This unit explores the various ways information and ideas about climate change …
This unit explores the various ways information and ideas about climate change are presented through a variety of media. This includes the evaluation of social media posts, research into climate change issues, and an exploration of contemporary art and artists. This was designed and taught in an honors 9th grade English Language Arts Classroom by Dr. Tavia Quaid in response to student interest in climate change and to reinforce key information literacy skills.
This unit explores the various ways information and ideas about climate change …
This unit explores the various ways information and ideas about climate change are presented through a variety of media. This includes the evaluation of social media posts, research into climate change issues, and an exploration of contemporary art and artists.
SYNOPSIS: In this lesson, students investigate the effectiveness of visual art in …
SYNOPSIS: In this lesson, students investigate the effectiveness of visual art in addressing climate change.
SCIENTIST NOTES: Simply put, not everyone is swayed by a scientific expert. Often it takes other means to convey a message to someone. That is why is an integral part of climate change communication. Art, scientifically, has a different impact on our thoughts and decision-making than hearing a lecture from an expert. This lesson explores different climate change art projects and shows their potential to reach audiences. This lesson has passed the scientific review process.
POSITIVES: -Students learn that art can be used to address issues that are usually just discussed in scientific terms. -Students learn about a variety of artists whose work deals with climate change. -Students can begin to visualize ways that they might make art about climate change, which can serve as a subsequent lesson. -This lesson is interactive and simulates a real-world situation in the art world, requiring a variety of skills.
ADDITIONAL PREREQUISITES: -This lesson can be paired with or follow a more in-depth discussion of climate change science. -Students should know how to use Google Slides or a similar type of presentation format. -Students should have a basic familiarity with rubrics.
DIFFERENTIATION: -Teachers can provide instruction multimodally. -Teachers can preview vocabulary with ESL students. -Teachers can follow up with questions to ensure comprehension. -Teachers can pair students with helpful peers. -It can be beneficial for developing students’ interpersonal skills if groups were randomized.
Kelly Tunstall and Ferris Plock are artists who focus on character design …
Kelly Tunstall and Ferris Plock are artists who focus on character design and development, creating a rotating cast of surreal cartoon figures inspired by visual culture, including fashion, skateboarding, Japanese regalia and folklore. They emphasize organization while maintaining freeform, both of which lead to the consistency in how their art turns out.
This seminar introduces, through studio projects, the basic principles regarding the use …
This seminar introduces, through studio projects, the basic principles regarding the use of color in the visual arts. Students explore a range of topics, including the historical uses of color in the arts, the interactions between colors, and the psychology of color.
Although Korea's cultural connections with China and Japan form a crucial part …
Although Korea's cultural connections with China and Japan form a crucial part of its history, Korea also has a visually rich and technically sophisticated artistic tradition that is separate and distinct from that of its larger East Asian neighbors.
This publication introduces Korea's artistic achievement and places it in the context of its history and religions. Works from the Museum's permanent collection form the core of the discussion and are used to illustrate the diversity and beauty of Korean art. These include Buddhist paintings, celadon wares and white porcelain vessels, inlaid lacquerwares, and traditional musical instruments. The boxed set also provides useful teaching tools for the classroom, including maps, an illustrated timeline, a chronology, a glossary, lesson plans, questioning strategies, cross-cultural comparisons, and two large posters. In addition, there are bibliographies for educators and students as well as lists of relevant websites, cultural resources, and film and video resources.
These educational materials are made possible by The Korea Foundation.
The visual narratives and abstractions of this preeminent African American artist explore …
The visual narratives and abstractions of this preeminent African American artist explore the places where he lived and worked: the rural South, Pittsburgh, Harlem, and the Caribbean. Bearden's central themes: religion, jazz and blues, history, literature, and the realities of black life he endured throughout his remarkable career in watercolors, oils, and especially collages and photomontages from the 1940s through the 1980s.
