"Becoming an Expert: Learn how to Adopt & Adapt Interpersonal Speaking Activities for Your World Language Classroom"

Facilitated by Pathways Project Co-Directors, Kelly Arispe and Amber Hoye, with additional help from Cyndi Cook, Shannon Smith, and Sharon Westbrook.

Description:
On August 5, 2022, the Pathways Project facilitated a one-day virtual professional development workshop for world language teachers in the state of Idaho and across the globe.

In this recording, we invite you participate in this hands-on workshop, where you’ll get to practice locating, editing, and creating Open Educational Resources in the Pathways Project. These activities integrate authentic resources and support performance based teaching in interpretive and interpersonal communication.

Chapters
- Introduction: 0:00
- Part One: An Introduction to Open Educational Resources (OER) 18:01
- Part Two: The Pathways Project: Finding Interpersonal Speaking Activities 40:27
- Part Three: Customizing Your Activity: How to Adapt Activities for Your Classroom 1:09:00
- Part Four: The Digital Humanities and Authentic Resources 1:36:26

Presentation Slide-deck: https://docs.google.com/presentation/...

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Becoming an Expert: Learn how to Adopt & Adapt Interpersonal Speaking Activities by The Pathways Project is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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Acknowledgement
The Pathways Project is grateful to provide this professional development opportunity thanks to a recently awarded National Endowment for the Humanities Digital Humanities Advancement Grant.

About the National Endowment for the Humanities
Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. Additional information about the National Endowment for the Humanities and its grant programs is available at: http://www.neh.gov

In order to practice conducting, you need an orchestra! Learn about what it takes to become an orchestra conductor in this video from Treasures of New York: Juilliard. At Juilliard, the world-famous performing arts school located in New York City, students have the opportunity to work with musicians to hone their conducting skills.

STEM focused lesson that incorporates hands on and computer based 3D design. Grade specific math concepts such as budgets, percentages, and square footage is applied.

When you spin it around, this toy sounds like a swarm of buzzing bees.

Lights, camera, action! Well maybe not a Hollywood movie, there is a lot to be learned by filming bees. Dr. Biology talks with bee movie maker and neurobiologist Brian Smith. Listen in as the two talk about bees, Bee Movie, and even take trip inside a beehive to check out what is buzzing.

This video segment from NOVA: "The Mystery of Animal Pathfinders" explores honeybee communication and navigation.

The study of biomimicry and sustainable design promises great benefits in design applications, offering cost-effective, resourceful, non-polluting avenues for new enterprise. An important final caveat for students to understand is that once copied, species are not expendable. Biomimicry is intended to help people by identifying natural functions from which to pattern human-driven services. Biomimicry was never intended to replace species. Ecosystems remain in critical need of ongoing protection and biodiversity must be preserved for the overall health of the planet. This activity addresses the negative ramifications of species decline. For example, pollinators such as bees are a vital work force in agriculture. They perform an irreplaceable task in ensuring the harvest of most fruit and vegetable crops. In the face of the unexplained colony collapse disorder, we are only now beginning to understand how invaluable these insects are in keeping food costs down and even making the existence of these foods possible for humans.

This interactive shows the extent of the killing of lodgepole pine trees in western Canada. The spread of pine beetle throughout British Columbia has devastated the lodgepole pine forests there. This animation shows the spread of the beetle and the increasing numbers of trees affected from 1999-2008 and predicts the spread up until 2015.

The title “Before Rosa Parks” loosely links a number of lessons that discuss African-American women who were active in the fight for civil rights before the 1950s. This lesson highlights Frances Watkins Harper, who challenged power structures in the South by talking to free former slaves about voting, land ownership and education—and fought segregated public transportation.

The title “Before Rosa Parks” loosely links a number of lessons that discuss African-American women who were active in the fight for civil rights before the 1950s. This lesson highlights Ida B. Wells, who worked tirelessly for racial justice in the South, especially concerning lynching.

The title “Before Rosa Parks” loosely links a number of lessons that address African-American women who were active in the fight for civil and human rights before the 1950s. This lesson highlights Susie King Taylor, the only black woman who wrote a narrative about her experiences working with soldiers during the Civil War.

Poster showing the Statue of Liberty seen above the New York harbor and skyline. The night sky and sunset create an American flag, of which Liberty's torch forms a star.

In this curriculum unit, students look at the role of President as defined in the Constitution and consider the precedent-setting accomplishments of George Washington.

