This site consists of letters, journals, books, newspapers, maps, and images documenting the land, peoples, and exploration of the trans-Appalachian West. The first European travelers, their relations with Native Americans, new settlers' migration and acquisition of land, navigation down the Ohio River, planting of crops, trade in tobacco and horses, and the roles of African Americans, women, churches, and schools are documented.

This collection uses primary sources to compare and explore the relationships between Frederick Douglass and Abraham Lincoln. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

This video segment, adapted from NOVA, chronicles the education of leading chemist Percy Julian. Although Julian began his elementary school years in the Deep South under Jim Crow laws, he became one of the few African Americans of his time to earn a Ph.D.

This collection uses primary sources to explore the Great Migration. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

This unit revolves around the National Book Award winning memoir in verse, Brown Girl Dreaming1, by Jacqueline Woodson. Supplementary texts include fiction and nonfiction poetry, picture books and articles by and about Woodson and the topics alluded to in her memoir, including brief biographies of figures from the Civil Rights Movement such as Martin Luther King Jr, Malcolm X, and James Baldwin and artists that influenced her and that connect to the time period. The unit explores analysis of visual art pieces such as photographs from the era (1960s and 1970s) and works depicting black youth as well as the settings she writes about (Ohio; Greenville, South Carolina; and Brooklyn). Music that Jacqueline Woodson mentions in her memoir can be listened to and responded to. Artwork and music that reflect the black social movements of the period has been selected for students to view and react to. Students learn how to analyze visual art in a manner that is appropriate to middle school. In addition to responding to the various texts, students will have an opportunity to engage in creative writing. To engage in the theme of identity, students can write their own brief memoirs in verse, as well as creating works of art.

Video by Art21. Where does a painter find her subject matter? With a process that takes her from the streets of Harlem to her studio in DUMBO, Brooklyn, artist Jordan Casteel paints vibrant large scale portraits, making visible the often unrepresented humanity of Black men. At first struggling to find subject matter that could speak to the political realities of police violence and implicit bias, Casteel drew inspiration from her twin brother. "People follow me like I’m a threat," the artist remembers her brother saying, "but they don’t know anything about me." Together Casteel's paintings illustrate the multiplicity of Black male experience; she began with nudes in domestic interiors before expanding to men on the sidewalk, the color and compositions celebrating the visual texture of her Harlem neighborhood. Casteel's work is probing in its tender depiction of Black men who, although often strangers to the artist, gaze directly and intimately out at the viewer. Jordan Casteel (b. in 1989, Denver, Colorado) lives and works in New York. Learn more about the artist at: https://art21.org/artist/jordan-casteel/

The students will explore the literary and art materials to analyze their transformative and/or healing elements. Through this exploration, students will sharpen their own voices and find within themselves a cause worth expressing for, fighting for and/or healing from. They will work on creating playlists as we travel through the texts and artwork. They will also create a piece of artwork with an artist’s statement that we can publish in a magazine representing the whole class’s effort and aspirations.

Although most students would agree that To Kill a Mockingbird explores the brutal injustice of the Jim Crow South in a small town, they do not always realize that the novel has little explicit acknowledgement of the African-American response. While the injustice is clearly perpetrated against African Americans, readers observe the suffering only through the eyes of the white characters. Chapter 12 provides a brief moment where students can see the reaction of one African-American character, Lula. Spending time looking at and understanding Lula’s anger toward Scout and Jem is critical to teaching this novel.

This collection uses primary sources to explore Negro League Baseball. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

This collection uses primary sources to explore northern draft riots that occurred during the Civil War. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

A People’s History of New York City traces the history of NYC through the experiences of Immigrant and Migrant communities. By tracing common threads between these groups the City’s modern relevance, as well as its present tensions is unveiled. Highlighted are economic and social struggles for equity, justice and liberation from the marginalized groups who allowed for the creation of arguably the most significant metropolis of the present era.

During the World War Two years, a series of groundbreaking radio programs tried to mend the deep racial and ethnic divisions that threatened America. At a time when blacks were usually shown on the radio as lazy buffoons, the federal government and civil rights activists used radio for a counter attack. Did radio unify America in the face of war? This is "Radio Fights Jim Crow".

