Emmanuel A. Oduagwu and Oyemike Victor Benson (Federal Polytechnic Nekede Owerri) present 'Artificial intelligence and library practice in developing countries: a call for realistic partnership and sustainable collaboration' during the AI & Professional Development session at the Fantastic Futures a... This item belongs to: movies/fantastic-futures-annual-international-conference-2023-ai-for-libraries-archives-and-museums-02.

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This resource is a video abstract of a research paper created by Research Square on behalf of its authors. It provides a synopsis that's easy to understand, and can be used to introduce the topics it covers to students, researchers, and the general public. The video's transcript is also provided in full, with a portion provided below for preview:

"Artificial intelligence is transforming our way of life. Able to spot patterns invisible to the human eye, algorithms are learning how to make our lives easier, safer, and more fun. That power is not lost on materials researchers. During the next decade, artificial intelligence or AI-driven research could fundamentally transform how new and better materials are developed. What’s more, it might even revamp how materials research itself is carried out, enabling promising new materials and processes to be developed more quickly. Machine learning methods come in a variety of flavors, with some requiring more guidance, or “supervision,” from researchers. But, generally, a machine-learning algorithm designed to discover and understand the behavior of materials looks for patterns connecting the composition, structure, and properties of known materials..."

The rest of the transcript, along with a link to the research itself, is available on the resource itself.

Students learn how forces are used in the creation of art. They come to understand that it is not just bridge and airplane designers who are concerned about how forces interact with objects, but artists as well. As "paper engineers," students create their own mobiles and pop-up books, and identify and use the forces (air currents, gravity, hand movement) acting upon them.

Nineteenth-Century Visual Culture

Word Count: 19463

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

A short review of a few important facts about the artist VIncent Van Gogh.

Students produce original art (visual art, music, drama or poetry) that conveys an anti-bias or social justice message. Students then plan a public showcase of their work.

Grade level: graduate students, advanced undergrads, persons with analyzed research results

Course length: 1 semester, 4-6 months

Objective: This course empowers scientists to engage with their own data, each other, and the public through art. Through collective brainstorming, prototyping, and feedback from professional artists, students will create a project that expresses their own research through any artistic medium of their choice. The course typically culminates in a public art exhibition where students interact with a general audience to discuss their research, art, and what it means to be a scientist.

This booklet about teaching through art education integrates topics such as peace, tolerance and interpersonal communication as well the treatment of psychological aspects in a post conflict environment through creativity and artistic language.

The week before, students were asked to bring in a representation of their artistic self-expressing to share with others in the group. In this lab, they will be sharing those experiences and representations. Students will be given a short, 10 word, fingerspelling quiz from the lab assistant.

SYNOPSIS: In this lesson, students evaluate three slogans on climate awareness and advocacy and create their own artistic slogans with four specific types of parallel structure.

SCIENTIST NOTES: The lesson enables students to understand the intrinsic value of slogans in climate and social justice advocacy. Students would also practice how to use artistic slogans to communicate climate change impact to diverse audiences and policymakers in order to inform better decision-making and drive climate action. All materials have been carefully reviewed, and this lesson is recommended for teaching.

POSITIVES:
-This lesson can be used in all levels of English and art classes.
-Art teachers can use this lesson in any unit and incorporate other art components.
-Students are given voice and choice in this lesson as they learn to manipulate language to achieve different outcomes.
-This lesson can be used as an introduction to climate change and overall climate awareness.
-This lesson can be added to a science lesson evaluating evidence for climate change or a communications or business lesson on marketing.
-This lesson can be used to discuss climate justice in social studies.

ADDITIONAL PREREQUISITES:
-Students should have some understanding of basic grammar and parallel structure.
-Students should have an understanding of slogans and their purpose.
-Students should have access to computers or art materials in order to create the final version of their parallel structure slogan.

DIFFERENTIATION:
-Students’ use of language and vocabulary can be simple or complex in order to fit the needs of the class.
-Teachers can simplify the lesson by focusing on only one or two forms of parallel structure.
-Art teachers can have students design two different visual pieces to go with the same slogan, then compare and contrast the effects of the different artistic elements on the overall message.
-Additional scaffolding for AP English classes can include a discussion on the purposes and effects of each specific form of parallel structure as well as an analysis of parallel structures in literature.
-Teachers can connect the parallel structure skills in this lesson to their current reading material or curriculum. For example, students can identify forms of parallel structure in previously assigned class literature or nonfiction readings.
-Teachers can extend this lesson into various writing activities for students to practice expository, analytical, descriptive, or narrative writing with different forms of parallel structure.

This unit explores the various ways information and ideas about climate change are presented through a variety of media. This includes the evaluation of social media posts, research into climate change issues, and an exploration of contemporary art and artists. This was designed and taught in an honors 9th grade English Language Arts Classroom by Dr. Tavia Quaid in response to student interest in climate change and to reinforce key information literacy skills.

This unit explores the various ways information and ideas about climate change are presented through a variety of media. This includes the evaluation of social media posts, research into climate change issues, and an exploration of contemporary art and artists. 

Rita Dove, former Poet Laureate of the U.S. and recipient of a Pulitzer Prize, is one of the most honored figures in modern American literature. Among Dove's many honors is the 1993 NAACP Great American Artist Award. (28 minutes)

Guitarist Dale Williams studied blues guitar with Willie Dixon and Phil Upchurch, but doesn't limit himself to the blues. He has performed and recorded with such artists as Sun Ra, George Lewis and LL Cool J. He teaches and lectures, in addition to performing. (24 minutes)

Beat poet Michael McClure is the author of numerous volumes of poetry, plays, novels, and essays. McClure is the recipient of a Guggenheim Fellowship, the Obie Award for Best Play, and the National Poetry Association's Distinguished Lifetime Achievement in poetry. Tune in as he reads a selection of poems. (28 minutes)

Poet Angela Jackson uses a variety of voices and themes in an entertaining reading. (27 minutes)

Musician, singer, songwriter, arranger and producer Patrice Rushen has a vast array of recordings to her name, and in recent years has been musical director for the Emmy and NAACP Awards, and for Janet Jackson's 1994 world tour. (29 minutes)