Tiffany and Company’s famous Bryant Vase was meticulously crafted by highly skilled artisans­­—among them, Augustus Saint-Gaudens and Eugene J. Soligny—who worked the silver for more than a year. Curator Ellenor Alcorn describes how Tiffany then used the fascinating nineteenth-century process of electrotyping to create presentation copies. View this work on metmuseum.org. Created by The Metropolitan Museum of Art.

Although Korea's cultural connections with China and Japan form a crucial part of its history, Korea also has a visually rich and technically sophisticated artistic tradition that is separate and distinct from that of its larger East Asian neighbors.

This publication introduces Korea's artistic achievement and places it in the context of its history and religions. Works from the Museum's permanent collection form the core of the discussion and are used to illustrate the diversity and beauty of Korean art. These include Buddhist paintings, celadon wares and white porcelain vessels, inlaid lacquerwares, and traditional musical instruments. The boxed set also provides useful teaching tools for the classroom, including maps, an illustrated timeline, a chronology, a glossary, lesson plans, questioning strategies, cross-cultural comparisons, and two large posters. In addition, there are bibliographies for educators and students as well as lists of relevant websites, cultural resources, and film and video resources.

These educational materials are made possible by The Korea Foundation.

Learn how tapestries were made in the time of Louis XIV and are still made today. Explore the process of tapestry weaving at the Gobelins Manufactory in Paris, where historical techniques dating to the time of Louis XIV are used to make contemporary works of art. Video chapters: Introduction - 0:04 Designing a Tapestry - 1:08 Colorful Threads - 2:17 Preparing a Loom - 4:36 Weaving - 6:15 This video was produced in conjunction with the exhibition "Woven Gold: Tapestries of Louis XIV," on view at the Getty Center, December 15, 2016–May 1, 2016. http://www.getty.edu/art/exhibitions/french_tapestries/.

The visual narratives and abstractions of this preeminent African American artist explore the places where he lived and worked: the rural South, Pittsburgh, Harlem, and the Caribbean. Bearden's central themes: religion, jazz and blues, history, literature, and the realities of black life he endured throughout his remarkable career in watercolors, oils, and especially collages and photomontages from the 1940s through the 1980s.

A great and early civilization arose on the subcontinent of South Asia that in time spread northward to the Himalayan region and eastward to Southeast Asia, a vast area including Cambodia, Thailand, Laos, Indonesia, Vietnam, Malaysia, and Myanmar. This resource introduces works of art from this area selected from the superb South and Southeast Asian and Islamic collections of The Metropolitan Museum of Art. Included are examples of Buddhist and Hindu temple art and the later court arts of South Asia; these range from miniature painting and luxurious textiles to elegant personal possessions. As well as descriptions of the visual qualities and symbolic meanings of the art, also provided are a summary of South and Southeast Asian history, a section about Buddhism and Hinduism, a timeline and map, classroom activities, lesson plans, a bibliography, and a glossary.

These educational materials were made possible by The Miriam and Ira D. Wallach Foundation.

Learn about art and culture of the Islamic world and glean ideas for supporting studies of English language arts, math, science, social studies, world history, and visual arts. Each of the units listed below is also available as a downloadable PDF.

“The Art of the Probable” addresses the history of scientific ideas, in particular the emergence and development of mathematical probability. But it is neither meant to be a history of the exact sciences per se nor an annex to, say, the Course 6 curriculum in probability and statistics. Rather, our objective is to focus on the formal, thematic, and rhetorical features that imaginative literature shares with texts in the history of probability. These shared issues include (but are not limited to): the attempt to quantify or otherwise explain the presence of chance, risk, and contingency in everyday life; the deduction of causes for phenomena that are knowable only in their effects; and, above all, the question of what it means to think and act rationally in an uncertain world.
Our course therefore aims to broaden students’ appreciation for and understanding of how literature interacts with – both reflecting upon and contributing to – the scientific understanding of the world. We are just as centrally committed to encouraging students to regard imaginative literature as a unique contribution to knowledge in its own right, and to see literary works of art as objects that demand and richly repay close critical analysis. It is our hope that the course will serve students well if they elect to pursue further work in Literature or other discipline in SHASS, and also enrich or complement their understanding of probability and statistics in other scientific and engineering subjects they elect to take.

A puzzling caricature, probably dealing with Reconstruction under Andrew Johnson's administration. The work is quite crudely drawn. An acrobat, with mustache and sideburns and wearing a jester's cap, holds in each hand a mask, one grinning and one frowning. His legs stretch from the head of Pennsylvania congressman Thaddeus Stevens, who holds a paper labeled "Committee of 15" and is seated on a black man, who crawls on all fours, to the head of an unidentified man (probably Johnson) who holds the U.S. Constitution. The latter's back is turned to the viewer and several geese, some alive and some dead, appear at his feet. Stevens, an abolitionist, was one of the most prominent members of the Joint Committee on Reconstruction, composed of fifteen members of Congress. The fool remarks, "As yet, I have found no difficulty in standing upon my own platform."|Entered according to Act of Congress June 8th 1866.|Title appears as it is written on the item.|Weitenkampf, p. 153.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1866-3.

Ashurbanipal Hunting Lions, gypsum hall relief from the North Palace, Ninevah, c. 645-635 B.C.E., excavated by H. Rassam beginning in 1853 (British Museum). Speakers: Dr. Steven Zucker & Dr. Beth Harris

Students use a source text from IEW's Ancient History-Based Writing Lessons to write a two-paragraph essay about Ashurbanipal's Library from a keyword outline. There is also a linked art history video from OER Commons entitled "Palace Decoration of Ashurbanipal" to give more interesting background on King Ashurbanipal.

