Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

Reflections on book publishing in a digital and online world

Long Description:
Reflections on digital publishing and related matters, with links to other articles, posts and comments.

Please credit Anna von Veh, if any of the material is referenced. Thanks:)

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An Open Access Anthology of Greek and Roman Myth

Short Description:
Mythoi Koinoi: An Online, Open-Access Anthology of Greek and Roman Myth provides undergraduate university students with free, easy access to primary source texts and images for Greek and Roman mythology. Mythoi Koinoi means "Mythology for the People" in Ancient Greek, and it is intended to give everyone who engages with it access to the writings and artistic creations of the ancient Greeks and Romans.

Long Description:
Mythoi Koinoi: An Online, Open-Access Anthology of Greek and Roman Myth began with the observation that many of the texts that we study in our Greek and Roman mythology classes have translations that are available online, either in the public domain or under open access copyright, though many of them are archaic, unreadable, and therefore inaccessible to modern students. Accessibility, then, has been the guiding principle for the book. We set out to update these open access translations, providing clear introductions that situate each text according to time, place, and genre, and organizing them into thematic chapters. We have adapted all translations that are more than forty years old for readability, while maintaining the integrity of the text and its faithfulness to the original languages.

Additionally, while there are thousands of primary source images related to Ancient Greek and Roman mythology available online, they are generally uncontextualized and scattered across multiple platforms, including museum databases, open access media collections, and popular webpages. We collected and organized these images, situating them within their respective chapters and providing necessary context for identification and interpretation.

The anthology contains more than 80 primary source texts from 35 authors, along with hyperlinks to online translations of many more. It has more than 600 high-resolution images of artwork from ancient Greece and Rome. In crafting the book, we have followed best practices for Universal Design for Learning. All images come with captions, descriptions and alternate text, for those that are unable to view them. There are over 500 glossary entries that are accessible either through links within each of the primary texts, or through the glossary section at the back of the book.

The book contains 43 chapters, organized into 7 parts, starting from the myths of creation and destruction, and going through the aftermath of the Trojan War. The sixth chapter focuses specifically on mythology unique to Ancient Rome, and the seventh chapter focuses on the mythology and archaeology of cities and spaces. We have also included mythology from Mesopotamia and the Levant in two chapters, “Aphrodite” and “Flood Myths.” We hope that these chapters will give instructors and students the opportunity to explore some of the ways in which ancient Greek and Roman myth is connected to earlier mythology from ancient West Asia.

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The Best Student Writing from The Composition Program, SUNY New Paltz

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Excerpted primary texts from the East Asian philosophical traditions, including: Buddhism, Hinduism, Jainism, Shinto, Confucianism, Taoism, Legalism, Sikhism, and historical Zoroastrianism.

Obelisk (formerly Trivium) Art History is a free, online art history textbook designed for discovery. Meet history's greatest artists, browse artwork, and explore the timeline of human creativity. Trivium offers short, conversational essays and artist biographies and encourages exploration by artistic movements, mediums and themes.

The Open Content Photography Program is being built to help people to learn professional photography. It is not a book about photography, it's a book about learning photography on your own.

Original Études for the Developing Conductor is a collection of supplemental études designed to enhance contemporary conducting pedagogy by amplifying the voices of composers from historically excluded groups. Each étude was commissioned from and composed by a living composer, the majority of whom are woman-identifying composers and/or composers of color. Each étude also addresses multiple specific pedagogical goals common to all conducting classrooms.

Conducting textbooks commonly include musical examples to expose student conductors to various musical challenges and situations. However, due to the relative ease of using only music from the public domain, most examples found in commercially published books are excerpts of larger works composed by deceased cisgender white men of European descent. Often, this music bears little relation to a significant portion of the music contemporary students engage with and perform. These excerpts also tend to be quite short (i.e., less than a minute) and do not create cohesive, self-contained musical arcs.

The Artist’s Guide to Building Your Audience, Generating Income, and Realizing Career Sustainability

Short Description:
Based on coursework developed at Peabody Conservatory, this book breaks down the process of developing an artist mission statement, generating new ideas for creative projects, and creating an engaging project description. It also covers methods for artists to identify their audience, generate a comprehensive project budget, collect compelling work samples, and identify potential funders to support their creative work. Written by a team of active artists and educators, this resource provides creatives with tools and strategies to communicate passionately and effectively about their work and take control of their financial and artistic future.

