This art history video discussion examines the "Mihrab" (prayer niche), 1354--55 (A.H. 755), just after the Ilkhanid period, Isfahan, Iran, polychrome glazed tiles, 135-1/16 x 113-11/16 inches / 343.1 x 288.7 cm (Metropolitan Museum of Art, New York).

Illuminated Text
Grades 5 -12
Objectives:

Students will gain an understanding of how books began to be produced and how information through the written word was passed on for centuries

Students will describe ways in which art supports literature through decoration and illustration to provide better comprehension and added value to the written word

Students will use principles of contrast, unity, movement and balance to provide artistic ornamentation to text

Students will have the experience of learning an ancient decorative gilding technique

This is an 8 week experience for the college student that begins by setting a learning context through using library resources, especially online databases, for locating images and art that reflect a chosen research topic and creating a mural that demonstrates the students’ comprehension of the chosen topic. The experience includes conducting research on 3 significant events or people in women’s US history. The written research will be accompanied by images or art that the student has chosen (described) as reflective of, or related to the researched event or person. In order to determine the students’ level of information literacy, the research will include a detailed description of how the students located the images. The students will also draw or describe a personalized sketch of one of the researched events or people. The culmination of the research is the design and painting of a collaborative mural depicting the students' research topics.

This Reusable Learning Object (RLO) was created out of the desire to infuse university courses with information literacy or research activities. A traditional research project on significant events or people in history is enhanced with the discovery and analyzing of art and images within the context of history. Analysis not only includes written text but the painting of a mural. The RLO is structured in a way that allows for easy replication and alteration to a variety of subjects and learning levels.

“Parrhesia” was an Athenian right to frank and open speaking, the right that, like the First Amendment, demands a “fearless speaker” who must challenge political powers with criticism and unsolicited advice. Can designer and artist respond today to such a democratic call and demand? Is it possible to do so despite the (increasing) restrictions imposed on our liberties today? Can the designer or public artist operate as a proactive “parrhesiatic” agent and contribute to the protection, development and dissemination of “fearless speaking” in Public Space?

Introduction to Art: Design, Context, and Meaning offers a comprehensive introduction to the world of Art. Authored by four USG faculty members with advance degrees in the arts, this textbooks offers up-to-date original scholarship. It includes over 400 high-quality images illustrating the history of art, its technical applications, and its many uses.
Combining the best elements of both a traditional textbook and a reader, it introduces such issues in art as its meaning and purpose; its meaning and purpose; its structure, material, and form; and its diverse effects on our lives. Its digital nature allows students to follow links to applicable sources and videos, expanding the students’ educational experiences beyond the textbook. Introduction to Art: Design, Context, and Meaning provides a new and free alternative to traditional textbooks, making it an invaluable resource in our modern age of technology and advancement.

This textbook, designed specifically for C-ID ARTH 110 and produced by a team of art historians working within the CCC system, curates Smarthistory and other scholarly resources into a coherent textbook by providing chapter introductions, a comprehensive glossary, and explanatory editors’ notes. Throughout, it acknowledges and explores the historiography of art history and brings in global connections to provide a broader, more diverse, and more inclusive survey of art history from the Paleolithic through Gothic periods.

This class will introduce students to a variety of contemporary art practices and ideas. The class will begin with a brief overview of ‘visual language’ by looking at a variety of artworks and discussing basic concepts revolving around artistic practice. The rest of the class will focus on notions of the real/unreal as explored with various mediums and practices. The class will work in video, sculpture and in public space.

In this packet we look at works that span nearly a thousand yearsäóîfrom shortly after the foundation of Islam in the seventh century to the seventeenth century when the last two great Islamic empiresäóîthe Ottoman and the Safavidäóîhad reached their peak. Although the definition of Islamic art usually includes work made in Mughal India, it is beyond the scope of this packet. The works we will look at here come from as far west as Spain and as far east as Afghanistan.

This essay looks at Italian Futurism. It includes a short video featuring a work by 19th-century scientist and photographer Étienne-Jules Marey, whose chronophotographic (time-based) studies depicted the mechanics of animal and human movement.

The Horses of Saint Mark have a long itinerary through space and time. On this lesson, we will through the visualisation of their whole itinerary to make the students of their relation with powerful states on their whole history.

This art history video discussion looks at a Japanese Negoro ware ewer, Negoro workshop, Muromachi period (1392--1573) to Momoyama period (1573--1615) second half of 16th century, lacquered wood, Wakayama prefecture, Japan (Portland Art Museum).

This art history video dicussion examines Jasper Johns' "Flag", 1954-55, encaustic, oil and collage mounted on plywood, three panels, (MoMA).

This 19-minute video looks at artist Joan Miro. Celebrated as one of the greatest modern artists, Joan Miró— developed a visual language that reflected his vision and energy in a variety of styles across many media. This film examines the impact on Miró's career, of the Spanish Civil War, the fascism of the Franco regime, and the events of World War II, as well as Miró's sense of Spanish - specifically Catalan - identity. (The full 30-minute video is available to borrow).

Take a virtual tour of the prehistoric caves at Lascaux, France. The discovery of Lascaux in 1940 opened a new page in the knowledge of prehistoric art and our origins. Monumental work, the cave continues to feed the imagination and move the new generations of the world. This website is intended to help understand the secrets of the artists who painted and engraved bestiary at Lascaux 19,000 years ago, and to present the current trends in scientific research on the painted caves.

Discover our new exhibitions that bring the world’s largest collection of knowledge, culture, and creativity to life through dynamic displays of artifacts enhanced by interactivity. Examine rare and unique items, including the rough draft of the Declaration of Independence, the Gutenberg Bible, the 1507 Waldseemüller map that first named America, Thomas Jefferson’s recreated library, and the architectural wonders of the Thomas Jefferson Building.

This art history video lesson looks at Sir John Everett Millais' "Ophelia", 1851-52, oil on canvas (Tate Britain, London); and Barnett B. Newman's "Vir Heroicus Sublimis", oil on canvas, 1950-51 (MoMA).

This art history video discussion examines Lucas Cranach the Elder's "Judith with the Head of Holofernes", c. 1530, oil on panel (Kunsthistorisches Museum, Vienna).

This art history video discussion examines Lucas Cranach the Elder's "Cupid complaining to Venus", c. 1525, oil on wood (The National Gallery, London).

This art history video discussion examines Ludwig Mies van der Rohe's "Seagram Building", 375 Park Avenue, New York City (1958). Note: In the video I call Le Corbusier a French architect. This is somewhat reductionist since he was born in Swizerland and became a French citizen in 1930.

This course is a survey of the world's music with attention to musical styles and cultural contexts. Included are the musical and cultural histories of Ociania, Indonesia, Africa, Asia, and Latin America.

Course Outcomes:
1. Demonstrate an understanding of diverse peoples, cultural communities, and traditions while reflecting upon and challenging individual and societal ethnocentrism.
2. Describe and discuss music using appropriate terminology relevant for the field of ethnomusicology.
3. Analyze and identify music from a global intercultural perspective using analytical and critical listening skills.
4. Explain artistic, social, historical, and cultural contexts of world music.