Learn what it takes to be a scenic designer at the Southeastern Theatre Conference (SETC) Design Competition. Get advice and learn about the skills required for a career in scenic design.

Learn about sound design from theater majors participating in the Southeastern Theatre Conference (SETC) Design Competition. Get advice and learn about the skills required for a career in sound design.

Short Description:
#TheatreAppreciation is a textbook for introductory level lecture classes such as Theatre Appreciation and Introduction to Theatre. It provides insight about the art and craft of theatre, a brief exploration of theatre history, and discussion about the styles and forms of theatre along with an overview of professions in the field.

Word Count: 97105

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Brendan Monroe doesn't follow strict guidelines, especially when it comes to his artwork. He makes rough sketches of his ideas and improvises along the way, making sure to keep the blurriness of the concepts and the mystery. His aim is to encourage people to see living things in everything in their environment.

Nigel Poor is a photographer who spends time documenting everyday existence, exploring the meaning of the traces of ourselves that we leave behind. She focuses on ordinary objects and materials, researching what makes an object “worthy of preservation,” in her words. This KQED Art School video was created in collaboration with SFMOMA, who commissioned art-making activity ideas from Nigel Poor for their Open Studio project.

Explore how masculinity is portrayed in a modern stylized version of Shakespeare's iconic play in this video from Great Performances: Romeo and Juliet. What does it mean to be a "man?" How is our understanding of masculinity reflected in the interplay of Shakespeare's words and the way in which this production interprets the text? Support materials ask students to analyze the fight scene in Act I of the play and whether Romeo accepts or rejects the ideas about masculinity introduced in that opening scene.

Have you ever wondered what happens behind the scenes in a theater? In this video visit the Lexington Children’s Theatre to get a peek behind the scenes of a theatrical production from set creation to the final dress rehearsal.

Long Description:
This book was imported into the Pressbooks publishing platform using the Project Gutenberg EBook of The Turn of the Screw, by Henry James

Word Count: 43092

Included H5P activities: 1

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This workshop is an introduction to how actors build characters and relationships, transforming the written words to actions and presence on stage. Students will explore Shakespeare’s use of words, rhythms, and language in Twelfth Night through activities that exercise vocal acting skills. This resource contains a Short Video with the actors discussing this topic, an example in the Full Workshop Video, an Excerpts Video containing examples from the full play, and a walk through in the Lesson Plan.

Students are introduced to traditional folk music with an animated rendition of a familiar song, “Twinkle Twinkle Little Star.” The video features shadow puppets and a crankie—a long illustrated scroll, which has been used as a method of storytelling since the 19th century.

Explore how production choices can contribute to characterization and provide a deeper understanding of how that character sees the world in this video from Great Performances: Romeo and Juliet. The National Theater's production creates a modern stripped-down version of the play that utilizes both staged theater and film techniques to tell the story of the iconic star-crossed lovers. Students will analyze these techniques and how they help reveal the essence of Juliet's character.

Short Description:
Understanding New Media Art is an OER for introductory college art and art history courses that builds on scholarship in the field to propose a long historical context for the technologies and ideas related to New Media Art in the 21st century.

Long Description:
Understanding New Media Art is an OER for introductory college art and art history courses. The book builds on scholarship in the field to propose a long historical context for the technologies and ideas related to New Media Art in the 21st century. This OER is a work in progress and will be updated and expanded periodically as technologies change, new creative approaches and voices develop, and new historical and theoretical frameworks are proposed in the evolving field of New Media Art.

Word Count: 80895

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Susie Thiel, University of Kentucky Director of Dance, talks about the elements of dance: time, force, and space, and how they affect dance creation.

Media specialist Victor Darrigrandi explains the process for teaching students how to safely operate video drones. Darrigrandi believes that as drones become more popular in video production, operating them is a valuable skill for students to learn.

This video takes you from the researching to the recording of an interview. Use these quick tips to get an interesting and great looking video.

A group of teachers learning a West African dance demonstrate how to choreograph a dance using four simple movements in this video from the Dance Arts Toolkit series.

Harlina Churn-Diallo and Mali native Yaya Diallo perform and teach the Mouwa in this video from the Dance Arts Toolkit series. The Mouwa is a dance that comes from the Bambara, Senufo, and Miniaka people of West Africa.

Dancer Harlina-Churn Diallo and musician Yaya Diallo teach a group of teachers four basic movements of West African dance in this video from the Dance Arts Toolkit series.

Kwesi Anku, Kwaku Manu, and Selasi Morgan are performing artists who teach at the East Bay Center for the Performing Arts in Richmond, CA and are members of the Bay Area's West African Music and Dance Ensemble. Originally from Ghana, they came to the US to study dance with their professor at UC Berkeley, Dr. CK Ladzekpo. They stayed in the Bay Area to spread their love of music and dance and to provide opportunities for young people in their community to express themselves, using music and dance as tools for positive change.

Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis.