This module resource focuses on the actor and the craft of acting, covering key aspects such as the profession's nature, different approaches, Stanislavski's influence, practical techniques, and the routine of an actor's career.(Title Image Attribution: Theatre by Kevin Spencer is licensed CC BY-NC 2.0)

This module resource explores the concept of theatre genres, starting with comedy and tragedy and expanding into modern and diverse genres such as history plays, documentary dramas, melodrama, and performance art. It emphasizes the subjective nature of genre classification and its importance in shaping audience expectations, while also highlighting global theatre traditions and regional variations. Through definitions, classic examples like Oedipus Tyrannos and Hamilton, and interactive prompts, the resource encourages users to engage with the material, reflect on their own experiences, and appreciate the rich diversity of theatre around the world.(Title Image Attribution: Typewriter by Charlene N Simmons is licensed CC BY-NC 2.0)

This module resource examines the roots and traditions of theatre. (Title Image Attribution: Venetian Carnival Mask by gnuckx is in the Public Domain)

Pursuing a career in the theater can seem intimidating and overwhelming. In this video from Treasures of New York: The Drama League, students receive advice from successful theater professionals like director Diane Paulus and actress Judith Light. From practical suggestions like staying informed by reading the newspaper, to more general advice like finding one’s passion, students hear from and are inspired by the words of experienced artists.

African-American theatre has a rich long history that is part of the heritage of this art form. This assignment gives students the opportunity to take a deeper dive into one topic personally, and benefit from other student's work in broadening their knowledge of this art form.Student will choose a topic from the choices provided, conduct research, and prepare & present their findings in a 5-minute presentation. The presentation may be done live in a face-to-face class, live in a synchronous virtual class, or recorded for an asynchronous class.

Al-Bab is a portal website designed to introduce non-Arabs to Arab culture by providing links to news sources, country profiles, articles, and a blog on Middle East current events. There are also specific links related to learning Arabic: dictionaries, language classes, textbooks, and other information pertaining to the study of Arabic. A free e-book, The Birth of Modern Yemen, is available for download.

ePub version of text All's Well, that Ends Well by William Shakepeare, 1564-1616.

In this video, storyteller Nana Yaa Asantewaa performs the story “Anansi’s Rescue from the River.” The Anansi tales are told by the Ashanti people of Ghana, West Africa, and have been passed down through the generations by oral tradition.

ePub version of text The Tragedie of Anthonie, and Cleopatra by William Shakepeare, 1564-1616.

This booklet about teaching through art education integrates topics such as peace, tolerance and interpersonal communication as well the treatment of psychological aspects in a post conflict environment through creativity and artistic language.

In this video from August Wilson: The Ground on Which I Stand the playwright discusses the influence that the blues has had on his writing. The clip also features a performance from Ma Rainey’s Black Bottom and commentary from several theater scholars.

This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.

“No Hablo Español” explores the conflicted cultural identity of a Latina high school student who can’t speak Spanish. Playwright Rosa Estevez explains why parents born in a Spanish-speaking country might prefer English for their children. People behind the scenes describe the play’s fresh pathways for discussing cultural identity, the importance of authenticity and language, and the role of the dramaturg in advocating for the playwright. The play was part of the New Voices Young Playwrights Festival at Actors Theatre of Louisville.

With a behind the scenes look at the production of Mary Poppins, Jeromy Smith and Lyndy Franklin Smith, founders of the Lexington Theatre Company, describe their partnership, goals, and how they put a show together. Jeromy explains the factors that affect their choice of plays to perform. Lyndy details how a production comes together over the course of three weeks. The collegiate ensemble rehearses music and choreography in a four-day boot camp, then the professional actors join the cast. After almost two weeks of rehearsals, costume fittings, set design, and technical adjustments, the production is ready for opening night.

Noh, the oldest surviving Japanese dramatic form, combines elements of dance, drama, music, and poetry into a highly stylized, aesthetic retelling of a well-known story from Japanese literature, such as The Tale of Genji or The Tale of the Heike. This lesson provides an introduction to the elements of Noh plays and to the text of two plays, and provides opportunities for students to compare the conventions of the Noh play with other dramatic forms with which they may already be familiar, such as the ancient Greek dramas of Sophocles. By reading classic examples of Noh plays, such as Atsumori, students will learn to identify the structure, characters, style, and stories typical to this form of drama. Students will expand their grasp of these conventions by using them to write the introduction to a Noh play of their own.

Andrew Branca, a high school student from Central Academy of Technology and Arts, in North Carolina talks about how he was inspired to write Boal after attending a summer theater workshop on Brazilian theater activist Augusto Boal. Cast members discuss what it was like to collaborate on the playwriting process and why they felt it was important to start a serious discussion on racism and Islamophobia.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

Boal is a play written and performed by high school students from the Central Academy of Technology and Arts in Monroe, North Carolina. Boal brings a variety of social issues to the stage, focusing on racism and Islamophobia.

The play was inspired by Augusto Boal, a Brazilian theater director, writer, and politician. Boal was the founder of the Theatre of the Oppressed, a theatrical group dedicated to creating political change.

The performance was taped as part of the High School Theatre Festival during the Southeastern Theatre Conference.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

Diversity in theatre has come a long way, and it has a long way to go. This industry has been dominated for far too long by one sector of the population and other stories have not been told. This project encourages the students to tell their stories from their varied and unique backgrounds and share that with their classmates and community. Playwriting is a unique way to tell a story, and this is an avenue that many may not have considered. This project will broaden the scope of the students view on theatre and encourage them to step up and make their voice heard.