This subject is devoted to reading and discussing basic American historical texts …
This subject is devoted to reading and discussing basic American historical texts that are often cited but often remain unread, understanding their meaning, and assessing their continuing significance in American culture. Since it is a “Communications Intensive” subject, 21H.105 is also dedicated to improving students’ capacities to write and speak well. It requires a substantial amount of writing, participation in discussions, and individual presentations to the class.
“What then is the American, this new man?” asked J. Hector St-John …
“What then is the American, this new man?” asked J. Hector St-John de Crèvecoeur in his Letters from an American Farmer in 1782. This subject takes Crèvecoeur’s question as the starting point for an examination of the changing meanings of national identity in the American past. We will consider a diverse collection of classic texts in American history to see how Americans have defined themselves and their nation in politics, literature, art, and popular culture. As a communications-intensive subject, students will be expected to engage intensively with the material through frequent oral and written exercises.
This lesson extends over several class periods. Students analyze the claim, grounds, …
This lesson extends over several class periods. Students analyze the claim, grounds, warrants, qualifiers and counterclaims in three articles about the American Dream. Students conduct research and find two additional articles about the American Dream. Students then analyze the argument in those articles. Finally, students write their own argument essay about the current state of the American Dream.
In this unit students gain an understanding of the elements of gothic …
In this unit students gain an understanding of the elements of gothic literature as evidenced in four short stories: The Raven (Poe), The Masque of the Red Death (Poe), The Yellow Wallpaper (Gilman), and the Lottery (Jackson). Vocabulary is included for each story. Lessons focus on using text evidence to support analysis for tone, diction, inferencing, character analysis, author's purpose, and irony. Lessons include both independent and small group work, shorter writing tasks, small and large group discussion, and other opportunities for instructors to differentiate the lesson to suit classroom needs.
This course studies the national literature of the United States since the …
This course studies the national literature of the United States since the early 19th century. It considers a range of texts - including, novels, essays, and poetry - and their efforts to define the notion of American identity. Readings usually include works by such authors as Nathaniel Hawthorne, Henry David Thoreau, Frederick Douglass, Emily Dickinson, and Toni Morrison.
American Literature 2 is a standard post-Civil-War anthology. Heavily adapted from the …
American Literature 2 is a standard post-Civil-War anthology. Heavily adapted from the Lumen course shell original, the book emphasizes well-integrated literary analysis writing and has several chapters focused on MLA and writing.
Abstract American Literature I combines a textbook covering literary analysis and literary …
Abstract American Literature I combines a textbook covering literary analysis and literary critical theory, basic research methods in the humanities, and a chronological reader of diverse selections in American Literature. The book begins with a focus on creation myths and Native American literature. Following this is a significant section on Romanticism. Also included are sections on literary nonfiction, writing about literature, early American and Puritan literature, and Herman Melville.
Description Prior to my adaptation, this course was created from materials originally developed by the State Board of Community Technical Colleges (SBCTC) of Washington State. American Literature 1 is a modified version of the Lumen American Literature I text. The original version of this book was released under a CC-BY license and is copyright by Lumen Learning. The text is designed to accompany a separate novel such as Moby-Dick and contains supplemental resources for the teaching of American novels of this era. The changes to this book listed are released under a CC-BY-SA license and are copyright by Joshua Dickinson of Jefferson Community College in Watertown, NY.
In this class we will practice skills in reading, analyzing, and writing …
In this class we will practice skills in reading, analyzing, and writing about fiction, poetry and drama from a select sampling of 20th Century American Literature. Through class discussion, close reading, and extensive writing practice, this course seeks to develop critical and analytical skills, preparing students for more advanced academic work.
This module on Colonial Literature explore the essential questions: 1) How does …
This module on Colonial Literature explore the essential questions: 1) How does the literature in early Colonial America reflect the customs and beliefs of the Native Americans and Puritans? 2)What kind of literary styles did the earliest writers contribute to American Literature? and 3) How did history have an effect on the types of literature being written? There are audio and visual activities as well as readings.
This work was created as part of the University Libraries’ Open Educational …
This work was created as part of the University Libraries’ Open Educational Resources Initiative at the University of Missouri–St. Louis.
A web version of this text can be found at https://umsystem.pressbooks.pub/ala1865/.
This book is an anthology of American Literatures After 1865, a new revision of the open educational resource entitled Writing the Nation: A Concise Introduction to American Literature 1865 to Present. It contains works that have been newly introduced to the public domain and provides direct links to reading materials that can be borrowed for free from Archive.org.
Short Description: This book is an anthology of American Literatures After 1865, …
Short Description: This book is an anthology of American Literatures After 1865, a reimagining of the open educational resource: Writing the Nation: A Concise Introduction to American Literature 1865 to Present.
Long Description: This book is an anthology of American Literatures After 1865, a new revision of the open educational resource entitled Writing the Nation: A Concise Introduction to American Literature 1865 to Present. It contains works that have been newly introduced to the public domain and provides direct links to reading materials that can be borrowed for free from Archive.org.
