Screening Shakespeare is an open-access web-based textbook written and designed by Alexa Alice
Joubin based on her original research. It contains openly-licensed learning modules that introduce
students to key concepts of film studies, such as mise-en-scène, cinematography, sound and music,
and film theory within the context of film adaptations of Shakespeare’s plays.

We will be studying Macbeth and how the Visual Arts teacher can help enhance a student’s learning experience. The graphic novel form can help students interpret plot, character, and theme through its unique lens. This paper will examine both the purpose and the specifics of having students create their own graphic novel panels using Photoshop and Wacom (electronic drawing) tablets. One area of focus will be inclusion of detail. Deciding what to leave out is just as important as deciding what to leave in. Sometimes the reader’s imagination can conjure up an image that is far more powerful than any image an illustrator can create. Students will also closely consider the importance of visual clues to the reader, asking key questions as they proceed. For example, how will a sense of mood and atmosphere be conveyed? The same scene with different shading and or use of lighting can appear dramatically different. Character expressions are another consideration: How will the scene convey emotions?

Students will complete the unit – Four Scenes from Macbeth – having improved their skills in both literary interpretation and artistic technique.

Course description: Provides a sampling of Shakespeare’s contributions to the three primary genres of early modern theater with a focus on the later comedies, tragedies, histories, and non-dramatic poetry. Introduces the study of Shakespeare’s dramatic techniques, character development, historical and cultural setting, and language. Explores interpretations of Shakespeare’s works by contemporary filmmakers. Prerequisite: MTH 20 or equivalent placement test scores. Prerequisite/concurrent: WR 121. Audit available.

This resource was created by Jenn Crosley, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This lesson is intended for students who are new to Shakespeare and his writing. In the lesson, students will read about sonnets, read and respond to specific Shakespearean sonnets, and explore the poetic elements - specifically meter and rhyme - of Shakespearean sonnets. This lesson was created by Tyler Barna as part of the 2020 NDE OER Workshop and was conceived from Maxx Stewart's lesson posted to OER Commons. It is designed for beginning Shakespeare students, typically in English Language Arts grades 8-10. It is expected that this lesson will take students 90 minutes to complete. All materials are linked digitally within the lesson. This lesson is written for students; "Student View" is the recommended output for this lesson. 

Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare's poetry and plays lend themselves to vocal performance by discussing how breath can be used to 'punctuate the thought'. This audio recording is part the Interviews on Great Writers series presented by Oxford University Podcasts.

This resource explores the cultural context of scientific inquiry through an interdisciplinary lens. Undergraduate students are invited to follow two characters from William Shakespeare’s play King Lear who debate the cosmos with various scientists from the 17th – 20th centuries, including Galileo Galilei, Isaac Newton, and Marie Curie. The joined scientific / literary lens models how intellectual questions about knowledge and analysis often draw from interrelated traditions of thought and practice, and asks students to consider the nature of their own intellectual questions. The resource is broken into five brief modules and can be completed entirely in class, or in partial increments as take-home.

This introduces William Shakespeare's language by providing students with an opportunity to examine phrases and sayings first written in his plays. Students will read an informational text as well as spend time researching various Shakespearean phrases and their presence in his plays to determine his continuing relevance in modern language today. Students will be able to apply Shakespearean phrases to modern situations in order to determine his relevance.

What if Shakespeare's Julius Caesar was set in a modern and newly independent nation? What do citizens look for in a leader? In this lesson, students not only consider the significance of this updated staging and political quandary, but will address important questions about how and why Shakespeare is adopted, adapted, and appropriated by people around the world in order for them to express their own political and social concerns through the universal language of Shakespeare.

Shakespeare's preeminence as a dramatist rests in part on his capacity to create vivid metaphors and images that embody simple and powerful human emotions. This lesson is designed to help students understand how Shakespeare's language dramatizes one such emotion: fear.

Students search an online version of Shakespeare's Macbeth for clues to the motives behind Macbeth's precipitous descent into evil.

This book is designed to assist upper secondary school and first and second-year university students in their reading and understanding of Shakespeare's plays. The plays selected for discussion are those that students are most likely to encounter in their early adventures with Shakespeare. Each discussion provides guidance on issues raised by each play and suggests approaches from which students can build original ideas and insights. The book contains interactive exercises that are designed to assist students to understand and remember the characters, plots and structures of Shakespeare's plays. The book contains free full text copies of the plays. Volume 1 includes As You Like It, Romeo and Juliet and Hamlet.

By means of group performances, writing exercises, and online search activities, students learn about the sometimes dangerous and destructive powers of language, particularly when wielded by such an eloquent and unscrupulous character as Shakespeare's Iago.

Objective: Students will learn about the traits of a sonnet and practice reading sonnets. Students will use this expose to sonnets to read the Prologue of Romeo and Juliet.Time Required: 90 minutes. Materials Needed: Internet-enabled device Student Tasks: Reading, Writing and/or Discussion 

This lesson is designed to - over the couse of 2 work periods or days to get students to understand what a sonnet is - give them practice at reading them and then let them write their own.  After that we will take thse skills to read the prologue of Romeo and Juliet 

Staging Shakespeare is series of brief video commentaries on performing and directing Shakespeare including extracts of two plays- 'The Tempest' and 'Two Gentlemen of Verona'. An English teacher also explains how she uses IT resources to engage students.

The quotation in the title of this unit is from the speech where Hamlet concludes that the only way for him to reveal something unspeakable is through the art of theater. This unit proposes that students, too, can discover the ineffable life lessons in Shakespeare by taking on the role of director: the one who sees things from above, who incarnates the setting and the actors, and the one who needs to understand the complex human problems Shakespeare’s characters face. In this unit, students will provide stage directions that Shakespeare never wrote. The words are guidelines for what characters experience, but “the eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report” what exactly it is that motivates characters to love, to hate, to commit suicide or indeed, to forgive each other. But the director will. Students will analyze characters, describe how particular lines should be delivered, and justify how staging, props and costumes might portray what words scripted by themselves do not. By doing so, students will understand the human motive and heartbeat beneath the iambic pentameter rhythms of Shakespeare.

This course explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Rembrandt and Molière. The class compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing.

This course investigates relationships between two media, film and literature, studying works linked across the two media by genre, topic, and style. It aims to sharpen appreciation of major works of cinema and of literary narrative. The course explores how artworks challenge and cross cultural, political and aesthetic boundaries. It includes some attention to theory of narrative. Films to be studied include works by Akira Kurosawa, John Ford, Francis Ford Coppolla, Clint Eastwood, Orson Welles, Billy Wilder, and Federico Fellini, among others. Literary works include texts by Aeschylus, Sophocles, Shakespeare, Cervantes, Honoré de Balzac, Henry James and F. Scott Fitzgerald.

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.