A great and early civilization arose on the subcontinent of South Asia …
A great and early civilization arose on the subcontinent of South Asia that in time spread northward to the Himalayan region and eastward to Southeast Asia, a vast area including Cambodia, Thailand, Laos, Indonesia, Vietnam, Malaysia, and Myanmar. This resource introduces works of art from this area selected from the superb South and Southeast Asian and Islamic collections of The Metropolitan Museum of Art. Included are examples of Buddhist and Hindu temple art and the later court arts of South Asia; these range from miniature painting and luxurious textiles to elegant personal possessions. As well as descriptions of the visual qualities and symbolic meanings of the art, also provided are a summary of South and Southeast Asian history, a section about Buddhism and Hinduism, a timeline and map, classroom activities, lesson plans, a bibliography, and a glossary.
These educational materials were made possible by The Miriam and Ira D. Wallach Foundation.
Learn about art and culture of the Islamic world and glean ideas …
Learn about art and culture of the Islamic world and glean ideas for supporting studies of English language arts, math, science, social studies, world history, and visual arts. Each of the units listed below is also available as a downloadable PDF.
These active process-oriented lessons focus on concepts of line direction and type, …
These active process-oriented lessons focus on concepts of line direction and type, organic shape, 3-D form, real and implied texture, secondary color, and principles of composition. Literacy-infused lessons explore text direction/spacing, observation, description, and story elements through drawing, painting, collage, clay modeling and printmaking.
The K-6 lesson handbooks were originally produced for the Lake Washington School District with grants from 4culture and ArtsWA. Encourage your colleagues, other schools, and organizations to use these materials for non-commercial, educational purposes at no cost by downloading their own copy at: http://artsedwashington.org/portfolio-items/alic-2
A broad range of art is created using concepts of contour and …
A broad range of art is created using concepts of contour and line type, abstraction, color palette, 3-D form, and positive and negative space. Students make both realistic and abstract drawings, relief prints, paintings, and paper sculptures. Literacy-infused lessons include making sketch/journal entries, inventing clay characters and illustrating stories and poems in collage.
The K-6 lesson handbooks were originally produced for the Lake Washington School District with grants from 4culture and ArtsWA. Encourage your colleagues, other schools, and organizations to use these materials for non-commercial, educational purposes at no cost by downloading their own copy at: http://artsedwashington.org/portfolio-items/alic-2
Fundamental concepts and skills are applied in new ways. Line is used …
Fundamental concepts and skills are applied in new ways. Line is used to invent characters in monotype prints and show figures in action within drawings and wire sculptures. Elements of scale, horizon, overlapping, shape and texture in painting and printmaking reference specific time and place for settings. Students also visualize and write in response to art.
The K-6 lesson handbooks were originally produced for the Lake Washington School District with grants from 4culture and ArtsWA. Encourage your colleagues, other schools, and organizations to use these materials for non-commercial, educational purposes at no cost by downloading their own copy at: http://artsedwashington.org/portfolio-items/alic-2
Building traditional skills in drawing and painting is emphasized through study of …
Building traditional skills in drawing and painting is emphasized through study of proportion, value, color mixing, and space. Principles of balance and unity in 2-D and 3-D are explored through constructing tactile collages and paper sculptures. In literacy infused lessons, students connect word choice, detail, narrative and figurative language with images.
The K-6 lesson handbooks were originally produced for the Lake Washington School District with grants from 4culture and ArtsWA. Encourage your colleagues, other schools, and organizations to use these materials for non-commercial, educational purposes at no cost by downloading their own copy at: http://artsedwashington.org/portfolio-items/alic-2
Skills are refined through making pen and ink drawings, watercolor paintings, and …
Skills are refined through making pen and ink drawings, watercolor paintings, and sculptures focusing on proportion, value, and scale. Translating words into pictures and pictures into words is investigated through depicting setting, combining shapes for meaning, using color for mood and responding to art. Students also create prints and then explain the printmaking procedure in writing.
\The K-6 lesson handbooks were originally produced for the Lake Washington School District with grants from 4culture and ArtsWA. Encourage your colleagues, other schools, and organizations to use these materials for non-commercial, educational purposes at no cost by downloading their own copy at: http://artsedwashington.org/portfolio-items/alic-2
This creative start introduces concepts of line variety, geometric shape, actual texture, …
This creative start introduces concepts of line variety, geometric shape, actual texture, primary color, and pattern through exploratory drawing, painting, collage, and stamping. In literacy infused lessons, students make decorative letters, identify word sequence, analyze visual clues, and develop pictures by linking words and images.
