Mexica brazier of Chicomecoatl, c. 1500, ceramic, found in Tláhuac (south of Mexico City), 104 cm high (Museo Nacional de Antropología, Mexico City) A conversation between Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker. Created by Smarthistory.

The Lawrence Textile Strike was a public protest mainly of immigrant workers from several countries, including Austria, Belgium, Cuba, Canada, France, England, Germany, Greece, Ireland, Italy, Lithuania, Netherlands, Norway, Poland, Portugal, Russia, Scotland, Spain, Syria, and Turkey. According to the 1910 census, 65% of mill workers (many of whom eventually struck) lived in the United States for less than 10 years; 47% for less than five years. Prompted by a wage cut, the walkout spread quickly from mill to mill across the city. Strikers defied the assumptions of conservative trade unions within the American Federation of Labor that immigrant, largely female and ethnically diverse workers could not be organized. The Lawrence strike is referred to as the “Bread and Roses” strike and “The Strike for Three Loaves." The first known source to do so was a 1916 labor anthology, The Cry for Justice: An Anthology of the Literature of Social Protest by Upton Sinclair. Prior to that, the slogan, used as the title of a 1911 poem by James Oppenheim, had been attributed to ‘Chicago Women Trade Unionists.’ It has also been attributed to socialist union organizer Rose Schneiderman. James Oppenheim claimed his seeing women strikers in Lawrence carrying a banner proclaiming “We Want Bread and Roses Too” inspired the poem, “Bread and Roses.” The poem, however, was written and published in 1911 prior to the strike. Later the poem was set to music by Caroline Kohlsaat and then by Mimi Farina. The song and slogan are now important parts of the labor movement and women’s movement worldwide. This exhibition was made in collaboration with the Lawrence History Center and the University of Massachusetts Lowell History Department.

This is a brief lesson designed to introduce students to the lives and contributions of Sarah and Angelina Grimke, two remarkable sisters, who played a pivotal role in the Abolitionist and  Suffrage Movements in South Carolina and the United States. 

The collapse of the Soviet State in 1991 was followed by Chechen President Dzhokhar Dudayev's declaration of the Chechen Republic's independence from Moscow. Concerned over the loss of its territorial integrity, Russian troops invaded the breakaway republic and a civil war ensued. In l996, Chechen rebels regained control of the capital, Grozny, from Russian forces, almost destroying the city in the process. Fighting in Chechnya continues to this day, although on a relatively smaller scale. The WIDE ANGLE video 'Greetings From Grozny' (2002) examines the conflict from the perspectives of Russian soldiers, Chechen separatist militants, radical Chechen Islamists, and civilians living in Grozny.In this lesson, students will explore the multiple perspectives surrounding the conflict, examine the conflict's regional and international implications, and understand the mindsets of Chechens who have managed to maintain their identity and self-esteem in the face of untold human suffering. This lesson can be used during or after a lesson on the breakup of the Soviet Union and the formation of the Russian Federation (1991- present). A basic knowledge of post- Soviet history and basic geographical facts of Eurasia are required for the successful completion of the lesson.

Created by Getty Museum and the Colección Patricia Phelps de Cisneros. Discover how Argentine and Brazilian artists in the 1940s broke from linear perspective to create art in unique shapes, starting the Concrete Art movement. This video is one of three that accompanied the “Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros” (September 16, 2017 – February 11, 2018) at the Getty Museum. For more information visit http://www.getty.edu/art/exhibitions/cisneros. Created by Getty Museum.

Breaking the frame: Ways of Reading Native Photography

My OER showcases the use of Native American photography as a means of enabling students to connect with historical and contemporary Native issues. Using specific in-class exercises as examples I will show how Native photography addresses issues of racial identity, stereotypes, the sexualizing of Native bodies, and Native American history. I will discuss how the writing of the formal analysis of this photography as art also enables students to engage with the art through a reading that elucidates the contemporary lives of Native individuals and communities. The OER will show how interactive exploration of artistic meaning, and the messages therein, in Native photography leads to increased student intellectual awareness and understanding of the indigenous world around them.

