In this activity, students will practice using some of the verbs we use on a daily basis, with the past and imperative tenses more focused on the present tense.Can-Do Statements:I can talk with someone using the three verb tenses.I can read and write words of the Arabic verb tenses.I can recognize the present tense.

Fiction is untrue, but it can be an honest reflection of real life. In this seminar, you will make clear connections between the lives of characters in fiction to the lives of people in the real world. This will require a skill called abstracting in which you find patterns in one area and apply them to a new situation. It will also give you the opportunity to reflect on how fake worlds of literature can help resolve your own personal issues that you face currently and in the future.StandardsCC.1.3.9-10.C - Analyze how complex characters develop over the course of a text, interact with other characters, and advance the plot or develop the theme.CC.1.3.9-10.E - Analyze how an author’s choices concerning how to structure a text, order events within it and manipulate time create an effect.CC.1.3.9-10.H - Analyze how an author draws on and transforms themes, topics, character types, and/or other text elements from source material in a specific work.

This resource was created by Staci Simonsen, in collaboration with Lynn Bowder, as part of ESU2's Mastering the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education and experiential learning.

Students will have a "Meet and Greet Party." They will pretend to be a celebrity and introduce and greet another person. This will help them practice introducing themselves, greeting someone, and answering how they feel and they will also learn greetings for different times of the day.

This free video series provides definitions of literary terms in English literature to students and teachers. It also offers examples of how these literary devices can be applied to poems, plays, novels, and short stories. We are in the process of translating the videos into Spanish and many of them now contain these subtitles.

This class focuses on reading a script theatrically with a view to mounting a coherent production. Through careful, intensive reading of a variety of plays from different periods and different aesthetics, a pattern emerges for discerning what options exist for interpretating a script. Students discuss the consequences of those options for production.

This course focuses on reading a script theatrically with a view to mounting a coherent production. Through careful, intensive reading of a variety of plays from different periods and different aesthetics, a pattern emerges for discerning what options exist for interpretating a script.
The Fall 2005 version of this course contains alternate readings and assignments sections.

Lesson Title:  Using Setting to study the meaning of Home in The One and Only Ivan Grade level: 6 Standard: RL 6.2, 6.6 Time: Objectives: Students will analyze the elements of setting in each of Ivan’s homes throughout the novel.Students will work in groups to find textual examples and evidence.Students will use setting analysis to write a paragraph about the meaning of Home in the novel. Materials: The One and Only Ivan novelsPoster board (1 per pair of students)Markers, crayons, colored pencils of choicePaper and writing utensils Procedures: Assign students their partner pairings, and have them spread out around the room, sitting with their partners.Pass out poster boards (one per pair).  Students should draw two lines through the center of the poster, one horizontally and one vertically to create four equal quadrants on the poster.In a large group discussion, students should help identify the four settings described in the novel which served as HOME for Ivan at some point.  They should then label each quadrant with one of the settings (Mack’s house, jungle, circus, zoo)Give them time to work with their partners to identify as least four textual examples describing each of the four settings.  (four examples x four settings = at least 16 textual references) Students should record these examples in the corresponding quadrant of the poster.  They should also create a drawing or visual representation of each setting in the corresponding quadrant.Students will then present their posters to the class, sharing at least one example for each setting, so as not to take up too much class time and become too repetitive.Discuss as a full group those details that made each setting either positive or negative.  Have students reflect on what they think HOME means to the author that is conveyed through the character of Ivan.Assign students (individually, no longer in partners) a paragraph writing assignment describing the meaning of HOME in the novel.  They should reference at least four textual examples from their partner projects in their paragraphs.

Overview: In this lesson, students read background information on the life of William Carlos Williams. They closely examine and analyze a few of Williams' poems in order to understand his craft and the literary movement in which he formed his craft. Students explore different components of his poetry and then practice their own critical and poetry writing skills in an emulation exercise.