Remembering Jim Crow is a companion to a radio documentary, and examines the system that, for much of the 20th century, barred many African Americans from their rights as U.S. citizens. Read personal histories of segregation. See a sampling of Jim Crow laws. Learn how African Americans fought economic hardships imposed by Jim Crow and how they built social institutions to combat segregation.

By the mid 1960s, Americans’ interpretation of the Civil Rights Movement was split. While many white Americans perceived laws like the Civil Rights Act and Voting Rights Act as solving the problem of segregation and civil rights, the experiences of many black Americans proved that there was still a great discrepancy in their treatment, opportunities, and economic status. The philosophy of black nationalism, which argued for …, grew in influence during this time. This lesson examines how black nationalism impacted not only the larger aims of the civil rights movement, but institutions like schools, universities, local economies, and the arts.

This lesson is organized as a warm up quote and mini-lecture to affirm student understanding of black nationalism and the ongoing struggle faced by black Americans even after many civil rights “milestones.” Students will then explore in a gallery walk/station format the different ways that black nationalism impacted society in the late 1960s and 1970s. Depending on time, teachers may want to have students visit multiple stations or focus on one and then share findings with the class. A final class discussion will ask students to compare their findings and to find connections with our society today.

Many of the sources in this lesson were found in the August Wilson archives at the University of Pittsburgh. August Wilson was a Pittsburgh playwright whose work chronicled the experience of black America, and the sources found there speak to both the desire within the arts for more artwork about the experience of people of color in the United States and more arts organizations to support it; as well as sources that reflect on the growth within the University of Pittsburgh of a Black Studies program and the Black Action Society, a student group. While local in focus, these changes reflect national movements in the 1960s and 1970s.

Poet Sonia Sanchez, interviewed here for Eyes on the Prize, describes what the outspoken civil rights leader Malcolm X represented to African Americans in the 1960s.

This collection uses primary sources to explore the Transatlantic Slave Trade. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

African American soldiers fighting German soldiers in World War I, and head-and-shoulders portrait of Abraham Lincoln above. Exhibited in: Jazz Century, Museo di Arte Moderna e Contemporanea ..., Italy, 2008-2009.

This empirically based curriculum addresses a number of issues related to disparity and disproportionality experienced by African American families involved with child welfare. It is well documented that for decades African American children have been overrepresented in child welfare throughout this country. Yet little is known about what strategies might be implemented in order to reverse this phenomenon. This curriculum is based on findings from a Community-Based Participatory Research Project that brought together African American community leaders and university faculty to examine both the historical evolution and prominent features of a cultural broker approach to promote engagement and partnership with the African American community and the county child welfare agency. This curriculum provides research highlights, historical perspectives, conceptual frameworks, approaches for community engagement, tools and experiential opportunities to strengthen social worker understanding, and knowledge and skills regarding issues related to disproportionality and disparity experienced by African American families in child welfare. It addresses five areas: the history of cultural racism and oppression in child welfare, the prevalence of racial disparities and disproportionality in child welfare, the role of community partnership and collaboration with African American families in child welfare service delivery, the cultural broker approach to community engagement in child welfare practice, and key considerations for improved child welfare partnerships with African American communities. (108 pages) Siegel, D., Jackson, M., Montana, S., & Rondero Hernandez, V. (2011).

This unit centers around two pedagogical ideas within the context of the secondary English classroom. The first is that by sharpening skills of critical analysis, students can use those skills across multiple disciplines and in their lives outside of school. The second is that students need more opportunities to respond to texts through the creation of their own texts. Drawing from work that I do in my own classroom, the structure of this YNHTI Seminar led by Dr. Ferguson, and changes happening in college-level composition courses like the First Year Writing course at UCONN, this unit asks students to apply skills of critical analysis to three visual texts by Clotilde Jimenez and then respond to those texts by composing a creative text of their own. Intended to be a unit done with students in the beginning stages of the school year, this unit will provide a foundation for visual literacy skills that can be put to use in other arenas of study both in the English classroom and in other classes throughout the rest of the academic year. For this unit, the three visual texts are all by the artist Clotilde Jimenez, an artist who works primarily in mixed media collage.

Poster encouraging citizens to use the resources at the Schomburg Collection of the New York Public Library to learn more about African and African American history and culture. Posters of the WPA / Christopher DeNoon. Los Angeles : Wheatly Press, c1987, no. 272 Exhibited in: American Responses to Nazi Book Burning, U.S. Holocaust Memorial Museum, Washington, D.C., 2003.