In this lesson, students will discuss how the ideals of the Harlem Renaissance and Locke's New Negro were exemplified by the poetry of Langston Hughes. Specifically, they will examine how Hughes incorporated the vernacular tradition of the Blues in his work, and identify the literary techniques Hughes employs to make his poetry so vivid.

This lesson will teach students how to do research and then get them to collaborate on creating movement based on what they have learned. Students will be placed in groups of 3. They will work on this project over the course of 4 - 1.30 class periods.

The student will use the poetry of Phillis Wheatley, Jacqueline Woodson, Countee Cullen, and Amanda Gorman to draw conclusions about the historic eras in which they wrote.

This resource intends to help students understand how parallelism is about more than mechanics and actually central to building thematic concepts.  

Jacob Lawrence, The Migration Series, 1940-41, 60 panels, tempera on hardboard (even numbers at The Museum of Modern Art, odd numbers at the Phillips Collection) Speakers: Dr. Steven Zucker and Dr. Beth Harris.

Rationale - to supplement the study of Langston Hughes’s poetry (especially “The Negro Speaks of Rivers”) and the Harlem Renaissance, students will view and respond to Jonathan Green’s Crash Course lesson about the Harlem Renaissance and Langston Hughes. The Harlem Renaissance mini-unit supplements Fitzgerald’s The Great Gatsby.

This photograph of a sculpture of Mary McLeod Bethune by Selma Hortense Burke is part of Harmon Foundation Collection. The Harmon Foundation, a nonprofit, private foundation active from 1922 to 1967, helped foster an awareness of African art. African artists would send their artworks to the United States for exhibit and sale. When the foundation ended its activities in 1967, it donated its entire collection of motion pictures, filmstrips, color slides, and black and white prints and negatives on a variety of subjects to the National Archives. Selma Hortense Burke (b. December 31, 1900, Mooresville, North Carolina - d. August 29, 1995, New Hope, Pennsylvania) was an American sculptor, educator, and member of the Harlem Renaissance movement. Burke created many pieces of public art, often portraits of prominent African-American figures like Duke Ellington, Mary McLeod Bethune and Booker T. Washington. She received national recognition for her relief portrait of Franklin Delano Roosevelt, which was the model for his image on the dime. In 1979, Burke was awarded the Women's Caucus for Art Lifetime Achievement Award.Learn more on our main National Archives website.

This collection uses primary sources to explore Zora Neale Hurston's Their Eyes Were Watching God. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

This collection uses primary sources to explore visual art during the Harlem Renaissance. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

Professor Kate Rushin describes the Harlem Renaissance as a large social and cultural movement fueled by many factors in this video from A Walk Through Harlem.