The students will listen to and discuss books about butterflies and the migration of monarch butterflies to Mexico in order to integrate science, social studies, and language arts.

In this lesson, students will learn about a topic in three different text formats. They will then evaluate each format to determine the pros and cons. Students will also assess the credibility of each text.

FreeReading is an open source instructional program that helps educators teach early literacy. Because it is open source, it represents the collective wisdom of a wide community of teachers and researchers. FreeReading contains, Intervention A, a 40-week scope and sequence of primarily phonological awareness and phonics activities that can support and supplement a typical kindergarten or first grade "core" or "basal" program.

NSCC EDITION

Short Description:
The NSCC Edition is a revised version of the BC Campus Accessibility Toolkit - 2nd Edition. The goal of this book is to provide resources for each content creator, instructional designer, educational technologist, librarian, administrator, and teaching assistant to create a truly open textbook—one that is free and accessible for all students.

Word Count: 13596

ISBN: 978-1-77420-030-8

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

During the leaf activities the students will compare, contrast, classify, categorize, identify attributes, learn art techniques and learn about the importance of trees.

Educators identify a standard, deconstruct its elements, and share understanding with other educators. They then suggest a design for instruction and create a educational resource to support the teaching and learning of the standard.

Short Description:
A workbook for bringing new voices into public debate based on the performance creation approach developed by Transforming Stories, Driving Change.

Long Description:
Can theatre bring new voices into public debate? Facilitating theatre workshops with community members who experience social marginalization is an art that, when done well, feels more like magic. But even the best facilitators are not magicians. With this workbook we pull back the curtain on the magic by taking readers behind the scenes of the Hamilton-based research and performance initiative Transforming Stories, Driving Change (TSDC.) Since 2015, TSDC teams have worked alongside community partners and performer-advocates to make plays designed to draw attention to the voices and visions of people whose opinions are not often represented in discussions of the future of the City. Through our performances, we have tried to contribute to building the movements that can make public leaders more accountable to people who are affected by their decisions. Five years and four plays later, we offer this workbook as a practical guide to TSDC’s creative approach.

Word Count: 51178

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.

The Republic of Plato is one of the classic gateway texts into the study and practice of philosophy, and it is just the sort of book that has been able to arrest and redirect lives. How it has been able to do this, and whether or not it will be able to do this in your own case, is something you can only discover for yourself. The present guidebook aims to help a person get fairly deep, fairly quickly, into the project. It divides the dialogue into 96 sections and provides commentary on each section as well as questions for reflection and exploration. It is organized with a table of contents and is stitched together with a system of navigating bookmarks. Links to external sites such as the Perseus Classical Library are used throughout. This book is suitable for college courses or independent study.

Over the last 40 years, new managerial technologies in Western democratic societies have emerged to dominate our perceived and lived reality. Demands for autonomy and a creative life, which have been the touchstones for artistic endeavors, have been readily absorbed into management philosophies, becoming normative values for self-management and entrepreneurial innovation. Is this art’s triumph or demise? Can we imagine other worlds beyond our managed reality and propose forms of living not yet captured by the rationality of network capitalism? We will explore the “creative” figure and how it can shape renewed critical expressions in fields such as technology, design, science, philosophy, etc.

In this 28 day unit, students will gain background information on historic wars, compare different genres presentations of events, recognize different points of view, research an essential question, compile evidence, create warrants that lead to a claim which answers the essential question, and write an argumentative essay.

Brief overview of what Open Educational Resources are and how to search for and recognise OER. An introduction to the University of Edinburgh Open Education mission is also explored.

Word Count: 39268

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

This article examines the reading comprehension strategy known as making connections. It involves linking what is being read (the text) to what is already known (schema, or background knowledge). The author provides links to four online resources that will help readers use the strategy in K-5 science and literacy classrooms. The article appears in the free, online magazine Beyond Weather and the Water Cycle, which integrates science and literacy instruction.

In this lesson, students explore the first-person point of view through children's literature and images of Nepal. Students exhibit their understanding of first-person narrative by writing a children's story from the perspective of an inanimate object.

In this eight day unit, two illustrated children's books will be shared as a basis for comparison and contrast as students read, interpret, and analyze the box as a symbol. The books, Toni Morrison's The Big Box, and Ellen Levine's Henry's Freedom Box, will serve as the foundation as students examine opposites (inside/outside, freedom/slavery, free/trapped). Guided reading questions for both texts are provided. Students will learn to create a Venn diagram as a tool for organizing specific examples of literary comparison and contrast. During days 5-8, students will create an original short story, play, or poem about a box, and will include an illustration/representation of the box in this creative writing.

