Inspired by James Brown and the Black Panthers, the Black Resurgents are one of the dance crews who pioneered Oakland's boogaloo dance, the foundation of many other funk styles. However, their cultural contributions are little-known outside of the Bay. Meet these veteran dancers passing on their tradition to a new a generation, bridging the gap between boogaloo, pop-locking and turf dancing.

Oakland, California, home to the Black Panthers, also birthed the pioneering funk-driven freestyle dance Oakland Boogaloo, characterized by strong hits and poses. In the late 1960s and 1970s, before the emergence of hip hop, the city’s African American youth took inspiration from James Brown, the Temptations, Charlie Chaplin, cartoon characters, and sci-fi robots, and created a repertoire of original moves like the “Dime Stop,” the “Hit, the “Mack Pose” and “the Ditallion.” Youth in nearby San Francisco and Richmond soon developed variants of boogaloo, respectively known as strutting and robotting. Today, these techniques are collectively known as “the funk styles,” owing to their development during the funk era. Despite its pioneering status, Oakland boogaloo’s cultural contributions are little-known outside of Bay Area dance circles.

In this lesson, students will investigate the vast cultural impact on American culture of teen dance shows in general, and the Twist in particular.

This resource was created by Terresa Greenleaf, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

Students will analyze art elements and symbolism in a late-19th-century painting, create a self-portrait, and learn a dance depicted in the painting

La Mezcla is an all-female San Francisco dance company rooted in Latinx traditions, Chicano culture and social justice. Founder Vanessa Sanchez and the other dancers blend tap dance and zapateado or traditional footwork from Veracruz, Mexico, to create a style they call “zapatap.” Watch as they perform dynamic choreography in front of iconic Mission District murals and landmarks, then bring us back to the 1940s West Coast Zoot Suit era (popularized by Bay Area playwright Luis Valdez) when young Mexican-Americans or “pachucas” proudly repped Chicana identity and resistance, while defying cultural and style taboos. Rocking big hair and flashy zoot suits, the women of La Mezcla reclaim this early history, combining tap with son Jarocho Zapateado.

If Cities Could Dance is a Webby Award-winning video series featuring dancers from cities across the United States. Step into the shoes of dancers from across the country who dare to imagine what it would look like if their city could dance.

¡Aprende sobre la fuerza y el movimiento a través de una canción y un baile de los increíbles hermanos Gregory!

¡La Sra. Gravedad es la anfitriona del más increíble espectáculo de juegos en el patio de recreo de COMO SE MUEVEN LAS COSAS! Con un poco de ayuda de sus amigos musicales, los hermanos Gregory, aprenderás una canción sobre la fuerza y el movimiento que te ayudará a ganar el juego.

Objetivo de Aprendizaje: demuestre y observe cómo la posición y el movimiento pueden cambiar al empujar y jalar objetos.

This template is meant to be a guide for Nebraska Physical Education Teachers when creating digital online lessons. Headings and/or topics not included in the lesson plan should be marked N/A.

Overview
This course was created as an Open Educational Resource by a team from the University of Maryland Baltimore County. It is available for your adoption and adaption under a CC by license.
Dance History- Cultural and Classical Forms introduces dance forms over a broad time period covering prehistory through the late 19th century. Students will investigate dance forms from many parts of the world and the encounters between indigenous and colonial forms. Information will be presented through lectures, video, slides, discussions, peer & group presentations & projects, as well as, embodied small movement investigations and larger movement investigations at the dance studio.

This resource was created by Jill Anderson, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This course introduces students to the art and formal ideologies of contemporary dance. We explore the aesthetic and technical underpinnings of contemporary dance composition. Basic compositional techniques are discussed and practiced, with an emphasis on principles such as weight, space, time, effort, and shape. Principles of musicality are considered and developed by each student. Working with each other as the raw material of the dance, students develop short compositions that reveal their understanding of basic techniques. Hopefully, students come to understand a range of compositional possibilities available to artists who work with the medium of the human body.

