Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines “media” broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media’s place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification.

Introduction to Paleoanthropology covers the various species and subspecies that gave rise to human beings. Paleoanthropology is a subdiscipline of physical anthropology that focuses on the fossil record of humans and non-human primates.

This course explores the nature of meaning and truth, and their bearing on the use of language in communication. No knowledge of logic or linguistics is presupposed.

This book, titled "Introduction to Phonetics for Communication Sciences," has been specifically designed to cater to the undergraduate phonetics course in the field of communication sciences and disorders. Its primary goal is to enable students to grasp the intricacies of speech sounds by utilizing their knowledge of anatomy and physiology, which are directly relevant to speech production. Consequently, this book incorporates a selection of foundational information extracted from an OER anatomy and physiology textbook by Levitt, Guigneaux, and Zemlin (2021), "Introduction to Anatomy and Physiology for Communication Sciences, Edition 2.1" for review.

The purpose of this textbook is to comprehensively address the coursework requirements, allowing for the customization of learning objectives to assist aspiring Speech-Language Pathologists (SLPs) effectively. In response to the onset of the COVID-19 Pandemic in 2020, the authors took the initiative to create their first Open Educational Resource (OER) textbook on anatomy and physiology. By reducing the financial burden associated with study materials, this initiative aims to facilitate the progress of rising SLPs toward their certification without any interruptions caused by financial constraints. The authors view the development of OER materials as an ongoing endeavor driven by their commitment to supporting future colleagues in the field.

This book incorporates images, illustrations, and information from various OER that allow others to adopt or remix their information in part or whole. The information from other OER sources is color-coded in black ink, and the content developed by the authors is presented in blue ink. Citations for all images, illustrations, and information that the authors do not originate are provided on each page. The authors sincerely appreciate the work of those who have shared their valuable resources under Creative Commons (CC) license.

The authors of this textbook aspire to ignite a sense of fascination in beginning learners as they delve into the captivating realm of speech production. With this goal in mind, the authors have made this textbook readily accessible to future colleagues who seek to acquire foundational scientific knowledge that can be applied in serving individuals with communication disorders.

June S. Levitt, Ph.D., LDT, CCC-SLP
Sarah L. Guigneaux, M.S., CCC-SLP

May 2024

This course serves as an introduction to the current research questions in phonological theory. Topics include metrical and prosodic structure, features and their phonetic basis in speech, acquisition and parsing, phonological domains, morphology, and language change and reconstruction. Activities include problem solving, squibs, and data collection.

The high cost of textbooks prevents many students from succeeding. Textbook prices have gone up 3 times the rate of inflation in the past 30 years. New textbook editions are a scam. Textbooks have become a way to shift the cost of teacher salaries onto the student. The change in Jurmain's Introduction to Biological Anthropology from 2009 to 2011 was to search and replace the word “hominid” for the word “hominin”, and raise the price 20%. Many students will not buy their textbooks (Kingkade 2013), and struggle through class, reading at the library. Other students will order cheap copies online but get the wrong edition, or discounted shipping where it arrives halfway through the semester. Textbooks have become a barrier to student success.

Assigning free online textbooks is one solution. Much of the high cost of textbooks comes from color printing, but black-and-white and text-heavy books are poor options for our predominantly visual learners. Online textbooks allow for unlimited, large, color graphics. For the price of a new textbook, a student can buy a text reader (kindle, ipad, tablet, surface, etc.) or a used laptop. There may still be problems with students' access to high speed internet. The monthly fee for a cable modem service is expensive, but free WiFi is becoming more and more widely available. The new downtown San Diego library is a good example.

Unfortunately, in 2011 when I started this, there were no free online textbook available for Introduction to Physical Anthropology. Probably the closest were Dennis O'Neil's Biological Anthropology Tutorials from Palomar College, Wikipedia's Biological Anthropology and Introduction to Paleoanthropology textbooks, and Augustín Fuentes primatology class notes (no longer available), and I borrowed from these, especially O'Neil. I found most of these sources written in the style of an encyclopedia, and tried to make the textbook more approachable by including my own voice whenever possible.

Some students may lack the necessary computer skills to use an online textbook. Hopefully, the recent increases in funding for basic skills will help. Gone are the good old days whence we scribed our homework on tablets of wet clay. Students must learn computer skills to survive academically and professionally, and the printed textbook is becoming a relic of a bygone age. Information Communication and Technology Literacy is a component of most institutional goals. The more students practice current electronic research techniques, the better prepared they will be for the rest of their academic and professional life.

I previously encouraged students to use their textbook as the main source for my take-home tests, but I found that many students start with the internet as their first source of answers, and then fall-back on the textbook if the info doesn't show up immediately in a search engine. I've come to realize that this is not always bad, as they often discover more current information than the textbook. For rapidly changing issues, such as how many genes are in the human genome, how closely we are related to Neandertals, Homo naledi, or the Cerruti Mastadon eaters, the information available on sites such as Wikipedia is often more accurate than the typical textbook written three to ten years ago.