College Algebra or Liberal Arts math students are presented with a ConcepTest, a Question of the Day and a write-pair-share activity involving U.S. population growth. The results are quite revealing and show that while students may have learned how to perform the necessary calculations, their conceptual understanding concerning exponential growth may remain faulty. Student knowledge (or lack thereof) of the size of our population and its annual growth rate may also be surprising.

Filmed Shakespeare began in 1899, with Sir Herbert Beerbohm Tree performing the death scene from King John for the camera. Sarah Bernhardt, who had played Hamlet a number of times in her long career, filmed the duel scene for the Paris Exposition of 1900. In the era of silent film (1895-1929) several hundred Shakespeare films were made in England, France Germany and the United States, Even without the spoken word, Shakespeare was popular in the new medium. The first half-century of sound included many of the most highly regarded Shakespeare films, among them – Laurence Olivier’s Hamlet and Henry V, Orson Welles’ Othello and Chimes at Midnight, Kurosawa’s Throne of Blood, Polanski’s Macbeth and Zeffirelli’s Romeo and Juliet. We are now in the midst of an extremely rich and varied period for Shakespeare on film which began with the release of Kenneth Branagh’s Henry V in 1989 and includes such films as Richard Loncraine’s Richard III, Julie Taymor’s Titus, Zeffirelli and Almereyda’s Hamlet films, Baz Luhrmann’s William Shakespeare’s Romeo + Juliet, and Shakespeare in Love. The phenomenon of filmed Shakespeare raises many questions for literary and media studies about adaptation, authorship, the status of “classic” texts and their variant forms, the role of Shakespeare in youth and popular culture, and the transition from manuscript, book and stage to the modern medium of film and its recent digitally inflected forms.
Most of our work will involve individual and group analysis of the “film text” – that is, of specific sequences in the films, aided by videotape, DVD, the Shakespeare Electronic Archive, and some of the software tools for video annoatation developed by the MIT Shakespeare Project under the MIT-Microsoft iCampus Initiative.
We will study the films as works of art in their own right, and try to understand the means – literary, dramatic, performative, cinematic – by which they engage audiences and create meaning. With Shakespeare film as example, we will discuss how stories cross time, culture and media, and reflect on the benefits as well as the limitations of such migration.
The class will be conducted as a structured discussion, punctuated by student presentations and “mini-lectures” by the instructor. Students will introduce discussions, prepare clips and examples, and the major “written” work will take the form of presentations to the class and multimedia annotations as well as conventional short essays.
The methodological bias of the class is close “reading” of both text and film. This is a class in which your insights will form a major part of the work and will be the basis of a large fraction of class discussion. You will need to read carefully, to watch and listen to the films carefully, and develop effective ways of conveying your ideas to the class.

(Nota: Esta es una traducción de un recurso educativo abierto creado por el Departamento de Educación del Estado de Nueva York (NYSED) como parte del proyecto "EngageNY" en 2013. Aunque el recurso real fue traducido por personas, la siguiente descripción se tradujo del inglés original usando Google Translate para ayudar a los usuarios potenciales a decidir si se adapta a sus necesidades y puede contener errores gramaticales o lingüísticos. La descripción original en inglés también se proporciona a continuación.)

Para ayudar a los educadores con la implementación del Core Common Core, el Departamento de Educación del Estado de Nueva York proporciona módulos curriculares en las artes del lenguaje y las matemáticas del idioma inglés P-12 que las escuelas y los distritos pueden adoptar o adaptarse para fines locales. El plan de estudios de matemática del año completo del grado 6 está disponible en los enlaces del módulo

Encuentre el resto de los recursos Engageny ELA en https://archive.org/details/engageny-ela-archive.

English Description:
In order to assist educators with the implementation of the Common Core, the New York State Education Department provides curricular modules in P-12 English Language Arts and Mathematics that schools and districts can adopt or adapt for local purposes. The full year of Grade 6 Mathematics curriculum is available from the module links

Find the rest of the EngageNY ELA resources at https://archive.org/details/engageny-ela-archive .

Many tests will require you to write a timed essay. You may feel panicked at the idea of having to produce a high-quality essay under a tight time constraint. But you can relax: this video shows you four basic steps to follow so that you can write a great essay quickly.