The Bible and Music by Dr. James F. McGrath provides an introduction and overview of the various ways that music and the Bible have been and continue to be connected. Part 1 focuses on history, presenting what we know about how music in the Ancient Near East sounded, how markings in the Masoretic Text of the Hebrew Bible have been interpreted as musical symbols, how chanting of biblical texts has featured liturgically in synagogues and churches, the impact of the Protestant Reformation, and musical developments in North America as enslaved Africans encountered biblical texts and stories. Part 2 focuses on specific texts in Jewish and Christian scripture and looks at how they have been interpreted through the process of setting them to music, including the soundtracks of cinematic depictions of biblical narrative and allusions to the Bible in popular music. Part 3 focuses on composers from the Middle Ages all the way down to the present day. Throughout the book, musical examples are not merely mentioned but embedded so that reading and listening may be seamlessly combined. The book does not presume prior knowledge of either music or the Bible, and additional links within the text provide definitions and further explanations for those who need or desire them.
Conversations host Harry Kreisler welcomes biblical scholar Bart Ehrman for a discussion of his intellectual odyssey with a focus on how the Bible explains the problem of human suffering. The conversation includes a discussion of the challenges of biblical interpretation when confronting this age old problem of the human condition. Included are topics such as the contribution of the prophets, a comparison of the old and new testaments, the book of Job, and the emergence of apocalyptic writers. (57 minutes)
This course examines the Old Testament (Hebrew Bible) as an expression of the religious life and thought of ancient Israel, and a foundational document of Western civilization. A wide range of methodologies, including source criticism and the historical-critical school, tradition criticism, redaction criticism, and literary and canonical approaches are applied to the study and interpretation of the Bible. Special emphasis is placed on the Bible against the backdrop of its historical and cultural setting in the Ancient Near East.
Manifold greatness: Oxford Celebrations of the King James Bible 1611-2011. Lecture series held in Corpus Christi College to celebrate the 400th Anniversary of the first publication of the King James Bible.
Taken from Deborah Gill's New Testament Theology of Discipleship: An Anthology, here is the essay by Julia Ramos titled, "A Lucan Theology of Demons and Evil Spirits." The essay has been enhanced with multimedia components (video and images) but the text itself has not been altered.
A short quiz on CCSS.ELA-Literacy.RL.9-10.9, featuring a passage from the Old English poem, Beowulf (translated by T. A. Shippey), and a passage from Genesis in the King James Bible. The passages have a Dale-Chall index of 5-6 and a Kincaid level of 5.9.
Studying the Bible: The Tanakh and Early Christian Writings is a university-level, textbook introduction to the study of the Bible, its literary forms, and historical and cultural contexts. This textbook is a companion to the Bible courses taught in the English Department at Kansas State University, in particular ENGL 470 The Bible, though it is available for use in other courses and contexts. This textbook examines the Hebrew Bible (also known as the Tanakh) and the early Christian writings of the New Testament. It is an introduction to the analysis of biblical texts, their histories, and their interpretations. The emphasis throughout this textbook is on the literary qualities of these biblical texts as well as their cultural and historical contexts.
This is a textbook by and for students in the Assemblies of God Theological Seminary (AGTS), Biblical Theology of Women in Leadership course, Doctor of Ministry (D.Min.) degree program.