This seminar will introduce three of eight types of figurative language (alliteration, onomatopoeia, and idiom). Through mainly fictional texts( tongue twisters, comics, songs, etc.), you will identify these types of figurative language, determine their meanings, and formulate project-based activities to prove your understanding of these common figurative language types.StandardsCC.1.2.5.F Determine the meaning of words and phrase as they are used in grade-level text, including interpretation of figurative language.
This Lesson was created to use in conjunction with materials in Clusive [https://clusive.cast.org], a free, online learning environment that makes materials flexible and accessible. The Lesson is designed for students in grades 6-8, and targets ELA standards as well as SEL skills of self-awareness and learner agency. As you use this lesson, students will be guided to recognize, understand, and apply key elements of a mystery story, tools that they can use to build learner agency, self-awareness, and comprehension
This Lesson was created to use in conjunction with materials in Clusive [https://clusive.cast.org], a free, online learning environment that makes materials flexible and accessible. The Lesson is designed to engage and support middle school teachers and their students to evaluate Tom Sawyer as one of a long-line of trickster characters in world literature.
The activity includes a series of exercises, in which students view the literal representations of idioms and then examine the metaphorical meanings of the idioms.
In Bud, Not Buddy, we see the world through the eyes of our narrator, Bud. The way he describes the world tells us a bit about who he is as a character, too. In this assignment, we will focus on figurative language that tells us more about the text.Figurative language is language that is not literal, or exactly accurate, but instead appeals to the senses by describing something in an unlikely way. Examples are metaphors, similes, hyperboles, and personifications. These can make writing more persuasive, effective, or impactful.
During this seminar you will be exposed to the last of the figurative language types (hyperbole, exaggeration, adage and proverb). This seminar is unique because depending where you research will affect how you perceive them. Some sites express them as different; hyperboles vs. exaggerations and adages vs. proverbs. On the other hand, some websites view them as one and the same. A hyperbole is a type of exaggeration and an adage is a type of proverb. Regardless of how you view them, the most important piece of this seminar is to be able to interpret their meanings when used in texts, songs, movies, life experiences, etc. StandardsCC.1.2.5.F Determine the meaning of words and phrases as they are used in grade-level text, including interpretation of figurative language.
This lesson guides students in an examination of a poet's use of figurative language and word choice to convey themes of belonging and identity. Students will delve into the concept of the unit theme, “Belonging” and the essential question, "In what ways does our need to feel a sense of belonging conflict with our individuality?" Students will write a short essay analyzing the ways in which a poet uses figurative language and word choice to convey the speaker's sense of him/herself as an individual and as someone who feels he/she is not accepted. Image source: "Attain" by Nick Youngson from TheBlueDiamondGallery.com at http://thebluediamondgallery.com/tablet-dictionary/a/attain.html Creative Commons 3 - CC BY-SA 3.0
This two-day lesson focuses on the reading and analysis of “The Circuit” by Francisco Jiménez. The goal of this lesson is for students to make inferences about the challenges and changes required of the story’s character, Panchito, and to find evidence of the author’s craft that develops the narrative.Students will reflect upon the relevance of the essential question (In what ways does our need to feel a sense of belonging conflict with our individuality?) to the narrator's experience. In particular, students should recognize that the reality of the narrator's individual situation acts as an impediment to his efforts to belong to a community.Although "The Circuit" is classified as a work of fiction, the author states that the stories represent the lives of his family members. Students will appreciate Jimenez's descriptive, character-driven writing.
In this module, students are involved in a deep study of mythology, its purposes, and elements. Students will read Rick Riordan’s The Lightning Thief (780L), a high-interest novel about a sixth-grade boy on a hero’s journey. Some students may be familiar with this popular fantasy book; in this module, students will read with a focus on the archetypal journey and close reading of the many mythical allusions. As they begin the novel, students also will read a complex informational text that explains the archetypal storyline of the hero’s journey which has been repeated in literature throughout the centuries. Through the close reading of literary and informational texts, students will learn multiple strategies for acquiring and using academic vocabulary. Students will also build routines and expectations of discussion as they work in small groups. At the end of Unit 1, having read half of the novel, students will explain, with text-based evidence, how Percy is an archetypal hero. In Unit 2, students will continue reading The Lightning Thief (more independently): in class, they will focus on the novel’s many allusions to classic myths; those allusions will serve as an entry point into a deeper study of Greek mythology. They also will continue to build their informational reading skills through the close reading of texts about the close reading of texts about the elements of myths. This will create a conceptual framework to support students’ reading of mythology. As a whole class, students will closely read several complex Greek myths. They then will work in small groups to build expertise on one of those myths. In Unit 3, students shift their focus to narrative writing skills. This series of writing lessons will scaffold students to their final performance task in which they will apply their knowledge about the hero’s journey and the elements of mythology to create their own hero’s journey stories.
Find the rest of the EngageNY ELA resources at https://archive.org/details/engageny-ela-archive .
In this lesson, students will distinguish the literal and non-literal meanings of verbal and written content in different contexts. The lesson targets adult learners of English who have demonstrated Grades 3- 4 or B-C reading level. Learners will demonstrate an understanding of idioms by using context clues in the sentences to help figure out the meanings of idioms, by drawing out idioms without using words or letters, by giving written tips using idioms, and by creating greeting cards.
It's helpful to know how to ask questions. Review the full Shrouded in Myth text, and formulate a question about the text. The question can be simple or complex, and it may not even have a single right answer.Here is an example question about the text:"What does the word 'prophecy' mean?"Here is another:"What part did you find most exciting?"Respond below with three original questions that have not been posted. You don't need to answer any...yet!
This seminar will introduce three of eight types of figurative language (simile, metaphor, personification). Through song lyrics, poems, videos, interactive activities, and collaboration, you will learn to recognize, determine meanings, and identify comparisons within similes, metaphors, and personification examples.StandardsCC.1.2.5.F Determine the meaning of words and phrases as they are used in grade-level text, including interpretation of figurative language.