Word Count: 63170

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The Artist’s Guide to Building Your Audience, Generating Income, and Realizing Career Sustainability

Short Description:
Based on coursework developed at Peabody Conservatory, this book breaks down the process of developing an artist mission statement, generating new ideas for creative projects, and creating an engaging project description. It also covers methods for artists to identify their audience, generate a comprehensive project budget, collect compelling work samples, and identify potential funders to support their creative work. Written by a team of active artists and educators, this resource provides creatives with tools and strategies to communicate passionately and effectively about their work and take control of their financial and artistic future.

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Let's simplify the process

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Photography can do something that text on its own often cannot – draw the learner in and evoke curiosity about deeper meaning. When connected to storytelling, photographs can release an emotional response, which educators can harness to help students remember content. I whole-heartedly believe images created through the means of photography can be useful for teaching concepts in psychology or management fields that are new to students or tend to be difficult for them to grasp. Furthermore, photos may be especially helpful to demonstrate the meaning and subjective nature of individuals’ experiences as related to these fields due to the emotions they often evoke.

I hope this collection of photographs will serve as a teaching aid for educators and source of learning for students. I thoroughly enjoyed taking all the photos, editing them, writing compelling stories for each, and designing the book. I particularly believe that visual arts such as photography can help students of varying abilities, prior experiences, and backgrounds learn psychological content a bit more easily than traditional text-heavy books and therefore it was a worthwhile endeavor. I expect the book to push students to explore how various fields can meaningfully be integrated to understand the world around us. This book is an example of how visual arts and the sciences can be paired together to break down some of the illusory silos students often perceive between disciplines. As we go about our days, we understand our experiences in numerous ways including what we notice around us beyond written word. Our environment can illuminate understanding if we let it. Let’s help our students do this purposefully through photography.

NOTE: The images in this text are extremely high-quality. As a result, it may take some time to download and open the file.

UPEI Arts Review Volume XII

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Intended for middle, high school, and early college classes, this learning resource takes a multifaceted look at 19th-century painting in France, as well as at the culture that produced and is reflected by that art. Organized by region, it provides a quick glance at the setting, history, and cultural life of Paris, the ële-de-France, the mountain areas of Franche-ComtŽ and Auvergne, Normandy, Brittany, and Provence as well as in-depth examinations of more than 50 works of art. The packetŐs classroom guide includes activities that bring the music, literature, politics, cuisine, and artistic strategies of 19th-century France to life. Recommended for social studies, history, French language, and art curricula.

Short Description:
Why and how can followers of Jesus Christ share His message of love, grace and forgiveness with others in our increasingly digital world? in "Pocket Share Jesus: Be a Digital Witness for Christ," Wesley Fryer offers both reasons and eight different ways Christians should and can be "digital witnesses" for Jesus.

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A Guide to Using Commemorative Memorials and Monuments in the Classroom

Short Description:
This open textbook will guide educators and students through the process of using local monuments and memorials to contextualise, interrogate and extend their knowledge of historical events at a national and international level. Students will learn how to use local history to create an organic patchwork of local stories, interviews, photographs and artefacts contributed by, and for, the community and contextualised nationally and internationally. Through this process they will assume the role of historians rather than passive consumers of dominant ideologies and understand how historical events have shaped diverse views, including their own, of issues such as social justice, democracy, human rights and citizenship.

Long Description:
This open textbook will guide educators and students through the process of using local monuments and memorials to contextualise, interrogate and extend their knowledge of historical events at a national and international level.

Students will learn how to use local history to create an organic patchwork of local stories, interviews, photographs and artefacts contributed by, and for, the community and contextualised nationally and internationally. Through this process they will assume the role of historians rather than passive consumers of dominant ideologies and understand how historical events have shaped diverse views, including their own, of issues such as social justice, democracy, human rights and citizenship.

Word Count: 27118

ISBN: 978-0-6487698-9-7

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Word Count: 18513

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