman Scott. The title appears on a striped shield with laurel and oak branches below and a flag, liberty pole and cap, spears, and bundled fasces (symbolic of unity) behind.|Entered . . . 1850 by M. Keller & J. Neff . . . Eastern District of Philadelphia.|Philadelphia Mathias Keller & J. Neff . . . Baltimore W. C. Peters.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1850-3.
Poster showing numerous scenes of activities sponsored by the American Library Association …
Poster showing numerous scenes of activities sponsored by the American Library Association Library War Service, including interiors and exteriors of facilities, and military personnel reading and studying.
Poster showing six scenes of activities sponsored by the American Library Association …
Poster showing six scenes of activities sponsored by the American Library Association Library War Service, including interiors and exteriors of facilities, and military personnel reading and studying.
This site presents 2,900 life histories from 300 writers from 24 states. …
This site presents 2,900 life histories from 300 writers from 24 states. These histories describe individuals' families, incomes, occupations, political views, religions, diets, and observations.
Students use Library of Congress primary sources to examine 19th and 20th …
Students use Library of Congress primary sources to examine 19th and 20th century social life in the United States in order to formulate ideas about the American Dream.
An illustrated sheet music cover for a Whig campaign song, "The American …
An illustrated sheet music cover for a Whig campaign song, "The American Marseillaise," composed by Benjamin Cahill to mark the July 4, 1844, Boston Clay rally. In keeping with the title and the occasion of the piece the artist evokes the memory of the Revolution, and draws a parallel between George Washington and Whig presidential candidate Henry Clay. Oval medallion portraits of Washington (left) and Clay (right) are suspended by ribbons decorated with wreaths or leaf clusters. From each oval hang the tendrils of a vine. The ribbons are held by an eagle (center) and are labeled "Pater et Fili" (i.e., father and son), referring to Washington and Clay respectively. Below the eagle is a view of Boston and its harbor with the Bunker Hill Monument obelisk (its size considerably exaggerated) surrounded by crowds of troops and people.|Entered . . . 1844 by B. Cahill.|The Library's copy of the cover was deposited for copyright on July 3, 1844.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-11.
This site helps teachers and students navigate the vast online collections of …
This site helps teachers and students navigate the vast online collections of primary source materials at the Library of Congress. The links, arranged by chronological period, lead to sets of selected primary sources on a variety of topics in U.S. history.
American Memory provides free and open access through the Internet to written …
American Memory provides free and open access through the Internet to written and spoken words, sound recordings, still and moving images, prints, maps, and sheet music that document the American experience. It is a digital record of American history and creativity. These materials, from the collections of the Library of Congress and other institutions, chronicle historical events, people, places, and ideas that continue to shape America, serving the public as a resource for education and lifelong learning.
This site provides 253 narratives describing travels in the colonies and U.S. …
This site provides 253 narratives describing travels in the colonies and U.S. The collection includes works by authors not widely known as well as by Matthew Arnold, James Fenimore Cooper, Dickens, Washington Irving, Sir Charles Lyell, Robert Louis Stevenson, and other major figures. The collection is searchable and can be browsed by not only by author and title, but also by subject.
Poster showing an ambulance truck being pulled by a winged horse. Caption: …
Poster showing an ambulance truck being pulled by a winged horse. Caption: Pegasus at work for the Allies. Inscribed: To the Library of Congress, compliments of Robert Underwood Johnson, chairman of the committee, American Lovers of Italy, [in honor of] the victims of the Lusitania.
On the cover of a patriotic song dedicated to Lincoln's secretary of …
On the cover of a patriotic song dedicated to Lincoln's secretary of the navy Gideon Welles Uncle Sam rides a "ram," or ironclad steam vessel, down the Mississippi River. The Library's copy of the music cover was deposited for copyright on August 22, 1863, soon after two decisive Union victories on the Mississippi: Vicksburg (July 4) and Port Hudson (July 9). Welles was responsible for ushering the Union navy into the age of ironclad steamers. Several lines of verse on the cover praise the ironclad rams as "shaking the world with rampant dismay! Iron-harnessed, steam-driven, t sweeps o'er the sea, Our American Rampart, the shield of the free!" |Entered . . . 1863 by H. Tolman & Co. . . . Mass.|Published by Henry Tolman & Co. 291 Washington St.|Signed: Green, eng. (Probably Henry F. Green or Greene).|Title appeas as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1863-11.
