Celebrating Open Community in the #YearofOpen

Word Count: 7407

(Note: This resource's metadata has been created automatically as part of a bulk import process by reformatting and/or combining the information that the author initially provided. As a result, there may be errors in formatting.)

American Literature 2 is a standard post-Civil-War anthology. Heavily adapted from the Lumen course shell original, the book emphasizes well-integrated literary analysis writing and has several chapters focused on MLA and writing.

This is a open educational resource material for American Literature: Beginnings through 1865 and American Literature: 1865 to present. 

Abstract
American Literature I combines a textbook covering literary analysis and literary critical theory, basic research methods in the humanities, and a chronological reader of diverse selections in American Literature. The book begins with a focus on creation myths and Native American literature. Following this is a significant section on Romanticism. Also included are sections on literary nonfiction, writing about literature, early American and Puritan literature, and Herman Melville.

Description
Prior to my adaptation, this course was created from materials originally developed by the State Board of Community Technical Colleges (SBCTC) of Washington State. American Literature 1 is a modified version of the Lumen American Literature I text. The original version of this book was released under a CC-BY license and is copyright by Lumen Learning. The text is designed to accompany a separate novel such as Moby-Dick and contains supplemental resources for the teaching of American novels of this era. The changes to this book listed are released under a CC-BY-SA license and are copyright by Joshua Dickinson of Jefferson Community College in Watertown, NY.

URI
http://hdl.handle.net/1951/71297

This work was created as part of the University Libraries’ Open Educational Resources Initiative at the University of Missouri–St. Louis.

A web version of this text can be found at https://umsystem.pressbooks.pub/ala1865/.

This book is an anthology of American Literatures After 1865, a new revision of the open educational resource entitled Writing the Nation: A Concise Introduction to American Literature 1865 to Present. It contains works that have been newly introduced to the public domain and provides direct links to reading materials that can be borrowed for free from Archive.org.

This work was created as part of the University Libraries’ Open Educational Resources Initiative at the University of Missouri–St. Louis.

A web version of this text can be found at https://umsystem.pressbooks.pub/alpt1865/.

This anthology of American Literatures Prior to 1865, is organized chronologically into four units, focusing on Colonial Literature, Literature of Native American Perspectives and Discovery, Literature of Nineteenth Century Reform, and Literature of the New Nation. It includes introductions to the many authors included to enhance the reader's contextual understanding of the chosen texts. This anthology is essential reading for any student or scholar of Early American literature.

By engaging with this resource which presents texts by diverse world writers from 1650 to the present, learners will: (1) engage with diverse world writers in translation, including canonical and less canonical texts, and (2) identify literary conventions and trends across genres. The texts are in chronological order, but can be adapted by the faculty in whatever way they see fit. Each text is introduced with a brief discussion of author, original language and time period, and the literary conventions the students can expect to see in the text.

Short Description:
Written by Sophocles circa 441 BC, Antigone is an Athenian tragedy. Of the three Theban plays, Antigone is the third in order of the events depicted in the plays, but was the first to be written. The reading order of the Theban plays is: Oedipus Rex, followed by Oedipus at Colonus and ending with Antigone.

Long Description:
Written by Sophocles circa 441 BC, Antigone is an Athenian tragedy. Of the three Theban plays, Antigone is the third in order of the events depicted in the plays, but was the first to be written. The reading order of the Theban plays is: Oedipus Rex, followed by Oedipus at Colonus and ending with Antigone.

Word Count: 11140

(Note: This resource's metadata has been created automatically as part of a bulk import process by reformatting and/or combining the information that the author initially provided. As a result, there may be errors in formatting.)

First published in 1910, this book focuses exclusively on the grammar of Modern Standard Arabic as it is used in written Arabic. It contains an introduction that explains the Arabic alphabet and pronunciation and 49 lessons that describe the foundational grammatical elements of MSA, including articles, gender, and the noun and verb systems. The text includes Arabic-English and English-Arabic vocabulary sections as well as a supplement with extract from the Qur'an, classical literature, media, and correspondence. The filesize of the PDF is 32 MB.

The University of North Georgia Press and Affordable Learning Georgia bring you Becoming America: An Exploration of American Literature from Precolonial to Post-Revolution. Featuring sixty-nine authors and full texts of their works, the selections in this open anthology represent the diverse voices in early American literature. This completely-open anthology will connect students to the conversation of literature that is embedded in American history and has helped shaped its culture.

The University of North Georgia Press and Affordable Learning Georgia bring you British Literature I: From the Middle Ages to Neoclassicism and the Eighteenth Century. Featuring over 50 authors and full texts of their works, this anthology follows the shift of monarchic to parliamentarian rule in Britain, and the heroic epic to the more egalitarian novel as genre.

Features:

Original introductions to The Middle Ages; The Sixteenth Century: The Tudor Age; The Seventeenth Century: The Age of Revolution; and Neoclassicism and the Eighteenth Century
Over 100 historical images
Instructional Design, including Reading and Review Questions and Key Terms
Forthcoming ancillary with open-enabled pedagogy, allowing readers to contribute to the project
This textbook is an Open Access Resource. It can be reused, remixed, and reedited freely without seeking permission.

British Literature OER is a dynamic online anthology enriched with educational resources such as introductions and footnotes, tailored for educational settings. It allows users to download content in multiple formats, including PDF, Word, EPUB, and HTML. More than just a collection of public domain literature, this platform actively curates and continuously expands its offerings. It is regularly updated and reviewed to include new interpretations, scholarly research, and additions to the public domain.

Currently, the anthology focuses on literature from the Romantic Era, the Victorian Age, and the early twentieth century; however, works from earlier time periods will be added in the future.

***We're continually updating this OER, so please reach out if there is any content that you'd like to see added.***

This volume addresses various ways that we interact with, refashion and reuse aspects of ancient Greece and Rome. Its studies range from the political engagement of Italian fascists with ancient Rome, to the use of ancient Greece in video games. The chapters each take on a ‘burning issue’ of identity or ownership, that is, how we identify with ancient Greeks and Romans, as well as drawing (often troubling) elements of our identity from them. In addition, they address the question: which of us feel that we own the past? Does Classics belong to everyone, or has it been coopted by an elite few?

The introductions in this anthology are meant to be just that: a basic overview of what students need to know before they begin reading, with topics that students can research further. An open access literature textbook cannot be a history book at the same time, but history is the great companion of literature: The more history students know, the easier it is for them to interpret literature.

The Compact Anthology of World Literature, Parts 4, 5, and 6 is designed as an e-book to be accessible on a variety of devices: smart phone, tablet, e-reader, laptop, or desktop computer. Students have reported ease of accessibility and readability on all these devices.

This course is a survey of Early American Literature (beginnings to 1890). The course includes suggested assignments, a course outline, and a MS Word text of Public Domain readings. This course is designed for a 16 week semester.

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the ‘beginnings’ of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland This title was made Open Access by libraries from around the world through Knowledge Unlatched.