This is a Module on The Charleston and Juke Joints from a course on Dance and Popular Culture in the United States. This module includes videos about The Harlem Renaissance as well as clips of the dances. The second section is a study guide the includes reading suggestions. 

This lesson will teach students how to do research and then get them to collaborate on creating movement based on what they have learned. Students will be placed in groups of 3. They will work on this project over the course of 4 - 1.30 class periods.

Learn about the properties of solid, liquid, and gas while dancing with the famous music group, The Gregory Brothers!

To help understand how water changes states of matter, Scientist Sam brings in the musical group The Gregory Brothers to help teach about the states of matter through an interactive dance. The viewer dances like a solid, liquid and gas and learns that water can change states of matter when temperatures are below 0 degrees Celsius or above 100 degrees Celsius.

Learning Objective:
Classify matter by physical properties, including shape, relative mass, relative temperature, texture, flexibility, and whether material is a solid or liquid.

Watch the clip, Bomba or Baseball, from Alma's Way to spark conversations about dancing and not getting things right on the first try. Then, introduce the activity to help students practice developing their coordination skills and work to strengthen their large muscles.

NOTE: The PDF document assets and Support Materials are also available in Spanish.

Sixteen dancers from across the country, representing a range of dance styles, move as one being, with each dancer's moves flowing naturally into the next. Poet Chinaka Hodge narrates each dancer’s steps from all around the United States as we shelter-in-place. Inspired by Mitchell Rose's Exquisite Corps chain letter, each dancer begins in the last pose of the dancer before passing the movement.

If Cities Could Dance is a Webby Award-winning video series featuring dancers from cities across the United States. Step into the shoes of dancers from across the country who dare to imagine what it would look like if their city could dance.

Extension Project: Give your middle and high school students the opportunity to create and publish original dance videos with an accompanying artist statement with the KQED Youth Media Challenge: If Schools Could Dance.

This video "Diaghilev and the Ballets Russes, 1909Đ1929: When Art Danced with Music" celebrates one of the most dazzling cultural enterprises of the twentieth century. The Ballets Russes, established in 1909 by the indefatigable impresario Serge Diaghilev, revolutionized the art of ballet. Combining Russian and Western traditions with a healthy dose of modernism, the company thrilled and shocked audiences with its powerful fusion of choreography, music, design and dance. Though it was based in Paris, the company toured throughout Europe, the United States and South America. Its influence continues to be felt today. A 28-minute video is available to watch online. A 58-minute version is available to borrow.

This is Volume 1 of a textbook for a Fine and Performing Arts survey, an introductory course.

Students will engage in visual and written activities that will support their creative process of choreographing a solo dance composition. The lesson includes motifs and the movement components -- body, effort, shape, and space (BESS elements from Laban Movement Analysis).

In the prime of her career (1930 - 1960s,) African American dance legend Katherine Dunham and her company toured over 60 countries, and she performed on Broadway and in Hollywood films. She created the Katherine Dunham Technique, bringing together elements of dances from the African diaspora -- including Haiti, Jamaica, Martinique, and Trinidad -- with modern dance and ballet. The rigorous technique is credited for bringing Black dance to the classroom and to the stage, where it has mesmerized audiences globally and transformed the world of dance.

The program Dunham created runs to this day at the Katherine Dunham Centers for Arts and Humanities, and continues to revolutionize lives with dance and culture. Meet some of East St. Louis’ culture keepers, including Ruby Streate, one of Dunham’s most trusted teachers whom Dunham passed the baton to, and choreographer and educator Keith Tyrone Williams. Watch dancers Heather Beal and other Dunham program alums perform at the Mississippi River’s edge, in front of the Katherine Dunham Museum, and in downtown East St. Louis.

Students create movements to represent long and short rhythmic patterns and compose patterns using non-traditional notation.