Marbling paper is a form of art that produces "monotypes"--every piece is unique because of the process! It also has a long history as a form of art and decoration. This resource includes a video tutorial detailing how to marble paper yourself. Use it to support Maryland Visual Arts Standards for Grades 6-8 or Maryland Social Studies Frameworks for Grade 7. For Visual Arts Standard 1, indicator I:6-8:1, have students first research the history of sumi, ebru, or monotyping, then plan a marbled work to reflect the same motivations as historic artists using one of those forms. For example, sumi may reflect concerns about the future since some historians believe it was related to ink divination, so a student could marble over a calendar that is relevant to them, a sketch of a future event, a saying about the future, or even try to marble a pattern like a calendar page. For Grade 7, Content Topic "Geographic Characteristics" have students map different appearances of paper marbling mentioned in the video along with their date and express whether they think the spread can be attributed to a single discovery that traveled, multiple discoveries that spread, or multiple independent discoveries. Students could even marble over these maps. If you evaluate or use this resource, please respond to this short (4 question) survey here bit.ly/3dfwEK8

This art history video discussion examines the Painting Techniques of Mark Rothko: No. 16 (Red, Brown, and Black). Abstract Expressionist New York (The Museum of Modern Art) October 3, 2--April 11, 2011 MoMA.

This is a repository of various sites where OER materials can be found related to art history. Some, like that for the Smithsonian Museum, is useful for finding specific objects and information about them held by that museum. Other sites like Art Story (reviewed elsewhere on OER Commons) are more general textual sites for art historical periods. It is a good starting place for finding OER materials.

In this art history video discussion Beth Harris and Steven Zucker consider Michael Pacher's "Saint Wolfgang Altarpiece," 1471-81, polychrome pine, linden, gilding, and oil (sculpture and painting). Parish Church, Sankt Wolfgang, Austria.

About the Arts, Care & Connection Lesson Collection: Arts for Learning Northwest collaborated with Oregon teaching artists on this collection of arts integration modules designed for K-5 students, with integrated social emotional learning content in the areas of dance, visual arts, theater, and music.

Mona Lisa Fact or Fiction

A Copyrighted Activity Re-Posted with Permission from
Cheryl Trowbridge
www.teachkidsart.net

Objectives:
The participants will be introduced to interesting facts surrounding the painting of the Mona Lisa

Audiences:
This lesson is perfect for anyone, regardless of age, who is interested in learning more about art and history. Use Cheryl’s wonderful plan with your group and consider using her format to explore other art, traditions, cultures, artists and subjects. We are all enriched when we are life-long learners.

The "National Archives Experience: Digital Vaults" is a site that features digital items (mostly created or associated with the federal government) from the National Archives' extensive collection relating to United States history. The site provides interactive exercises and a tool to create posters, as well as slideshows with audio, captions, and multiple images.

The National Gallery of Art in Washington, D.C. has an extensive section devoted to educational resources for both educators and students. One example is a pdf or online accessed text on the Dutch Golden Age. This is comprehensive in both history and art objects and is clearly written. There are more images than text, but the sections that are included are instructive. Other topics include the Italian Renaissance, Art since 1950, a module on Arts and Crafts, American Art since the colonial period, etc. Some material is geared toward younger learners, but much of it is appropriate for an introductory, or even next level, art history class. There is no licensing statement, although it is copyrighted. There are teacher resources available as well including assessments and images. Individual teaching packets come with 20 slides, 12 11 x 14 reproductions, a cd with jpgs, and a separate classroom activity guide.

In the United States, the nineteenth century was a time of tremendous growth and change. The new nation experienced a shift from a farming economy to an industrial one, major westward expansion, displacement of native peoples, rapid advances in technology and transportation, and a civil war. In this lesson, works of art from the nineteenth century are paired with written documents, including literary selections, a letter, and a speech. As budding historians, students can use these primary sources from the nineteenth century to reconstruct the influence of technology, geography, economics, and politics on daily life.
In this lesson students will: Learn about daily life in the United States in the 1800s through visual art and literature; Understand some of the ways in which nineteenth-century life was affected by technology, geography, economics, and politics; Apply critical-thinking skills to consider the various choices artists and writers have made in depicting daily life around them; Make personal connections to the nineteenth century by placing themselves in the contexts of works of art and readings.

Obelisk (formerly Trivium) Art History is a free, online art history textbook designed for discovery. Meet history's greatest artists, browse artwork, and explore the timeline of human creativity. Trivium offers short, conversational essays and artist biographies and encourages exploration by artistic movements, mediums and themes.

This is a resource like Merlot that contains a number of possible OER resources for educators. For the visual arts and culture there were 57 listed, however, many were not related to art history or art appreciation. The material which could be accessed here would be individual segments or material on specific objects. There are several sections on non-Western art including the art history in Korea and Africa, most of which were free pdfs produced by the Metropolitan Museum of Art. There are also resources that students could access for projects like a site with the complete letters of Vincent van Gogh. The quality of the resources was above average.

Jane Kim has painted hundreds of species of animals as a scientific illustrator who creates large scale installations and murals, “inspiring people to love and protect the earth one work of art at a time.” Take a trip to the California Academy of Sciences with Jane Kim as she draws inspiration from their collection and talks about an early obsession with teddy bears that led her to a life of using art to give the natural world a stronger voice.

This teaching packet examines the art and culture of one of the world's greatest periods of creativity. The sheer volume—and outstanding quality—of the paintings produced can scarcely be paralleled. An overview book provides background about the founding of the Dutch Republic and how art came to occupy an important place in the lives of its people. Chapters explore painting genres like landscape, still life, and portraiture through the work of artists such as Rembrandt, Vermeer, and Frans Hals. The related classroom guide offers activities and discussion questions organized around themes that touch on a variety of curricular subjects, connections to contemporary art, life, and more.

Perseus is an evolving digital library, engineering interactions through time, space, and language. Our primary goal is to bring a wide range of source materials to as large an audience as possible. We anticipate that greater accessibility to the sources for the study of the humanities will strengthen the quality of questions, lead to new avenues of research, and connect more people through the connection of ideas.

In this art history video discussion Beth Harris and Steven Zucker look at Sir Peter Paul Rubens' "The Rape of the Daughters of Leucippus," 1617-18, oil on canvas. Alte Pinakothek, Munich.

This art history video discussion examines Pablo Picasso's "Les Demoiselles d'Avignon", 1907 (Museum of Modern Art).

Pictoscope’s visual discovery services generate compelling image content capable of instantly improving access to digitized books, artwork and online collections.

Intended for middle, high school, and early college classes, this learning resource takes a multifaceted look at 19th-century painting in France, as well as at the culture that produced and is reflected by that art. Organized by region, it provides a quick glance at the setting, history, and cultural life of Paris, the ële-de-France, the mountain areas of Franche-ComtŽ and Auvergne, Normandy, Brittany, and Provence as well as in-depth examinations of more than 50 works of art. The packetŐs classroom guide includes activities that bring the music, literature, politics, cuisine, and artistic strategies of 19th-century France to life. Recommended for social studies, history, French language, and art curricula.

This art history video discussion examines Pierre Le Gros the Younger's "Stanislas Kostka on His Deathbed", 1703, upstairs at Bernini's Sant'Andrea al Quirinale.