What is art conservation? Who does it and how does it work? Take a behind-the-scenes look inside the Art Conservation department at the Isabella Stewart Gardner Museum and meet the team of trained conservators who specialize in the treatment of objects, paintings, and textiles. Want to learn more about art conservation at the Gardner? Visit http://www.gardnermuseum.org/collection/conservation Filmmaking by SheridanWorks.

The history of Art is long and varied, spanning tens of thousands of years from ancient paintings on the walls of caves
to the glow of computer-generated images on the screens of the 21st century.

This is a popular website/resource that describes itself as "fair use". It has many lists and categories of art and artists with some biographical material and images. It is useful for looking up basic information on a wide variety of artists and subjects. It is not suitable for an entire course.

Herkimer Community College

Short Description:
History of Art Survey course covering from prehistoric art to the Italian Renaissance. Cover image Lascaux Cave_France

Word Count: 88398

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Word Count: 115326

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

“This courseware includes resources copyrighted and openly licensed by multiple individuals and organizations. Click the words ‘Licenses and Attributions’ at the bottom of each page for copyright and licensing information specific to the material on that page.” Reviewer’s note: arguably the weakest of the full-text resources presented here, but may give a starting point for some resources

Art museums are powerful and contested institutions. They are also innovative sites of architectural and artistic practice. From the exhibitionary complex of the nineteenth century to the experiential complex of today, this course investigates the art museum from historical and contemporary perspectives, striking a balance between theoretical investigation and case studies of recent exhibitions and museum buildings. Where and why did the concept of the public art museum emerge, and how have its functions changed over time? How do art museums continue to shape our definitions of what art is? How have they responded to recent critiques of the self-described ‘universal’ museum and to claims for the ethical display of ill-gotten artifacts or the restitution of such objects as Greek vases and bronzes looted from Benin? And why is the Euro-American art museum so compelling a model that it has spread around the globe?
To address these and other questions, we will also go behind the scenes. Visits to local museums and discussions with curators are an essential component of the course.

This subject focuses on the objects, history, context, and critical discussion surrounding art since World War II. Because of the burgeoning increase in art production, the course is necessarily selective. We will trace major developments and movements in art up to the present, primarily from the US; but we will also be looking at art from Europe, Asia, Africa, Latin America, and the Middle East, as well as art “on the margins” — art that has been overlooked by the mainstream critical press, but may have a broad cultural base in its own community. We will ask what function art serves in its various cultures of origin, and why art has been such a lightning rod for political issues around the world.

Created by The Museum of Modern Art. Learn why Willem de Kooning added raw egg to his paint.

Created by The Museum of Modern Art. Learn the properties of enamel paint and why artists use it.

Students will learn about the jazz singer Billie Holiday and the sociohistorical context in which she performed. They will learn how discriminatory statutes (called Jim Crow laws) affected daily life. They will also analyze how movement is created in photographs and the effect of a photographer's point of view on composition. Finally, students will photograph a musician, paying attention to what can be communicated through point of view.

SYNOPSIS: In this lesson, students investigate how artists use their platforms to spread awareness about climate change.

SCIENTIST NOTES: This lesson encourages students to think about how artists and their art can be used to teach and inspire others about climate change. Many videos are included in the slideshow. Videos include one of Sarah Lewis, an art historian discussing how one person’s artwork can shift things, and a second one featuring “Earthrise,” a poem by Amanda Gorman, the youngest inaugural poet in U.S. history. There are an additional six videos covering artists and their artwork about climate change. This lesson finishes with great reflection questions and an opportunity for class discussion. This would be a great lesson for teaching the effects of art on the public perception of climate change.

POSITIVES:
-Students consider the role of art as a form of climate activism.
-Students are exposed to a variety of artists and types of art addressing climate change.
-This lesson has significant cross-curricular possibilities, even though it focuses on art and artists.
-Students begin to think about ways they might use artwork as a means of taking climate action.

ADDITIONAL PREREQUISITES:
-This is lesson 1 of 3 in our 9th-12th grade Climate Heroes unit.
-This lesson should follow a basic introduction to climate change science, exploration of global and local impacts, and climate change solutions.
-Some prior knowledge of contemporary art practices is useful, but not required.

DIFFERENTIATION:
-Teachers can provide instruction multimodally.
-Teachers can modify the assignment and assessment as needed.
-Teachers can follow up with questions to ensure comprehension.
-Teachers can pair students with helpful peers.