Road to Doha explores critical environmental issues through addressing the driving question “How do we, as youth, impact climate change in our communities?”

TED Studies, created in collaboration with Wiley, are curated video collections — supplemented by rich educational materials — for students, educators and self-guided learners. In Cyber-Influence and Power, activists, academics and statesmen come together at TED to delve into new ideas about how power and influence come about in the digital age. With them, we'll consider how communications technology is fueling transnational organizations and movements with inspiring and disturbing effects. 

Included are two weeks lesson plans discussing the European division of the Middle East into separate, semi-autonomous states immediately following the First World War and on the subsequent efforts of the peoples of the region to secure their independence. During this unit, you will complete a country project that will examine how one of the region’s states became independent. This assignment is broken into two steps: the preliminary assignment and the essay assignment. During the first week of this unit, you will complete the preliminary assignment by choosing the country on which you will focus and by producing a brief, annotated bibliography listing the sources that you plan to use and assessing their utility for your paper. During the second week, you will complete a four-to-five-page essay in which you will use the sources listed in your annotated bibliography to explain how the state you have chosen became independent. Students who produce essays of high quality will be invited to share their research on an open-education wiki page designed to provide material for high-school students studying the history of the MIddle East.

The Suez Canal was completed in 1869 to connect the Mediterranean and Red Seas, creating an essential waterway for global trade, as ships no longer had to navigate around the Horn of Africa.

At the time it opened, the canal was 164 kilometers, or roughly 100 miles, long. Without the canal, the circumnavigation around Africa is 9,654 kilometers or 6,000 miles. For most of its existence, the canal was managed by the Suez Canal Company which was owned by Great Britain and France.

On July 26, 1956, Egyptian president Gamal Abdel Nassar nationalized the canal, intending to take control of the canal’s operation and its revenue.

The world was still recovering from World War II with new national border conflicts and the onset of the Cold War. Many nations depended on the Suez Canal, especially Great Britain and France.

How would they manage their economic and political interests while avoiding conflict?

How would the United States and the Soviet Union support Nassar’s quest for Egypt’s sovereignty and Israel?

How would Great Britain, France, the United States, Israel, and the Soviet Union manage their own economic and political interests while avoiding military conflict?

How would Egypt preserve its national sovereignty?

In this historical scenario, students will have to overcome differing national interests to maintain global security and peace. The exercise will develop skills in leadership, collaboration, composure, analysis, communication, awareness, management, innovation, and advocacy.

The History of the Middle East is a single volume account of the Middle East's development from the time of Muhammad to the eve of the 2001 al-Qaeda attacks. It is intended to serve as the main textbook for a single semester or term class and is designed to be accessible to students who do not possess prior knowledge of the region or its history.

Version 1.1 published September 12, 2024. Minor revisions for clarity as well as the addition of images, maps, a glossary, and a bibliography.

Version 1.01 published June 13, 2023. Minor revisions throughout for clarity; corrections to some footnotes.

Version 1.0 published May 8, 2023

International Women’s Voices has several objectives. It introduces students to a variety of works by contemporary women writers from Asia, Africa, the Middle East, Latin America and North America. The emphasis is on non-western writers. The readings are chosen to encourage students to think about how each author’s work reflects a distinct cultural heritage and to what extent, if any, we can identify a female voice that transcends national cultures. In lectures and readings distributed in class, students learn about the history and culture of each of the countries these authors represent. The way in which colonialism, religion, nation formation and language influence each writer is a major concern of this course. In addition, students examine the patterns of socialization of women in patriarchal cultures, and how, in the imaginary world, authors resolve or understand the relationship of the characters to love, work, identity, sex roles, marriage, and politics.

This course is an introduction to Islam from the perspective of media and sound studies, intended for advanced undergraduates and graduate students. From the time of the Prophet Muhammad, Islam in its various manifestations has had a complex relationship with media. While much contemporary writing focuses on Islam in the media, this course explores how many aspects of Islamic practice and thinking might be understood as media technologies that facilitate the inscription, storage and transmission of knowledge. Central questions include: How do Islam and media technologies relate? What kinds of practices of inscription and transmission characterize Islam in all its varieties across time and place? How might Islamic thought and practice be understood in light of databases, networks, and audiovisual sensation? Given the rich diversity in Islam historically and geographically, emphasis will be placed on these interconnected but divergent practices from the earliest revelations of the Qur’an to contemporary Islamist political movements, with geographies spanning from Indonesia to the Middle East and North Africa, as well as in Europe and North America. In addition to exploring these themes through reading and writing, students will be encouraged to complete course assignments and projects in media, using audiovisual documentary or composition as a means of responding to the course themes.

This course aims to provide students with a general overview of basic themes and issues in Middle Eastern history from the rise of Islam to the present, with an emphasis on the encounters and exchanges between the “Middle East” (Southwest Asia and North Africa) and the “West” (Europe and the United States).

