This course is an introductory exploration of documentary film theory and production, …
This course is an introductory exploration of documentary film theory and production, focusing on documentaries about science, engineering, and related fields. Students engage in digital video production as well as social and media analysis of science documentaries. Readings are drawn from social studies of science as well as from documentary film theory. The courses uses documentary video making as a tool to explore the worlds of science and engineering, as well as a tool for thinking analytically about media itself and the social worlds in which science is embedded. The course includes a hands-on lab component devoted to digital video production, in addition to classroom lectures and in-class film screenings.
This video segment, adapted from Decision in the Streets by civil rights …
This video segment, adapted from Decision in the Streets by civil rights filmmaker Harvey Richards, portrays the interracial protests that took place in San Francisco in 1963-64.
Students examine what deepfakes are and consider the deeper civic and ethical …
Students examine what deepfakes are and consider the deeper civic and ethical implications of deepfake technology. In an age of easy image manipulation, this lesson fosters critical thinking skills that empower students to question how we can mitigate the impact of doctored media content. This lesson plan includes a slide deck and brainstorm sheet for classroom use.
Students examine what deepfakes are and consider the deeper civic and ethical …
Students examine what deepfakes are and consider the deeper civic and ethical implications of deepfake technology. In an age of easy image manipulation, this lesson fosters critical thinking skills that empower students to question how we can mitigate the impact of doctored media content. This lesson plan includes a slide deck and brainstorm sheet for classroom use.
Short Description: For the diaries and selected letters of French organist-composer Jeanne …
Short Description: For the diaries and selected letters of French organist-composer Jeanne Demessieux (1921-1968), this publication provides French-to-English translations with annotations. Accompanying chapters introduce the context in which the diaries and letters were written or comment on their content.
Long Description: This publication presents the diaries and selected letters of French organist-composer Jeanne Demessieux (1921-1968) in English translation. These fall into three sections. The earliest letters and diary, spanning 1932 to 1940, were written by the teenage Demessieux during her first eight years of study in Paris, mainly at the Paris Conservatory. They concern her tribulations and successes as a student of piano, composition, and organ. The second diary, with related letters, spans 1940 to 1946. The opening of the diary concerns Demessieux’s last semester of study at the Paris Conservatory; the bulk of the diary describes Demessieux’s collaboration, as organist and composer, with Marcel Dupré, and quotes from lengthy conversations she had with him. The third section consists of letters and travel diaries from Demessieux’s 1950s North American recital tours, and is a revealing glimpse of the trials of being a touring organist in a country very different from the European countries in which she ordinarily toured. Interspersed with the translations are chapters of introduction and commentary. The chapters introducing each translation describe the biographical, historical, and musical contexts of its content. The chapter following each translation comments on the subject matter, reading between the lines to demonstrate how the written words provide clues to more than first meets the eye.
The translations are annotated with notes. These explain obscure or incomplete references, provide background information, and mention when statements made can either be confirmed by other sources, or appear to be in error. In the translations spanning 1932 to 1940 and 1940 to 1946, names of historical figures mentioned are linked to short biographical notes.
Word Count: 262322
ISBN: 978-0-7731-0787-8
(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)
This set of course materials includes lecture slides, activity files, images, quizzes, …
This set of course materials includes lecture slides, activity files, images, quizzes, tests, review questions, and project assignments for Digital Media at Georgia Gwinnett College. The course uses open-source applications such as GIMP and InkScape.
Individual chapters are available for download due to the large file sizes. Web-based assignments to supplement these materials are located on the GGC Wiki: All Digital Media Assignments
Topics covered include:
Digital Images Image Processing Audio Processing Video Processing Creating Animation
Audio recording is an important component of digital media productions. In this …
Audio recording is an important component of digital media productions. In this lesson students will make a short recording to learn the basics of Audacity, a free and open-source digital audio editor and recording application software, available for Windows, macOS/OS X and Unix-like operating systems.
This fluent and comprehensive field guide responds to increased interest, across the …
This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects.
This audio piece produced by KQED explores the life of Dorothy Arzner. …
This audio piece produced by KQED explores the life of Dorothy Arzner. Perhaps the most prolific female director in movie history, Arzner was the first woman to be accepted into the Directors Guild of America and is the inventor of the boom mic. She directed more than 20 unflinchingly feminist films from 1927 to 1943, before finishing her career teaching at UCLA’s film school, where she left a lasting impression on countless students, including Francis Ford Coppola. Anzner did, said, and filmed whatever she wanted and blazed a trail for the many who followed.
Drawing on the author's four decades of experience as a concert oboist, …
Drawing on the author's four decades of experience as a concert oboist, this open access book studies a number of foundational issues in the philosophy of music, such as musical meaning and expression, musical ontology and the existence of the musical work, the relation between music and language, and the phenomenology of music. The book surveys the development of Western classical music from the Baroque era through to the 20th century, both from the perspective of contemporary Lithuanian philosophers such as Girnius, Maceina, Šliogeris, and Jackūnas, and 20th century European philosophy. In addition to discussing key questions in the philosophy of music, the book also analyses technical musical terms such as articulation, phrasing, and rhythm.
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