Marcel Breuer, The Whitney Museum of American Art (now The Met Breuer), 1963-66, Madison Avenue at East 75th Street, NYC Speakers: Dr. Naraelle Hohensee and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

This unit focuses on underreported stories of migration and the local history of everyday people of the City of Newark. From the global stories of women migrants on the move to the wards of the City of Newark, we will examine the experiences of the people who live and inhabit these places and spaces, and who also make history.

Far too often we solely focus on major reported stories related to migration from the point of view of the elite, those in power, or the victors who wrote down their version of history for posterity. This unit seeks to reclaim history for those who resisted, suffered, lost yet triumphed. Anchored by Pulitzer Center migration resources, this unit explores the intersection of the history of the City of Newark (aka Brick City) and global migration using a variety of historical documents, texts, and visuals in which everyday people and the disenfranchised occupy an important space of representation.

This timeline includes key bridges and events in bridge engineering, images, links, and project references. It provides easier access for students to a more comprehensive view of bridge history, and how it forms the base of current practice and understanding of bridge analysis and design.

Bridges introduces students to a wide range of concepts, institutions, histories, and artifacts of United States college and university life. After discussing these items in easy-to-scan, concise, nuance-free prose, this textbook then offers useful lists, templates for writing and speaking in different discourses and situations, thought-provoking questions and activities for self-study and for classroom work, and pertinent hyperlinks for further information. Bridges is designed to help first-generation, first-year, English language learners, and/or culturally unfamiliarized students more fully and successfully explore their educational environments. By using this book, students will be better prepared for the academic and social challenges of successfully undertaking higher education in English.

Short Description:
During the early days of quarantine, many teachers turned to poetry to process their experiences. Teacher-Poets Writing to Bridge the Distance: An Oral History of COVID-19 preserves this poetry and teachers' experiences as they navigated a new reality in education.

Long Description:
During the early days of quarantine, many teachers turned to poetry to process their experiences. Teacher-Poets Writing to Bridge the Distance: An Oral History of COVID-19 preserves this poetry and teachers’ experiences as they navigated a new reality in education. In the interviews, teachers revisit poems written a year prior, re-witnessing, with perspective offered only by time, the impact of the pandemic on them as teachers and on education more broadly. This anthology offers readers the poems shared across 39 collected oral histories. The full collection of interviews is available for online public access at the Oklahoma Oral History Research Program.

Word Count: 29849

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Students are presented with a brief history of bridges as they learn about the three main bridge types: beam, arch and suspension. They are introduced to two natural forces tension and compression common to all bridges and structures. Throughout history, and today, bridges are important for connecting people to resources, places and other people. Students become more aware of the variety and value of bridges around us in our everyday lives.

The Children’s Hour has produced a six part podcast and curriculum series on the history of the American Southwest, in partnership with the Center for New Mexico Archaeology, the Native American Community Academy (NACA), NACA Inspired Schools Network, and numerous others.Typically a region of the US that is overlooked in textbooks, the Southwestern United States history begins 23,000 years ago in what is now know as White Sands National Park.  Students will learn how the area was settled, from its Indigenous beginnings through the brutal era of Colonization by Spain, and then the United States, and finally emerging into statehood. This series highlights the moments that changed the history of this region and this nation forever.The series comes with a free, download-able Learn-Along Guide that meets and cites US national education standards for elementary through high school students. Our production began with “virtual field trips” for students that include expert interviews to better understand each time period. Students can hear the full conversations with our experts by watching the field trips at The Children's Hour YouTube page.Join us, and learn about our fragile, and deeply rooted story of our high desert region over six episodes, and through our Learn-Along guide. 