What is Gimkit?Here is a Beginner tool to help create your first Gimkit.

This is a quick lesson for the beginning of the year for 8th-grade language arts teachers.  It's a great mini-lesson if you need to fill three-five days while introducing short story elements at the start of the year.  The story itself is very meaningful, and Jane Kaczmarek does a great job reading it aloud on YouTube. It is a high-engagement lesson because the students get to write about themselves while learning about the struggles of another.  The text is not complex, so weaving in short story elements works very well here.      

There are PBIS cards that get progressively harder to fill to earn a reward.

This is a weekly behavior chart that is meant to be modified for your students and their unique needs. 

Another venomous attack on the Lincoln administration by the artist of "The Commander-in-Chief Conciliating the Soldier's Votes, no. 1864-31," and "The Sportsman Upset by the Recoil of His Own Gun," (no. 1864-32). Here Lincoln and his cabinet are shown in a disorderly backstage set, preparing for a production of Shakespeare's "Othello." Lincoln (center) in blackface plays the title role. He recites, "O, that the slave had forty thousand lives! I am not valiant neither:--But why should honour outlive honesty? Let it go all." Behind Lincoln two men, one with his leg over a chair, comment on Lincoln's reading. "Not quite appropriately costumed, is he?" comments the first. The second replies, "Costumed, my dear Sir? Never was such enthusiasm for art:--Blacked himself all over to play the part, Sir!" These may be Republicans Charles Sumner and Thaddeus Stevens. Before them is a wastebasket of discarded documents, including the Constitution, Crittenden Compromise, Monroe Doctrine, "Webster's Speeches," "Decisions of Supreme Court," and "Douglass." At left five ballerinas stand beneath a playbill advertising "Treasury Department, A New Way to Pay Old Debts . . . Raising the Wind . . . Ballet Divertissement." Near their feet is a pile of silver and plate, "Properties of the White House." They listen to a fiddler who, with his back turned to the viewer, stands lecturing before them. At right Secretary of War Edwin Mcm.asters Stanton instructs a small troop of Union soldiers waiting in the wings to ". . . remember, you're to go on in the procession in the first Act and afterwards in the Farce of the Election." One soldier protests, "Now, see here, Boss that isn't fair. We were engaged to do the leading business." Nearby an obviously inebriated Secretary of State William Seward sits at a table with a bottle, muttering, "Sh--shomethin's matt'r er my little bell: The darned thing won't ring anyway cĚ_Ąonfixit'." Seward reportedly once boasted that he could have any individual arrested merely by ringing a bell. He was widely criticized for his arbitrary imprisonment of numerous civilians during the war. On the floor near Seward sits Lincoln's running mate Andrew Johnson, a straw dummy, with a label around his ankle, "To be left till called for." At far right Navy Secretary Gideon Welles slumbers, holding a paper marked "Naval Engagement, Sleeping Beauty, All's Well That Ends Well." In the background abolitionist editor Horace Greeley bumbles about moving scenery and complaining, "O bother! I can't manage these cussed things." Union general Benjamin F. Butler (directly behind Lincoln), dressed as Falstaff, recites, "We that take purses, go by the moon and seven stars; and not by Phoebus! I would to God, thou and I knew where a commodity of good names were to be bought!" He holds a sign "Benefit . . . Falstaff . . . Beauty and the Beast." By this time Butler had achieved notoriety as a dissolute plunderer. To Butler's right a man (who might be the stage manager) orders the crew, "Get ready to shift there 'ere Flats for the Temple of Liberty." The artist of this and nos. 1864-30 and -31 was an exceptionally able draftsman. Judging from the acidity of these satires, he may have been a Southerner, perhaps a Baltimorean. The only satires of the time that compare in artistic quality and political venom are those of Adalbert Volck.|Signed with monogram: CAL?|Title appears as it is written on the item.|Weitenkampf, p. 141.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1864-32.

Google Arts & Culture and The Smithsonian's National Air and Space Museum worked with the team behind Light Fields.

“No Hablo Español” explores the conflicted cultural identity of a Latina high school student who can’t speak Spanish. Playwright Rosa Estevez explains why parents born in a Spanish-speaking country might prefer English for their children. People behind the scenes describe the play’s fresh pathways for discussing cultural identity, the importance of authenticity and language, and the role of the dramaturg in advocating for the playwright. The play was part of the New Voices Young Playwrights Festival at Actors Theatre of Louisville.