Trade was critical to Old Babylonia, where many highly prized natural resources were scarce but agricultural goods were in surplus. A vibrant trading system developed, bringing manufactured goods and raw materials from as far as Turkey, and even India, 1500 miles away. Trade became integral to the economy and the culture. In this lesson, students explore the trade industry in Old Babylonia and its far-flung influence.

This kit covers stereotyping of Arab people, the Arab/Israeli conflict, the war in Iraq and militant Muslim movements. Students will learn core information and vocabulary about the historical and contemporary Middle East issues that challenge stereotypical, simplistic and uninformed thinking, and political and ethical issues involving the role of media in constructing knowledge, evaluating historical truths, and objectivity and subjectivity in journalism.

This course surveys the history of the Middle East, from the end of the 19th century to the present. It examines major political, social, intellectual and cultural issues and practices. It also focuses on important events, movements, and ideas that prevailed during the last century and affect its current realities.

Review of OER textbook edited by Anh Nga Longva and Anne Sofie Roald that covers the material's comprehensiveness, content accuracy, relevance/longevity, clarity, consistency, modularity, organization structure flow, interface, grammatical errors, and cultural relevance.

Engage middle school students in a meaningful study of the lives of students from across the globe through the use of contemporary nonfiction and fiction. Students create personal autobiographies, sequence story events, and prepare well-crafted summaries while learning to use higher-level comprehension strategies such as Question-Answer Relationships and the Bio-Cube. Additionally, students conduct a critical study of the NCSS Notable Tradebook Nasreen̍s Secret School: A True Story From Afghanistan by Jeanette Winter, comparing and contrasting their own lives to Nasreen̍s and expanding their geographical knowledge of the Middle East.

Students will be able to identify and explain significant historical events in Iran and Iraq by creating an individual online RAFT activity.

Information regarding the current refugee crisis. Addresses causes for concern and debunks common myths about the refugee program.

This course provides a global history of South Asians and introduces students to the cultural, social, economic, and political experiences of immigrants who traveled across the world. It studies how and why South Asians, who have migrated to America, Europe, Africa, the Caribbean and the Middle East, are considered a model minority in some countries and unwanted strangers in others. Through literature, memoirs, films, music, and historical writing, it follows South Asian migrants as they discovered the world beyond India, Pakistan, and Bangladesh.

The purpose of this lesson is to encourage students to examine various aspects of cultural identity. The students will view the film Turbans, which focuses on a Sikh family's immigration to Oregon in the early 1900s.

VISUAL CULTURES OF THE MIDDLE EAST MOVING IMAGES FROM DAGUERREOTYPES TO SMARTPHONES:
This course examines changing technologies of image capture/(re)production/circulation in the Middle East from the turn of the century through today. We examine historical moments through an appreciation of changing technological advancements of visual material. From changing printing practices on postcards, consumer grade cameras, increasing photographs in periodicals, TVs & VHS, leading up to networked technologies and the digital morass in which we now live. Across the course, emergent technological capabilities of visuality become entwined in issues of nationalism, revolt, consumerism, tourism, changing gender roles, and boundaries of sexuality.
The second half of the course focuses on the contemporary landscape of smartphones/internet/apps/digitality and the dizzying array of visual material in which we now drown. From protests to citizen journalists, emergent political movements and social media on smartphones, from Grindr to surveillance, selfies, & sex.
Finally, there is an emphasis for students to develop and integrate visual material in their developing research agendas. We will explore some visual methods across the course and you will learn how to create a digital story paying special attention to not simply using visual material as the "representation" of your argument.

This semester, we will read writing about travel and place from Columbus’s Diario through the present. Travel writing has some special features that will shape both the content and the work for this subject: reflecting the point of view, narrative choices, and style of individuals, it also responds to the pressures of a real world only marginally under their control. Whether the traveler is a curious tourist, the leader of a national expedition, or a starving, half-naked survivor, the encounter with place shapes what travel writing can be. Accordingly, we will pay attention not only to narrative texts but to maps, objects, archives, and facts of various kinds.
Our materials are organized around three regions: North America, Africa and the Atlantic world, the Arctic and Antarctic. The historical scope of these readings will allow us to know something not only about the experiences and writing strategies of individual travelers, but about the progressive integration of these regions into global economic, political, and knowledge systems. Whether we are looking at the production of an Inuit film for global audiences, or the mapping of a route across the North American continent by water, these materials do more than simply record or narrate experiences and territories: they also participate in shaping the world and what it means to us.
Authors will include Olaudah Equiano, Caryl Philips, Claude Lévi-Strauss, Joseph Conrad, Jamaica Kincaid, William Least Heat Moon, Louise Erdrich, Álvar Núñez Cabeza de Vaca.
Expeditions will include those of Lewis and Clark (North America), Henry Morton Stanley (Africa), Ernest Shackleton and Robert F. Scott (Antarctica).