This course has several purposes. The major concern will be the examination of Spanish culture including Spain’s history, architecture, art, literature and film, to determine if there is a uniquely Spanish manner of seeing and understanding the world - one which emerges as clearly distinct from our own and that of other Western European nations.

This course is concerned with the concepts and principles which have been of central significance in the recent development of syntactic theory, with special focus on the “Government and Binding” (GB) / “Principles and Parameters” (P&P) / “Minimalist Program” (MP) approach.
It is the first of a series of two courses (24.951 is taught during the Fall and 24.952 is taught in the Spring). This course deals mostly with phrase structure, argument structure and its syntactic expression, including “A-movement”. Though other issues (e.g. wh-movement, antecedent-contained deletion, extraposition) may be mentioned during the semester, the course will not systematically investigate these topics in class until 24.952.
The goal of the course is to understand why certain problems have been treated in certain ways. Thus, on many occasions a variety of approaches will be discussed, and the (recent) historical development of these approaches are emphasized.

This is a survey of the main trends in twentieth-century literary theory. Lectures will provide background for the readings and explicate them where appropriate, while attempting to develop a coherent overall context that incorporates philosophical and social perspectives on the recurrent questions: what is literature, how is it produced, how can it be understood, and what is its purpose?

This course is an introduction to diverse musical traditions of the world. Music from a wide range of geographical areas is studied in terms of structure, performance practice, social use, aesthetics, and cross-cultural contact. Course work includes hands-on music making, live demonstrations by guest artists, and ethnographic research projects.

This course explores the ways that music is both shaped by and gives shape to the cultural settings in which it is performed, through studying selected musical traditions from around the world. Specific case studies will be examined closely through listening, analysis, and hands-on instruction. The syllabus centers around weekly listening assignments and readings from a textbook with CDs, supplemented by hands-on workshops, lecture/demonstrations and concerts by master musicians from around the world.

This course examines the major aesthetic, social, and political elements which have shaped modern Japanese culture and society. There are readings on contemporary Japan and historical evolution of the culture are coordinated with study of literary texts, film, and art, along with an analysis of everyday life and leisure activities.

This course examines Israeli identity using a broad array of materials, including popular music, film, documentaries, and art, in addition to academic historical writings. Topics include Israel’s political system and society, ethnic relations, settlement projects, and the Arab minorities in the Jewish state. Students also discuss whether there is a unique Israeli culture and the struggle for Israel’s identity.
Preference is given to students in the MISTI MIT-Israel program.

This subject investigates the special relation of women to several musical folk traditions in the British Isles and North America. Throughout, we will be examining the implications of gender in the creation, transmission, and performance of music. Because virtually all societies operate to some extent on a gendered division of labor (and of expressive roles) the music of these societies is marked by the gendering of musical repertoires, traditions of instrumentation, performance settings, and styles. This seminar will examine the gendered dimensions of the music - the song texts, the performance styles, processes of dissemination (collection, literary representation) and issues of historiography - with respect to selected traditions within the folk musics of North America and the British Isles, with the aim of analyzing the special contributions of women to these traditions. In addition to telling stories about women’s musical lives, and studying elements of female identity and subjectivity in song texts and music, we will investigate the ways in which women’s work and women’s cultural roles have affected the folk traditions of these several countries.

This course surveys both cinematic and literary representations of diverse eras and aspects of Japanese culture such as the classical era, the samurai age, wartime Japan and the atomic bombings, social change in the postwar period, and the appropriation of foreign cultural themes, with an emphasis on the modern period. Directors include Akira Kurosawa and Hiroshi Teshigahara. Authors include Kobo Abe and Yukio Mishima. Films shown have subtitles in English. Taught in English.

This course is designed for students seeking a fundamental understanding of Japanese history, politics, culture, and the economy. “Raw Fish 101” (as it is often labeled) combines lectures, seminar discussion, small-team case studies, and Web page construction exercises, all designed to shed light on contemporary Japan.

This course covers medieval Japanese society and culture from the twelfth to the nineteenth centuries, when political power rested largely in the hands of feudal warriors. Topics include religion (especially Zen Buddhism); changing concepts of “the way of the warrior;” women under feudalism; popular culture; and protest and rebellion. Presentations include weekly feature films. Assigned readings include many literary writings in translation.

This course explores how our views of Jewish history have been formed and how this history can explain the survival of the Jews as an ethnic/religious group into the present day. Special attention is given to the partial and fragmentary nature of our information about the past, and the difficulties inherent in decoding statements about the past that were written with a religious agenda in mind. It also considers complex events in Jewish history – from early history as portrayed in the Bible to recent history, including the Holocaust.

A unique perspective on the confluence of the three basic conceptual frameworks in human experience. Contains several studies, with data, of remarkable world views of disparate cultures based on their specific cultures language. The premise is that how people experience the world, then think about it, then create a language around it, alters their perception of the world in very fundamental ways. The radical notion is that thought and language, creates the circumstances of, and contribute to significantly different realities for different peoples.

The internalization and realization of this concept is significant and can possibly radically alter and change how different cultures assess their ability to, at the most basic levels, understand other cultures realities.