We will explore images that pertain to the emergence of Japan as a modern state. We will focus on images that depict Japan as it comes into contact with the rest of the world after its long and deep isolation during the feudal period. We will also cover city planning of Tokyo that took place after WWII, and such topics as the 1964 Tokyo Olympics.
A unique feature of this offering is that we will run it concurrently with the edX MOOC and two University of Tokyo MOOCs, Visualizing Postwar Tokyo and Four Faces of Contemporary Japanese Architecture, for much of the remainder of the class.

Organized around the compelling question "How have Asian Americans and Pacific Islanders engaged civically and contributed to U.S. culture?" and grounded in inquiry-based teaching and learning, this lesson brings history, civics, and the arts together to learn about the experiences and perspectives of Asian Americans and Pacific Islanders (AAPI) in U.S. history. Primary sources, literature, and works of art created by AAPI individuals and related organizations provide an historical as well as contemporary context for concepts and issues including civic participation, immigration, and culture.

Students will explore Asian American and Pacific Islander (“AAPI”) women’s poetry in order to craft and inspire their own poetry, studying central idea and six different poetic elements over the course of the unit. After analyzing and interpreting poems, students will recognize poetry as a vehicle to express untold stories about events small and large. Students will learn about the experiences of and challenges faced by AAPI women, including topics of retaining culture, climate change, and more.

2021 Social Science Standards Integrated with Ethnic Studies:
Civics and Government: 5.1, 7.5
Economics: 4.4
Historical Knowledge: 5.22
Social Science Analysis: 3.19, 4.21, 4.24, 5.26, 52.27, 6.26, 7.28, 7.29

The lesson focuses on the first Asian Americans to run for Congress - Patsy Mink and Daniel Inouye - who paved the way for future generations of Asian Americans to be politically active.

2021 Social Science Standards Integrated with Ethnic Studies:
Civics and Government: 7.5, 8.2, 8.7, 8.8, HS.2, HS.6, HS.9, HS.11
Historical Knowledge: 8.25, 8.27, HS.52, HS.60, HS.64, HS.65, HS.66
Historical Thinking: 7.25, 8.31, 8.32, HS.67, HS.68
Social Science Analysis: 7.27, 7.29, 8.33, 8.36, HS.72, H.73, HS.78

Asian Americans who served in the U.S. military during war in Vietnam were confronted not only by the harsh realities of war, but also with their racial and national identities. Asian American military service officers faced racism from their superiors and fellow U.S. soldiers, and were challenged by Vietnamese citizens and soldiers who saw a connection to them. This lesson explores some of the ways in which Asian Americans in the military experienced the war in Vietnam and the ways they negotiated their identities with being seen by both sides as “foreign invaders.”

2021 Social Science Standards Integrated with Ethnic Studies:
Historical Knowledge: HS.60, HS.64
Historical Thinking: HS.70
Social Science Analysis: HS.72, HS.74, HS.76, HS.77

This coursebook was created to support a course examining the experience of Asians and Asian Americans at various points in United States history.  Three main areas of focus are immigration in the early 20th century, World War II, and the early 21st century.

For Asian Americans living, working, and growing up in the margins in the United States during the 1960s and 70s, participating in social activism played an important role in advancing justice for them as citizens of the United States. Asian Americans worked in partnership with other ethnic and racial groups to overcome unfair treatment. Through the examples of the United Farm Workers Movement and the student strike at San Francisco State College, and at the Peace Rally after the L.A. Civil Unrest, students will learn how Asian Americans spoke out against injustice and stood up for the better treatment of all Americans.

2021 Social Science Standards Integrated with Ethnic Studies:
Civics and Government: 3.2
Geography: 5.13
Historical Knowledge: 1.12, 5.22
Historical Thinking: 2.21
Social Science Analysis: 1.12, 3.18, 3.19, 4.21, 4.24, 5.28

Stereotyping is a form of systemic racism for Asian Americans, who have historically been stereotyped in the United States through “Yellow Peril” fearmongering—economic and societal threats. Viewed as perpetual foreigners, no matter their duration living here or whether they were American-born, Asian males are often characterized as scheming, weak, ignorant, and undesirable, while Asian females are exotic, cunning, and subservient. This perpetual foreigner stereotype is maintained by institutions from Hollywood, private and public sectors to elected public servants. Asian Americans have been fighting against stereotypes since the 1920s, and continue to do so, on- and off-screen.

2021 Social Science Standards Integrated with Ethnic Studies:
Civics and Government: 6.4, 7.5
Historical Knowledge: 6.20, 6.21, 8.25, 8.27, HS.63, HS.64, HS.65
Historical Thinking: 7.25, 8.32
Social Science Analysis: 6.26, 6.27, 7.29, 8.34, HS.71, HS.73, HS.74

LOC has compiled a consortium of primary sources to work in the classroom. Ready-to-use lesson plans, student activities, collection guides and research aids to spread awareness and highlight the Asian Pacific American experience.

Journalist and poet Asieh Amini is a leading voice in the campaign to end stoning and juvenile executions in Iran.

This resource is from a collection of biographies of famous women. It is provided by the National Women's History Museum, and may include links to supplemental materials including lesson plans about the subject and related topics, links to related biographies, and "works cited" pages. The biographies are sponsored by Susan D. Whiting.