Poster showing an American "patriot" helping a young Belgian girl into a …
Poster showing an American "patriot" helping a young Belgian girl into a coat while a Red Cross worker stands behing him holding clothing, other members of the child's family stand to the right.
The collection consists of over 62,000 pieces of sheet music registered for …
The collection consists of over 62,000 pieces of sheet music registered for copyright during the nineteenth century. Included are popular songs, operatic arias, piano music, sacred music and secular choral music, solo instrumental music, method books and instructional materials, and music for band and orchestra.
A critical look at Irish Repeal movement leader Daniel O'Connell's condemnation of …
A critical look at Irish Repeal movement leader Daniel O'Connell's condemnation of slavery in the United States. Clay portrays O'Connell's agitation against slavery as an affront to American friends of repeal, who contributed sizable amounts of money for "rent" to support the insurgent movement in Ireland. Conversely, Clay also portrays English-supported American abolitionists as inimical to repeal. In the cartoon is an effeminately dressed Robert Tyler, son and personal secretary to John Tyler, as well as a published poet and repeal advocate. Armed with his "Epitaph on Robert Emmet" (an earlier Irish patriot) and "Ahaseurus" (his religious poem, published in 1842) young Tyler presents O'Connell to his father. Robert Tyler proclaims, "Mr. O'Connell this is my Father, he is a great friend to repeal and when he is re elected he will give you his "mite." I am his Son and though I've got no money I've a great deal of Poetry in me--I have begun Robert Emmet's epitaph-from the sale of which I have no doubt I shall be able to send a large Army to Ireland." President Tyler, rising from his chair, says, "Welcome Mr. O'Connell! I'm just what Bobby says I am--I am all for repeal no halfway man but go the whole figure you jolly old Beggar." O'Connell wears knee-breeches and a hat decorated with a republican cockade and a clay pipe. He holds a club marked "Agitation" and a sack "Repale Rint" (i.e., "repeal rent"), and retorts, "Arrah! give up your Slaves I'd rather shake hands wid a pick-pocket than wid a Slave Holder, and if we ge our repale we'll set em all free before you can say Pathernoster--I dont want any of your blood-stained money!" An abolitionist resembling William Lloyd Garrison, with a document "Petition to Tyler to emancipate his slaves" under his arm, touches O'Connell's shoulder. He reassures the Irishman, "Friend Daniel, we will join you in all your views. your cause and ours is one only we dont want to meddle with Irish repeal for fear we may lose our English friends." On the left a black house slave standing beside Tyler's chair adds "By jolly I wish Massa Harry Clay [Kentucky senator Henry Clay] was here--Dis dam low Irishman not dare talk to him dat way!"|Entered . . . 1843 by H.R. Robinson.|H.R. Robinson 142 Nassau St. New York, Lithy in all its branches.|Signed with monogram: EWC (Edward Williams Clay).|Title appears as it is written on the item.|Weitenkampf, p. 71.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1843-2.
The Printed Ephemera Collection at the Library of Congress is a rich …
The Printed Ephemera Collection at the Library of Congress is a rich repository of Americana. In total, the Collection comprises 28,000 primary source items dating from the seventeenth century to the present and encompassing key events and eras in American history. Among them are a variety of posters, notices, invitations, proclamations, leaflets, propaganda, manifestos, menus and business cards. They capture the experience of the Revolutionary War, slavery, the western land rush, the Civil War, Women's Suffrage, and the Industrial Revolution from the viewpoint of those who lived through them.
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