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Communicating Across Cultures
Conditional Remix & Share Permitted
CC BY-NC-SA
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It has become commonplace knowledge that globalization is one of the major forces shaping our world. If we look at the spread of information, ideas, capital, media, cultural artifacts - or for that matter, people - we can see the boundaries and borders that have historically separated one country or one group from another are becoming more and more permeable. For proof of this close to home, you need only to look at the composition of the MIT student body: 8 percent of the undergraduates and 37 percent of the graduate students are from 109 different countries.
“Communicating Across Cultures” is designed to help you meet the challenges of living in a world in which, increasingly, you will be asked to interact with people who may not be like you in fundamental ways. Its primary goals are to help you become more sensitive to intercultural communication differences, and to provide you with the knowledge and skills that will help you interact successfully with people from cultures other than your own. We hope the course will accomplish those goals by exposing you to some of the best writers and scholars on the subject of intercultural communication, and by giving you a variety of opportunities to practice intercultural communication yourself. As you read the syllabus for this course, we hope you get a sense of our commitment to making this course a rewarding experience for you.

Subject:
Anthropology
Business and Communication
Communication
Social Science
Material Type:
Full Course
Provider Set:
MIT OpenCourseWare
Author:
Breslow, Lori
Widdig, Bernd
Date Added:
02/01/2005
Visual  Histories: German Cinema 1945 to Present
Conditional Remix & Share Permitted
CC BY-NC-SA
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This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the “New German Cinema” of the Sixties and Seventies. We also look at examples of East Germany’s film production and finally observe the very different roads German cinema has been taking from the 1990’s into the present.

Subject:
Arts and Humanities
History
Social Science
Sociology
Visual Arts
Material Type:
Full Course
Provider Set:
MIT OpenCourseWare
Author:
Widdig, Bernd
Date Added:
09/01/2003