Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption …
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-4-M-22-Ax. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption …
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption …
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption …
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption …
Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Farmer Benji Iguchi, full-length portrait, standing in a storage shed between two …
Farmer Benji Iguchi, full-length portrait, standing in a storage shed between two large stacks of squashes. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-41. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Mechanic repairs tractor engine while driver looks on, pick-up truck and automobile …
Mechanic repairs tractor engine while driver looks on, pick-up truck and automobile in the background. Title transcribed from Ansel Adams' caption on verso of print. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Title transcribed from Ansel Adams' caption on verso of print, where the …
Title transcribed from Ansel Adams' caption on verso of print, where the surname was misnoted as "Namura." Correct spelling based on other photos of Mr. Miura by Adams. Original neg. no.: LC-A35-4-M-42. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Bert K. Miura, half-length portrait, standing, facing right, placing pattern on fabric. …
Bert K. Miura, half-length portrait, standing, facing right, placing pattern on fabric. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-42-Ax. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Bert K. Miura, seated on table with bundles of clothing, holding paper …
Bert K. Miura, seated on table with bundles of clothing, holding paper and pencil, with Toshiko Kadonada, folding clothing in front of him. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-43-Ax. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Bert K. Miura, seated on table with bundles of clothing, holding paper …
Bert K. Miura, seated on table with bundles of clothing, holding paper and pencil, with Toshiko Kadonada, folding clothing in front of him. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Bert K. Miura, half-length portrait, standing, looking down, placing pattern on fabric. …
Bert K. Miura, half-length portrait, standing, looking down, placing pattern on fabric. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Over the past two decades, a quiet revolution has taken place in …
Over the past two decades, a quiet revolution has taken place in the world of light art and design with the introduction of LED technology. Sydney-based artists Ruth McDermott and Ben Baxter have been on the vanguard of this movement, creating innovative and award-winning installation artworks utilizing the capabilities of this new technology. A frequent highlight of the Vivid Sydney light art festival, their work has become known for creating site-specific narratives exploring the landscapes and histories of Sydney and its surrounds. This book surveys twelve years of their practice (2009-2021), as their work evolved in tandem with the technology, with a special focus on the technical aspects of creating, mounting, and displaying large-scale installations.
Along with an essay on the history of light art, commentary from collaborators, and over 100 photographs documenting the conceptual life span of eighteen artworks, this book features the authors reflections on the unique relationship of artistic collaboration, and how this relationship has enhanced their practice and journey as artists.
About the Arts, Care & Connection Lesson Collection: Arts for Learning Northwest collaborated …
About the Arts, Care & Connection Lesson Collection: Arts for Learning Northwest collaborated with Oregon teaching artists on this collection of arts integration modules designed for K-5 students, with integrated social emotional learning content in the areas of dance, visual arts, theater, and music.
About the Arts, Care & Connection Lesson Collection: Arts for Learning Northwest collaborated …
About the Arts, Care & Connection Lesson Collection: Arts for Learning Northwest collaborated with Oregon teaching artists on this collection of arts integration modules designed for K-5 students, with integrated social emotional learning content in the areas of dance, visual arts, theater, and music.
Birds sit on power lines above buildings, mountains and setting sun in …
Birds sit on power lines above buildings, mountains and setting sun in the background. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-6-M-10. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Blue Coral Guide to Kandinsky's Yellow-Red-Blue is an interactive, exploratory view of …
Blue Coral Guide to Kandinsky's Yellow-Red-Blue is an interactive, exploratory view of the painting. Freely browse by selecting, dragging, and zooming or step through the grand tour. Each stop along the way contains an optional profile for more detail. Explore color, shapes, and music as a visualization in this piece of art.
Blue Coral Guide to Kandinsky's The Last Supper is fully responsive in the web browser for large and small devices in both horizontal and vertical orientations.
This resource was created by Sharla Hanzlik, in collaboration with Dawn DeTurk, …
This resource was created by Sharla Hanzlik, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.
This resource was created by Janis Nicholas, in collaboration with Lynn Bowder, …
This resource was created by Janis Nicholas, in collaboration with Lynn Bowder, as part of ESU2's Mastering the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education and experiential learning.
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![Benji Iguchi and Harry [i.e., Henry] Hanawa, Tractor Repair, Manzanar Relocation Center, California](https://img.oercommons.org/160x134/oercommons/media/upload/materials/screenshots/materials-course-73534.png)
