This subject serves as a broad introduction to the field of European …
This subject serves as a broad introduction to the field of European and Latin American fiction. It is taught in an historical manner—beginning with the first picaresque novel, Lazarillo de Tormes, and ending with contemporary European fiction. It is designed to help students acquire a general understanding of major fictional modes-from 18th century epistolary fiction, Liaisons dangereuses, to 20th century avant-garde fiction: Cosmicomicsi and Aura. Attention is paid not only to the literary movements these works represent, but also to the subtle interplay of history, geography, language and cultural norms that gave rise to specific literary forms. While the reading load is heavy, the books are compelling.
This subject serves as a broad introduction to the field of European …
This subject serves as a broad introduction to the field of European and Latin American fiction. It is designed to help students acquire a general understanding of major fictional modes. We will pay attention not only to the literary movements these works represent, but also to the subtle interplay of history, geography, language and cultural norms that gave rise to specific literary forms. The books we read in this course are compelling, and film versions of five of the works we read give variety to the course and time to think about the interplay of film and print.
This course investigates the uses and boundaries of fiction in a range …
This course investigates the uses and boundaries of fiction in a range of novels and narrative styles–traditional and innovative, western and nonwestern–and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.
This course investigates the uses and boundaries of fiction in a range …
This course investigates the uses and boundaries of fiction in a range of novels and narrative styles, traditional and innovative, western and non-western, and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms.
This course examines major social and political trends, events, debates and personalities …
This course examines major social and political trends, events, debates and personalities which help place aspects of contemporary French culture in their historical perspective through fiction, films, essays, newspaper articles, and television. Topics include the heritage of the French Revolution, the growth and consequences of colonialism, the role of intellectuals in public debates, the impact of the Occupation, the modernization of the economy and of social structures. The sources and meanings of national symbols, monuments, myths and manifestoes are also studied. Recommended for students planning to study abroad. Taught in French.
This course is a study of major French literary genres and an …
This course is a study of major French literary genres and an introduction to methods of literary analysis. This semester, students will serve on the jury for the Goncourt Prize USA. “Le Goncourt” is the most prestigious literary prize in France. Students will study and rank books on the Goncourt shortlist. They will elect a representative to present their selection at the Villa Albertine in New York and choose the winner along with students from Princeton, Duke, Yale, Harvard, Columbia, and the University of Virginia. Meanwhile, the other students will prepare a press article to present their experience as a jury! Special attention is devoted to the improvement of French language skills. The course is taught in French. About the instructor: Bruno Perreau is the Cynthia L. Reed Professor of French Studies at MIT and Director of MIT’s Center of Excellence in French Studies. He is also an Affiliate Faculty at the Center for European Studies, Harvard University. Perreau recently published The Politics of Adoption: Gender and the Making of French Citizenship (MIT Press, 2014), Queer Theory: The French Response (Stanford University Press, 2016), Les Défis de la République (ed. with Joan W. Scott, Presses de Sciences Po, 2017), Qui a peur de la théorie queer ? (Presses de Sciences Po, 2018), and Sphères d’injustice. Pour un universalisme minoritaire (La Découverte, 2023).
Students will be introduced to irony with a focus on the three …
Students will be introduced to irony with a focus on the three types of irony: verbal, situational, and dramatic. RL 8.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.Students will review the definitions of the three types of irony. After viewing examples and taking notes, they will view three videos: verbal irony, situational irony, and dramatic irony.Students will get a copy of the lyrics to the song "Ironic" by Alanis Morissette. They will listen to the song a few times.and highlight examples of irony. Students will then work with a partner to share and discuss. Next, students will type their own song lyrics using the song "Ironic" as a template portraying examples of irony.Students will then share with the class. During presentations, students will highlight examples of irony using classmates' lyrics.
This resource is an introduction to William Shakespeare's tragic play, "The Tragedy …
This resource is an introduction to William Shakespeare's tragic play, "The Tragedy of Julius Caesar", through the study of universal themes using multiple-perspective investigations of betrayal scenarios.
This subject examines the ways in which we read. It introduces some …
This subject examines the ways in which we read. It introduces some important strategies for engaging with literary texts developed in the twentieth century, paying special attention to poststructuralist theories and their legacy. The course is organized around specific theoretical paradigms. In general, we will: (1) work through the selected readings in order to see how they construe what literary interpretation is; (2) locate the limits of each particular approach; and (3) trace the emergence of subsequent theoretical paradigms as responses to what came before.
Introduction to Literature: Fairy Tales, Folk Tales, and How They Shape Us …
Introduction to Literature: Fairy Tales, Folk Tales, and How They Shape Us introduces college students to the study of literature through a focus on texts that, generally, they already know, or think they know, and how those texts aim to shape audiences to be compliant members of their culture.
This is a resource for teaching an introduction to literature course. This …
This is a resource for teaching an introduction to literature course.
This material would be useful for teaching a course that aims to instruct students on how to read, analyze, and write critically about literature. The resources comprise important terms, readings, and information on how to engage with literary scholarship.
These are two resources that I find helpful for teaching an Introduction …
These are two resources that I find helpful for teaching an Introduction to Literature course. This material would be useful for teaching an introduction to literature course that aims to instruct students on how to read, analyze, and write critically about literature. The resources comprise important terms, readings, and information on how to engage with literary scholarshi
Introduction to Media Studies is designed for students who have grown up …
Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines “media” broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media’s place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities and behaviors. Students also have the opportunity to analyze specific media texts (such as films and television shows) and explore the meaning of the changes that occur when a particular narrative is adapted into different media forms. We look at the ways in which the politics of class, gender and race influence both the production and reception of media. To represent different perspectives on media, several guest speakers also present lectures. Through the readings, lectures, and discussions as well as their own writing and oral presentations, students have multiple opportunities to engage with critical debates in the field as well as explore the role of media in their own lives.
Introduction to Media Studies is designed for students who have grown up …
Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines “media” broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media’s place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification.
This course provides a historical study of the origins of Christianity by …
This course provides a historical study of the origins of Christianity by analyzing the literature of the earliest Christian movements in historical context, concentrating on the New Testament. Although theological themes will occupy much of our attention, the course does not attempt a theological appropriation of the New Testament as scripture. Rather, the importance of the New Testament and other early Christian documents as ancient literature and as sources for historical study will be emphasized. A central organizing theme of the course will focus on the differences within early Christianity (-ies).
This mini-unit is an introduction to poetry and can be used in …
This mini-unit is an introduction to poetry and can be used in middle school or early high school. Each lesson should take about an hour and covers basic such as: Prose vs. Poetry, Traditional vs. Organic Poetry, poetry structure, figurative language and sound devices, context clues, tone, and meaning. Several examples of poems are provided along with notes, guided practice, and indepent assessments.
Video introduction to simple comics reading, how comics are representational, and the …
Video introduction to simple comics reading, how comics are representational, and the vocabulary of comics. Also includes a brief list of the possible jobs in creating a comic such as writer, artist, penciler, and inker.
AttributionNo Strings Attached: This license lets others distribute, remix, tweak, and build upon …
AttributionNo Strings Attached: This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation. This is the most accommodating of licenses offered. Recommended for maximum dissemination and use of licensed materials.
This is a survey of the main trends in twentieth-century literary theory. …
This is a survey of the main trends in twentieth-century literary theory. Lectures will provide background for the readings and explicate them where appropriate, while attempting to develop a coherent overall context that incorporates philosophical and social perspectives on the recurrent questions: what is literature, how is it produced, how can it be understood, and what is its purpose?
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