1) Computers before the internet
2) Internet before internet
3) The Web

This book aims to act as your map through the world of African art. As such, it will help you define the competencies you need to develop–visual analysis, research, noting what information is critical, asking questions, and writing down your observations–and provide opportunities for you to practice these skills until you are proficient. It will also expose you to new art forms and the worlds that produced them, enriching your understanding and appreciation.

The University of North Georgia Press and Affordable Learning Georgia bring you British Literature I: From the Middle Ages to Neoclassicism and the Eighteenth Century. Featuring over 50 authors and full texts of their works, this anthology follows the shift of monarchic to parliamentarian rule in Britain, and the heroic epic to the more egalitarian novel as genre.

Features:

Original introductions to The Middle Ages; The Sixteenth Century: The Tudor Age; The Seventeenth Century: The Age of Revolution; and Neoclassicism and the Eighteenth Century
Over 100 historical images
Instructional Design, including Reading and Review Questions and Key Terms
Forthcoming ancillary with open-enabled pedagogy, allowing readers to contribute to the project
This textbook is an Open Access Resource. It can be reused, remixed, and reedited freely without seeking permission.

This lesson is about the historical processes leading up to the British North America Act of 1867 and Canadian Federation. Aboriginal Peoples’ contributions to Canadian history have been underrepresented, sometimes wholly ignored, in textbooks and K-12 schooling. This lesson aims to have students discover and reflect on these contributions, which will reorient Canadian history.This lesson will be for students in grades 7, 8 or 9.Pedagogical Approach:This lesson will incorporate the Question Formulation Technique, as well as the K-W-L process (what we already KNOW, what we WANT to know, what we have LEARNED).Learning Objectives:a. Practice using cause and effect reasoning to determine how events are related and why they occurred.b. Become familiar with key historical events and activities, and the different parties involved.c. Reflect on why Aboriginal contributions have been underrepresented in “official” accounts of Canadian history. 

To access this learning object you should copy and paste this link into a browser: http://www.nottingham.ac.uk/~cczjrt/pm/

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This learning object on British Prime Ministers, 1783-1852, is designed to support the programme of lectures and seminars on the module The Many Faces of Reform: British politics, 1790-1850.

It will help familiarise you with the leading political figures and parliamentary groupings of the period we are studying. It will also test your knowledge of this information and help you think about some of the wider political developments which we will be studying.

Copyright Information: All of the images included in this resource are out of copyright and available under creative commons licence. They were sourced from Manuscripts and Special Collections at the University of Nottingham.

More information is available at:

http://www.nottingham.ac.uk/manuscriptsandspecialcollections

Suitable for study at all undergraduate and post graduate levels.

Dr Richard Gaunt, School of History

Dr Gaunt works on late eighteenth and early nineteenth century British history, with a particular specialism in the political and electoral history of the age. Research interests encompass work on national political figures such as Sir Robert Peel, the Duke of Wellington and Benjamin Disraeli as well as individuals with a strong Nottinghamshire connection, such as the 4th Duke of Newcastle (of Clumber Park) and William Edward and Godfrey Tallents (solicitors, land stewards and political agents of Newark).

Dr Gaunt has specialist research interests in the use of biographies, diaries and autobiographies and maintains scholarly interest in the political cartoons and caricatures of the age. These have given rise to publications in a range of academic and general readership outlets, to reviews and review articles and to exhibitions. He has also developed a number of web-based applications, drawing on research in the manuscripts and special collections held at Nottingham, in particular, a website exploring political themes from the time of the 4th Duke of Newcastle including working class unrest, electioneering and issues relating to Ireland.

BRIGHT Girls was a project to build broader participation in the sciences, led by the University of Alaska Fairbanks and funded by the National Science Foundation. We sought to increase students' motivation and capacity to pursue careers in STEM by engaging them in studies of nearby natural environments. The developed lesson plans may be used in formal or informal educational settings, e.g., in a summer academy or across multiple class periods. These investigations help students explore the relationships among life history and ecosystems, connecting biology to geology and remote sensing.