Word Count: 182507
(Note: This resource's metadata has been created automatically as part of a bulk import process by reformatting and/or combining the information that the author initially provided. As a result, there may be errors in formatting.)
This work was created as part of the University Libraries’ Open Educational …
This work was created as part of the University Libraries’ Open Educational Resources Initiative at the University of Missouri–St. Louis.
A web version of this text can be found at https://umsystem.pressbooks.pub/alpt1865/.
This anthology of American Literatures Prior to 1865, is organized chronologically into four units, focusing on Colonial Literature, Literature of Native American Perspectives and Discovery, Literature of Nineteenth Century Reform, and Literature of the New Nation. It includes introductions to the many authors included to enhance the reader's contextual understanding of the chosen texts. This anthology is essential reading for any student or scholar of Early American literature.
This course explores the metaphorical, historical, social, and psychological value of ghosts …
This course explores the metaphorical, historical, social, and psychological value of ghosts in the American novel. Using the theme of “haunting” as a flashpoint for class discussion and a thematic center for our readerly attention, this course examines the American novel in the context of the various histories which might be said to haunt fictional characters in the American novel, to haunt the American novel itself, and ultimately to haunt us: America’s colonial past, its slave past, and other memorable and painful chapters in its past.
In "The American Novel Since 1945" students will study a wide range …
In "The American Novel Since 1945" students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel's form, fiction's engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O'Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class.
This course covers works by major American novelists, beginning with the late …
This course covers works by major American novelists, beginning with the late 18th century and concluding with a contemporary novelist. The class places major emphasis on reading novels as literary texts, but attention is paid to historical, intellectual, and political contexts as well. The syllabus varies from term to term, but many of the following writers are represented: Rowson, Hawthorne, Melville, Twain, Wharton, James, and Toni Morrison. Previously taught topics include The American Revolution and Makeovers (i.e. adaptations and reinterpretation of novels traditionally considered as American “Classics”). May be repeated for credit with instructor’s permission so long as the content differs.
A Chronicle of West End and Fringe Performance Over Four Decades Long …
A Chronicle of West End and Fringe Performance Over Four Decades
Long Description: Over forty-plus years, Joseph Donohue spent many days in London libraries researching theatrical subjects and many afternoons and evenings in London theatres, witnessing almost one hundred twenty-five productions of original plays and revivals and recording his experience in a series of meticulously kept journals. This chronicle of West End and fringe performance sets down the perceptions of a lifelong American theatregoer who over time made London almost a second home. It reveals a writer with a persistently curious, skeptical mind, alive to innovation and open to fresh interpretation, while always aware of the pitfalls that make theatrical production one of the riskiest but also one of the most rewarding of artistic pursuits.
Word Count: 137599
ISBN: 978-1-945764-09-7
(Note: This resource's metadata has been created automatically as part of a bulk import process by reformatting and/or combining the information that the author initially provided. As a result, there may be errors in formatting.)
A Resource for Readers and Writers Word Count: 35396 (Note: This resource's …
A Resource for Readers and Writers
Word Count: 35396
(Note: This resource's metadata has been created automatically as part of a bulk import process by reformatting and/or combining the information that the author initially provided. As a result, there may be errors in formatting.)
The ĺÎĺ_ĺĚĄ_American Renaissance,ĺÎĺ_ĺĚĺÎĺ a period of tremendous literary activity that took place …
The ĺÎĺ_ĺĚĄ_American Renaissance,ĺÎĺ_ĺĚĺÎĺ a period of tremendous literary activity that took place in America between the 1830s and 1860s represents the cultivation of a distinctively American literature. The student will begin this course by looking at what it was in American culture and society that led to the dramatic outburst of literary creativity in this era. The student will then explore some of the periodĺÎĺ_ĺĚĺ_s most famous works, attempting to define the emerging American identity represented in this literature. Upon successful completion of this course, the student will be able to: discriminate among the key economic, technological, social, and cultural transformations underpinning the American Renaissance; define the transformations in American Protestantism exemplified by the second Great Awakening and transcendentalism; list the key tenets of transcendentalism and relate them to romanticism more broadly and to social and cultural developments in the antebellum United States; analyze EmersonĺÎĺ_ĺĚĺ_s place in defining transcendentalism and his key differences from other transcendentalists; analyze competing conceptualizations of poetry and its construction and purpose, with particular attention to Poe, Emerson, and Whitman; define the formal innovations of Dickinson and their relationship to her central themes; describe the emergence of the short story as a form, with reference to specific stories by Hawthorne and Poe; distinguish among forms of the novel, with reference to specific works by Hawthorne, Thompson, and Fern; analyze the ways that writers such as Melville, Brownson, Davis, and Thoreau saw industrialization and capitalism as a threat to U. S. society; develop the relationship between ThoreauĺÎĺ_ĺĚĺ_s interest in nature and his political commitments and compare and contrast his thinking with Emerson and other transcendentalists; analyze the different ways that sentimentalism constrained and empowered women writers to critique gender conventions, with reference to specific works by writers such as Fern, Alcott, and Stowe; define the ways that the slavery question influenced major texts and major controversies over literature during this period. This free course may be completed online at any time. (English Literature 405)
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