Short Description:
This book collects student essays on short stories written for English 211, Literary Analysis.

Word Count: 178583

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

40th Annual International Conference of the Society for Interdisciplinary French Seventeenth-Century Studies

Word Count: 30528

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
A Gothic anthology of selections from more than 200 years of Gothic works in the public domain, this textbook covers major trends, tropes and periods in the development of Gothic literature from 1764 to the present.

Long Description:
A Guide to the Gothic is an openly licensed, online textbook that presents a comprehensive examination of the genre. In addition to critical essays exploring major periods, tropes and trends of the Gothic tradition, A Guide to the Gothic includes selections from more than 200 years of Gothic works that are in the public domain. Intended for instructors of Gothic literature seeking a collaborative resource to educate and inspire the next generation of Gothic scholars.

Word Count: 216403

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

The status of traditional worldviews and values

Short Description:
This book explores the role of traditional East Asian worldviews, ethical values, and common practices in the shaping of East Asian narratives in literature and film. It offers a specific method for this analysis. The interpretive goal is to arrive at interpretations that more accurately engage cultural information so that narratives are understood more closely in terms of their native cultural rather than that of the reader/interpreter. Current neuroscience related to processes of perception and the attribution of meaning form the basis for the theory of interpretation offered in the first half of the volume.

Word Count: 132559

ISBN: 978-0-9997970-0-6

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
This online library exhibition celebrates the magnificent diversity of languages that advance research, teaching, and learning at the University of California, Berkeley. Taking place between February 2019 and October 2020, it was the point of embarkation for an exciting sequential exhibit that built on one post per week, showcasing an array of digitized works in the original language chosen by those who work with these languages on a daily basis — librarians, professors, lecturers, staff, and students.

Long Description:
This online library exhibition celebrates the magnificent diversity of languages that advance research, teaching, and learning at the University of California, Berkeley. Taking place between February 2019 and October 2020, it was the point of embarkation for an exciting sequential exhibit that built on one post per week, showcasing an array of digitized works in the original language chosen by those who work with these languages on a daily basis — librarians, professors, lecturers, staff, and students. Since its founding in 1868, students and faculty at UC Berkeley have concerned themselves with a breathtaking range of languages. In support of teaching and research, the University Library, which collects and preserves materials in all languages, now boasts a collection of more than thirteen million volumes. It is among the largest academic libraries in the U.S. with more than one third of its print resources in more than 500 non-English languages.

Word Count: 64041

ISBN: 978-0-9997970-3-7

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Word Count: 17113

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
Return to milneopentextbooks.org to download PDF and other versions of this textNewParaLiterature, the Humanities, and Humanity attempts to make the study of literature more than simply another school subject that students have to take. At a time when all subjects seem to be valued only for their testability, this book tries to show the value of reading and studying literature, even earlier literature. It shows students, some of whom will themselves become teachers, that literature actually has something to say to them. Furthermore, it shows that literature is meant to be enjoyed, that, as the Roman poet Horace (and his Renaissance disciple Sir Philip Sidney) said, the functions of literature are to teach and to delight. The book will also be useful to teachers who want to convey their passion for literature to their students. After an introductory chapter that offers advice on how to read (and teach) literature, the book consists of a series of chapters that examine individual literary works ranging from The Iliad to Charles Dickens’ Bleak House. These chapters can not substitute for reading the actual works. Rather they are intended to help students read those works. They are attempts to demystify the act of reading and to show that these works, whether they are nearly three thousand or less than two hundred years old, still have important things to say to contemporary readers.

Long Description:
Literature, the Humanities, and Humanity attempts to make the study of literature more than simply another school subject that students have to take. At a time when all subjects seem to be valued only for their testability, this book tries to show the value of reading and studying literature, even earlier literature. It shows students, some of whom will themselves become teachers, that literature actually has something to say to them. Furthermore, it shows that literature is meant to be enjoyed, that, as the Roman poet Horace (and his Renaissance disciple Sir Philip Sidney) said, the functions of literature are to teach and to delight. The book will also be useful to teachers who want to convey their passion for literature to their students. After an introductory chapter that offers advice on how to read (and teach) literature, the book consists of a series of chapters that examine individual literary works ranging from The Iliad to Charles Dickens’ Bleak House. These chapters can not substitute for reading the actual works. Rather they are intended to help students read those works. They are attempts to demystify the act of reading and to show that these works, whether they are nearly three thousand or less than two hundred years old, still have important things to say to contemporary readers.

Word Count: 88076

ISBN: 978-1-942341-03-1

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

An Anthology and Guide

Short Description:
A guide for students of early British Literature from the 8th to 18th centuries.

Word Count: 1254623

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Long Description:
Race and Affect in Early Modern English Literature puts the fields of critical race studies and affect theory into dialogue. Doing so opens a new set of questions: What are the emotional experiences of racial formation and racist ideologies? How do feelings—through the physical senses, emotional passions, or sexual encounters—come to signify race? What is the affective register of anti-blackness that pervades canonical literature? How can these visceral forms of racism be resisted in discourse and in practice? By investigating how race feels, this book offers new ways of reading and interpreting literary traditions, religious differences, gendered experiences, class hierarchies, sexuality, and social identities. So far scholars have shaped the discussion of race in the early modern period by focusing on topics such as genealogy, language, economics, religion, skin color, and ethnicity. This book, however, offers something new: it considers racializing processes as visceral, affective experiences.

Word Count: 80808

ISBN: 9780866986939

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Long Description:
Race and Romance: Coloring the Past explores the literary and cultural genealogy of colorism, white passing, and white presenting in the romance genre. The scope of the study ranges from Heliodorus’ Aithiopika to the short novels of Aphra Behn, to the modern romance novel Forbidden by Beverly Jenkins. This analysis engages with the troublesome racecraft of “passing” and the instability of racial identity and its formation from the premodern to the present. The study also looks at the significance of white settler colonialism to early modern romance narratives. A bridge between studies of early modern romance and scholarship on twenty-first-century romance novels, this book is well-suited for those interested in the romance genre.

Word Count: 43222

ISBN: 9780866986953

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Word Count: 33847

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Texas' international literary, arts and ideas journal.

Short Description:
San Antonio Review publishes original essays, poetry, art, reviews, theory and other work twice a week on its website. Print issues are published quarterly, per the publisher’s discretion, available time and funding levels. Founded in San Antonio in 2017, SAR is based in Austin, Texas.

Long Description:
San Antonio Review publishes original essays, poetry, art, reviews, theory and other work twice a week on its website. Print issues are published quarterly, per the publisher’s discretion, available time and funding levels. Founded in San Antonio in 2017, SAR is based in Austin, Texas. San Antonio Review is devoted to serving as a gathering space outside academia, the market and government for writers, artists, scholars, activists, workers, students, parents and others to express their perspectives and reflections on our shared world and help develop visions of our collective future. Funded by its publisher’s income from his day jobs, donations and the sale of print editions and other materials and led and maintained by an all-volunteer editorial collective, SAR is not beholden to any institution, organization or ideology. San Antonio Review is a costly endeavor undertaken with love by its editors and publisher. It is not a profit-seeking enterprise. It aims to herald interesting and unheard voices. It receives no financial support beyond donations, referral fees for purchases from sites we link to (like independent bookshops) and purchases of our print edition, which are used to recover some of the ongoing costs of web hosting, printing and other infrastructure.

Word Count: 34477

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)