This resource is a video abstract of a research paper created by Research Square on behalf of its authors. It provides a synopsis that's easy to understand, and can be used to introduce the topics it covers to students, researchers, and the general public. The video's transcript is also provided in full, with a portion provided below for preview:

"For scientists and other academics hoping to translate their findings into political change, policy experts offer the following advice: Tell a good story. Unfortunately, the academic literature—researchers’ go-to source for evidence that things actually work the way people claim they do—says little on how to go about crafting a compelling narrative. For that, says media expert Brett Davidson, researchers must delve into a lesser known but no less copious store of useful know-how: the grey literature. In a recent paper, Davidson outlines how this overlooked body of work provides researchers a manual for landing on the political agenda. A catch-all term for any research or materials not controlled by commercial publishers, the grey literature is a compendium of lessons learned through trial and error. Long a survival guide for policy advocates and activists working in the non-profit world, now, Davidson argues, it’s time for researchers to take advantage, too..."

The rest of the transcript, along with a link to the research itself, is available on the resource itself.

Students study how Dorothea Lange tells stories related to children. They practice telling their own written and visual stories in response to Lange's images.

Offers an overview of the social, cultural, political, and economic impact of mediated communication on modern culture. Combines critical discussions with hands-on "experiments" working with different media. Media covered include radio, television, film, the printed word, and digital technologies. Topics include the nature and function of media, core media institutions, and media in transition.

This video, adapted from material provided by the ECHO partners, provides a portrait of IŰ__ŒóíŠupiaq whaling as a community activity, as told through the story of one hunt.

NCSSFL-ACTFL Can-Do statements: I can ask and answer questions about: What I did during spring breakWhat I normally do during breaks/my free timeWhat my ideal break would look likeI can tell a story that happened during a break.

Like most literary geeks, I’ve read a lot of Jorge Luis Borges. If you haven’t, look into the influences of your favorite writers, and you may find the Argentine short-story craftsman appearing with Beatles-like frequency. Indeed, Borges’ body of work radiates inspiration far beyond the realm of the short story, and even beyond literature as commonly practiced. Creators from David Foster Wallace to Alex Cox to W.G. Sebald to the Firesign Theater have all, from their various places on the cultural landscape, freely admitted their Borgesian leanings. That Borges’ stories — or, in the more-encompassing term adherents prefer to use, his “fictions” — continue to provide so much fuel to so many imaginations outside his time and tradition speaks to their simultaneous intellectual richness and basic, precognitive impact. Perhaps “The Garden of Forking Paths” or “The Aleph” haven’t had that impact on you, but they’ve surely had it on an artist you enjoy.

Now, thanks to UbuWeb, you can not only read Borges, but hear him as well. They offer MP3s of Borges’ complete Norton Lectures, which the writer gave at Harvard University in the fall of 1967 and the spring of 1968:

The students will explore the literary and art materials to analyze their transformative and/or healing elements. Through this exploration, students will sharpen their own voices and find within themselves a cause worth expressing for, fighting for and/or healing from. They will work on creating playlists as we travel through the texts and artwork. They will also create a piece of artwork with an artist’s statement that we can publish in a magazine representing the whole class’s effort and aspirations.

In this lesson students perform a line dance to reinforce story telling through movement.

Students discover how visual artists represent a story by depicting a single moment from it.

"Indigenous pedagogy is a teaching method that connects aboriginal stories as a guiding path toward knowledge, relying on the relationships between people and nature with broad, holistic interconnectedness. The role of Indigenous pedagogy is to promote learning through four distinct areas: personal and holistic, experiential, place-based learning, and intergenerational". (from Theories of Collective and Individual Learning, https://ecampusontario.pressbooks.pub/ticl/chapter/9-1-defining-indigenous-pedagogy/).

This is part of the Maamwi Hub's Discover Section, where you can find information and resources on Indigenous Peoples’ history, cultures, and perspectives, with a focus on the territory currently referred to as Ontario. Explore the entire Maamwi Hub by visiting the Provider Set linked below.

The goal of this activity is for students to learn how to tell a story in order to make a complex topic (such as global warming or ozone holes) easier for a reader to grasp. Students realize that the narrative impulse underlies even scientific and technical writing and gain a better understanding of the role of myth as a "science" of imagination that helps us to gain insight into human motivation.