The K-6 lesson handbooks were originally produced for the Lake Washington School District with grants from 4culture and ArtsWA. Encourage your colleagues, other schools, and organizations to use these materials for non-commercial, educational purposes at no cost by downloading their own copy at: http://artsedwashington.org/portfolio-items/alic-2
We will explore images that pertain to the emergence of Japan as …
We will explore images that pertain to the emergence of Japan as a modern state. We will focus on images that depict Japan as it comes into contact with the rest of the world after its long and deep isolation during the feudal period. We will also cover city planning of Tokyo that took place after WWII, and such topics as the 1964 Tokyo Olympics. A unique feature of this offering is that we will run it concurrently with the edX MOOC and two University of Tokyo MOOCs, Visualizing Postwar Tokyo and Four Faces of Contemporary Japanese Architecture, for much of the remainder of the class.
This resource is a modification of the Washington Models for the Evaluation …
This resource is a modification of the Washington Models for the Evaluation of Bias Content in Instructional Materials (2009) that is made available through OER Commons under a public domain license. This resource attempts to both update the content with more contemporary vocabulary and also to narrow the scope to evaluating still images as they are found online. It was developed as a secondary project while working on a BranchED OER grant during summer 2020. It includes an attached rubric adapted from the Washington Model (2009).
This course focuses on novels and films from the last twenty-five years …
This course focuses on novels and films from the last twenty-five years (nominally 1985–2010) marked by their relationship to extreme violence and transgression. Our texts will focus on serial killers, torture, rape, and brutality, but they also explore notions of American history, gender and sexuality, and reality television—sometimes, they delve into love or time or the redemptive role of art in late modernity. Our works are a motley assortment, with origins in the U.S., France, Spain, Belgium, Austria, Japan and South Korea. The broad global era marked by this period is one of acceleration, fragmentation, and late capitalism; however, we will also consider national specificities of violent representation, including particulars like the history of racism in the United States, the role of politeness in bourgeois Austrian culture, and the effect of Japanese manga on vividly graphic contemporary Asian cinema. We will explore the politics and aesthetics of the extreme; affective questions about sensation, fear, disgust, and shock; and problems of torture, pain, and the unrepresentable. We will ask whether these texts help us understand violence, or whether they frame violence as something that resists comprehension; we will consider whether form mitigates or colludes with violence. Finally, we will continually press on the central term in the title of this course: what, specifically, is violence? (Can we only speak of plural “violences”?) Is violence the same as force? Do we know violence when we see it? Is it something knowable or does it resist or even destroy knowledge? Is violence a matter for a text’s content—who does what, how, and to whom—or is it a problem of form: shock, boredom, repetition, indeterminacy, blankness? Can we speak of an aesthetic of violence? A politics or ethics of violence? Note the question that titles our last week: Is it the case that we are what we see? If so, what does our obsession with ultraviolence mean, and how does contemporary representation turn an accusing gaze back at us?
Audio is an extremely important part of creating good video, especially when …
Audio is an extremely important part of creating good video, especially when doing interviews. Learn how to avoid making common audio mistakes by following these tips.
This is a 4-hour audiovisual media literacy workshop that can be facilitated …
This is a 4-hour audiovisual media literacy workshop that can be facilitated in atraditional, hybrid, or remote setting. Preferably, the videos should be viewed three times in order to create a more scaffolded experience. After the first viewing, students answer questions 1–4 and are assigned the provided HIV/AIDS timeline. After the second viewing, students answer questions 5–8and are assigned an article from The New York Times about the production of the twovideos. After the third viewing, students are asked to focus specifically on two dialoguescenes that differ between the two videos and create a list of noticings. They can usethis list to note the way the videos changed, or to create their own questions for theirclassmates who are watching the segment(s) for the first time. Post-workshop reflection questions following the workshop are included to make connections and identify skills that were developed during the workshop.
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.
